‘Merrily We Roll Along’ review: Infamous Sondheim flop is a smash
10.10.2023 - 18:49
/ nypost.com
Stephen Sondheim’s 1981 show, which was a 16-performance flop when it began its life, has, against all odds, only improved as the years have rolled on. It’s better and more youthfully optimistic now than it ever was before.
Two hours and 45 minutes with one 15-minute intermission. At the Hudson Theatre, 141 W.
44th St.Were you to walk in cold to Broadway’s first-ever “Merrily” revival that opens Tuesday night at the Hudson Theatre, you would never know about the gossip-ridden preview period during the 1980s, the calamitous early closing for the celebrated composer of “Sweeney Todd” and director Harold Prince and the decades of trial-and-error rewrites that followed. None of that.You would, however, be often intensely moved observing a once-airtight friendship deflate backwards, as the scenes play out in reverse order.
You would be floored by the acting of Jonathan Groff, Daniel Radcliffe and Lindsay Mendez, whose perfect chemistry is acting alchemy. And you would be dead certain you did not just sit through a perfunctory trotting-out of a notorious Broadway disaster, but one of the best and most alive musicals of the season.Sondheim’s opening lyric, “yesterday is done,” couldn’t be truer or as welcomed as it is here.The stunning turnaround for “Merrily” is owed not only to the passage of time, but a refreshingly realistic approach from director Maria Friedman.
Only four years ago, Fiasco Theater’s slimmed-down off-Broadway revival yet again exposed the show’s most glaring flaw: Furth’s hokey and unsubtle book. Sondheim’s lush and propulsive score, as is often the case, couldn’t overcome the gaudy retro-ness of the script, not to mention actors’ tendency to overplay scenes.“Merrily,” therefore, has always been a weirdly
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