Martin Scorsese, David Tedeschi’s Music Film ‘Personality Crisis’ to Screen at IDFA

Personality Crisis: One Night Only, directed by Martin Scorsese and David Tedeschi, is a documentary that follows punk pioneer David Johansen, which premiered at NYFF60. The film follows Johansen, who, during his residency in New York City in 2020, gave a detailed account of his life, how he navigated the music scene from the 1970s up to the present day, and why music is integral to his existence. 

Martin Scorsese is reportedly working on a new Gangs Of New York television series.According to Deadline, the director will serve as an executive producer for the latest adaptation of Herbert Asbury’s 1927 novel.Reports suggest that Scorsese will also direct the first two episodes of the Miramax  Television-developed series.Scorsese has previously directed a film of the book in 2002 starring Leonardo Di Caprio as Amsterdam Vallon and Daniel Day-Lewis as local villain Bill ‘The Butcher’ Cutting. It was nominated for ten Oscars.The script for the new series will be written by Brett Keonard (Shantaram) and is said to focus on a different story to that presented in Scorsese’s feature film.Talk of a different Gangs Of New York series first emerged in 2013, to which Scorsese was also attached. Scorsese said of that in a statement at the time: “This time and era of America’s history and heritage is rich with characters and stories that we could not fully explore in a two-hour film.

Twenty years ago, Martin Scorsese and Miramax released “Gangs Of New York” to solid acclaim and box-office numbers. Most critics thought it fell short of Scorsese’s most triumphant works but praised the film’s densely realized sets and costume design.

Martin Scorsese gave a long shout-out to the NYFF and the art of cinema on stage at Avery Fisher Hall as the fest celebrated its 60th anniversary with the world premiere of his latest documentary, Personality Crisis: One Night Only. It followed a screening of Armageddon Time, another New York story by native New Yorker James Gray.

Zack Sharf Martin Scorsese railed against box office numbers during a recent appearance at the New York Film Festival (via IndieWire). The Oscar-winning filmmaker called the industry’s obsession with box office grosses both “repulsive” and “really insulting.” Scorsese praised the festival for championing filmmaking at a time when “cinema is devalued, demeaned, belittled from all sides, not necessarily the business side but certainly the art.” “Since the ’80s, there’s been a focus on numbers. It’s kind of repulsive,” Scorsese said. “The cost of a movie is one thing. Understand that a film costs a certain amount, they expect to at least get the amount back… The emphasis is now on numbers, cost, the opening weekend, how much it made in the U.S.A., how much it made in England, how much it made in Asia, how much it made in the entire world, how many viewers it got. As a filmmaker, and as a person who can’t imagine life without cinema, I always find it really insulting.”

Martin Scorsese was at the New York Film Festival last night to introduce his new documentary with David Tedeschi, “Personality Crisis: One Night Only,” about the legendary proto-punk band The New York Dolls. Scorsese in his hometown at NYFF? That’s awesome enough.

First, a confession: I came to “Personality Crisis: One Night Only,” knowing next to nothing about the New York Dolls or its lead singer, David Johansen. Sure I’d heard of them and heard a fair amount of the Dolls’ music, and Johansen’s, and that of his alter ego Buster Poindexter (including the once-ubiquitous “Hot Hot Hot,” which he now calls “the bane of my existence”).  For this viewer— and, for I suspect, a fair number of others — the draw of “Personality Crisis” is Martin Scorsese, who co-directs with his frequent collaborator David Tedeschi.

EXCLUSIVE: Nick Nolte (Graves) and Jacqueline Bisset (Birds of Paradise) will star alongside Oliver Masucci (Fantastic Bests: The Secrets of Dumbledore) in Shelter Me, a pandemic-set psychological drama marking the directorial debut of actor Jake Weber (Those Who Wish Me Dead, Dawn of the Dead).

The Santa Fe International Film Festival is set to screen Night of the Cooters, the short film produced by George R.R. Martin and directed by Vincent D’Onofrio. Martin and D’Onofrio will attend the event for a Q&A scheduled for Wednesday, October 19 at the Jean Cocteau Cinema.

fellow filmmaker and best director winner Martin Scorsese who was ripped in The Critic for “lazily” making mob movies and other projects that are “routinely an hour too long.”Putting it rather bluntly, del Toro Tweeted “If God offered to shorten my life to lengthen Scorsese’s- I’d take the deal.” “This man understands Cinema. Defends Cinema. Embodies Cinema.

Over a decade ago, Martin Scorsese and Leonardo DiCaprio’s Appian Way partnered to bring “Devil In The White City,” the true story of America’s first serial killer, Dr. H.

The Devil In The White City, according to sources.The Matrix star was first attached to the role back in January of this year, with Hulu’s upcoming take on Erik Larson’s 2003 book set to mark his first major US TV role.The big-budget adaption of The Devil In The White City has been through various stages of development since Leonardo DiCaprio bought the film rights to the book back in 2010. DiCaprio now serves as an executive producer on the project alongside Scorsese, with the adaptation previously set up as a feature at Paramount.According to Variety, Reeves will now no longer participate in the series, and representatives for both the actor and Hulu declined to comment thus far.

Near the beginning of Sean Egan’s recently-published piece in the U.K. publication The Critic, are the following assertions: “new Scorsese films are routinely an hour too long…his directorial talent has never been as great as occasional masterpieces like Goodfellas (1990) tricked us into believing it was.”

EXCLUSIVE: Music Box Films has acquired North American rights to SXSW road-trip drama The Unknown Country starring Certain Women and Killers of the Flower Moon actress Lily Gladstone and Raymond Lee (Top Gun: Maverick).

More than a decade ago, Martin McDonagh wowed audiences with his black comedy, “In Bruges.” That film features incredible performances from Colin Farrell and Brendan Gleeson, and instantly made McDonagh one of the most exciting filmmakers working today. And since then, film fans have been hoping to see the filmmaker replicate that same tone and feeling in a new project.

Anna Marie de la Fuente In a clear vote of confidence for Colombian director Juan Sebastián Mesa, Bordeaux-based Dublin Films has boarded his third film “Lovers Go Home!” The company also co-produced Mesa’s lauded sophomore pic, “The Rust.” “Lovers Go Home!” centers on a Colombian single mom who leads a double life as a webcammer. One day she meets a U.S. veteran online who becomes obsessed with her. He flies to Colombia to meet her in person. Their meeting makes them reflect on who they truly are. In development, the project participated in this year’s Europe-Latin America Co-Production Forum, one of San Sebastian Film Festival’s key industry events, which ran over Sept. 19-21. 

Marsai Martin, the sports fantasy film follows Callie A. Coleman (Martin), who discovers that she can magically control her father’s (Omari Hardwick) performance as a running back for the Atlanta Falcons. Along with Martin and Hardwick, the film stars Kelly Rowland, Rome Flynn, Elijah Richardson, Hanani Taylor, Abigail Killmeier, Tyla Harris and Isac Ivan. “Fantasy Football” is produced in partnership with The SpringHill Company and Genius Entertainment. Based on an original screenplay by Richard T. Jones, Jeremy Loethen and Tim Olgetree, the film is directed by Anton Cropper and written by Zoe Marshall, Dan Gurewitch and David Young. LeBron James, Spencer Beighley, Jamal Henderson, Marsai Martin, Joshua Martin and Timothy Bourne produce, while Maverick Carter and Jamila Jordan-Theus serve as executive producers.

The International Documentary Film Festival Amsterdam (IDFA) has teased 100 films that will be showcased in its 35th edition, running November 9–20

David Cronenberg returned in a big way this year with “Crimes Of The Future,” his first film since 2014’s “Map To The Stars.” And Cronenberg has more projects on the way. He shopped around “The Shrouds” and a television adaptation of his 2015 novel “Consumed” at the Cannes Film Festival before the world premiere of “Future.” “The Shrouds” comes first, and at the San Sebastian Film Festival, Cronenberg shed some light on the project.