Guillermo Del Toro Challenges Critic’s “Offensive, Cruel And Ill-Intentioned” Analysis Of Martin Scorsese’s Films

It’s been too long since a show like “Masters of Horror” allowed twisted auteurs a platform to explore the themes and images that haunt them. Enter Guillermo del Toro, the Oscar-winning director who has gifted his fans with Netflix’s “Guillermo del Toro’s Cabinet of Curiosities,” even writing two episodes and introducing each of them like a modern Rod Serling.

disastrously received rendition) as a “family movie” that “does not shy away from dark themes of death and war,” per Insider.

Guillermo Del Toro has opened up about the special connection he had with his mom over Pinocchio.

Martin Scorsese is reportedly working on a new Gangs Of New York television series.According to Deadline, the director will serve as an executive producer for the latest adaptation of Herbert Asbury’s 1927 novel.Reports suggest that Scorsese will also direct the first two episodes of the Miramax  Television-developed series.Scorsese has previously directed a film of the book in 2002 starring Leonardo Di Caprio as Amsterdam Vallon and Daniel Day-Lewis as local villain Bill ‘The Butcher’ Cutting. It was nominated for ten Oscars.The script for the new series will be written by Brett Keonard (Shantaram) and is said to focus on a different story to that presented in Scorsese’s feature film.Talk of a different Gangs Of New York series first emerged in 2013, to which Scorsese was also attached. Scorsese said of that in a statement at the time: “This time and era of America’s history and heritage is rich with characters and stories that we could not fully explore in a two-hour film.

“All good things require patience,” Gepetto (David Bradley) lovingly tells his young son, Carlo (Gregory Mann). The exact same words must have been uttered by Guillermo del Toro to himself countless times over the fourteen years he spent working on his dream project, a stop-motion adaptation of Carlo Collodi’s 1886 classic tale, “The Adventures of Pinocchio.” The Mexican auteur, a well-known lover and supporter of animation, first fell in love with the tale of the wooden puppet who wished to be a real boy when he was a boy himself, going to the local cinema with his mother in Guadalajara (“Animation is a medium, not a genre.

at the world premiere of his animated film Pinocchio just one day after she died.Guadalupe Gómez passed away on Friday (October 14) shortly before the opening of Pinocchio at BFI London Film Festival yesterday (October 15).According to Variety, del Toro, the visionary director behind films including Pan’s Labyrinth and The Shape Of Water, became emotional as he revealed the news to the audience.“I just want to say, my mother just passed away, and this was very special for her and me,” del Toro said. “This is not only the first time you’ll see the movie, it’s the first time she’ll see the movie with us.

Rafaela Sales Ross Guest Contributor After a 14-year uphill battle, Mexican auteur Guillermo del Toro was finally able to share his dream project with an audience as “Pinocchio” (officially titled “Guillermo del Toro’s Pinocchio”) had its world premiere at the BFI London Film Festival. Taking the stage before the premiere, del Toro spoke of his connection to the story: “I saw the film as a kid and it’s a film that bonded me with my mom for an entire life. It affected me because Pinocchio saw the world the way I saw it. I was a little bit enraged that people demand obedience from Pinocchio so I wanted to make a film about disobedience as a virtue, and to say that you shouldn’t change to be loved.”

An enthusiastic rendition of Happy Birthday rang through the auditorium at the world premiere of Guillermo del Toro’s Pinocchio as the London audience was informed Gregory Mann, the film’s lead voice actor, had just turned 13. 

As you might expect from the billing, Guillermo del Toro’s Pinocchio — which had its world premiere at the BFI London Film Festival today — is a very different beast to the 1940 Disney animation, and just as cavalier with the picaresque elements of Carlo Collodi’s 1883 novel. The factor that unifies all three is that the main character — a wooden puppet blessed with life — longs to be a real, human boy, but it’s no spoiler to reveal that del Toro, champion of monsters and misfits, doesn’t see the appeal of that. 

Guy Lodge Film Critic The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t slap their own names on “Bram Stoker’s Dracula” and “William Shakespeare’s Romeo + Juliet,” respectively. Still, you can hardly blame del Toro’s stop-motion spin on Carlo Collodi’s 19th-century chestnut “The Adventures of Pinocchio” for wanting to advertise its distinguishing vision up top: After umpteen tellings of the wooden-boy tale, and coming on the heels of Robert Zemeckis’ wretched Disney remake, Netflix’s rival adaptation has to announce itself as something different. That it is; it’s often delightful too.

Twenty years ago, Martin Scorsese and Miramax released “Gangs Of New York” to solid acclaim and box-office numbers. Most critics thought it fell short of Scorsese’s most triumphant works but praised the film’s densely realized sets and costume design.

Martin Scorsese gave a long shout-out to the NYFF and the art of cinema on stage at Avery Fisher Hall as the fest celebrated its 60th anniversary with the world premiere of his latest documentary, Personality Crisis: One Night Only. It followed a screening of Armageddon Time, another New York story by native New Yorker James Gray.

Martin Scorsese was at the New York Film Festival last night to introduce his new documentary with David Tedeschi, “Personality Crisis: One Night Only,” about the legendary proto-punk band The New York Dolls. Scorsese in his hometown at NYFF? That’s awesome enough.

First, a confession: I came to “Personality Crisis: One Night Only,” knowing next to nothing about the New York Dolls or its lead singer, David Johansen. Sure I’d heard of them and heard a fair amount of the Dolls’ music, and Johansen’s, and that of his alter ego Buster Poindexter (including the once-ubiquitous “Hot Hot Hot,” which he now calls “the bane of my existence”).  For this viewer— and, for I suspect, a fair number of others — the draw of “Personality Crisis” is Martin Scorsese, who co-directs with his frequent collaborator David Tedeschi.

EXCLUSIVE: Guillermo del Toro will add a further string to his bow this season as part of the songwriting team behind the music of Pinocchio. Del Toro directs his warm and wild stop-motion animated adaptation of the classic story from Carlo Collodi with Mark Gustafson (Fantastic Mr. Fox). It is a project the Oscar-winning filmmaker has nurtured for years, and he also co-wrote the screenplay with Patrick McHale. The film makes its world premiere at the London Film Festival on Saturday.

fellow filmmaker and best director winner Martin Scorsese who was ripped in The Critic for “lazily” making mob movies and other projects that are “routinely an hour too long.”Putting it rather bluntly, del Toro Tweeted “If God offered to shorten my life to lengthen Scorsese’s- I’d take the deal.” “This man understands Cinema. Defends Cinema. Embodies Cinema.

Over a decade ago, Martin Scorsese and Leonardo DiCaprio’s Appian Way partnered to bring “Devil In The White City,” the true story of America’s first serial killer, Dr. H.

The Devil In The White City, according to sources.The Matrix star was first attached to the role back in January of this year, with Hulu’s upcoming take on Erik Larson’s 2003 book set to mark his first major US TV role.The big-budget adaption of The Devil In The White City has been through various stages of development since Leonardo DiCaprio bought the film rights to the book back in 2010. DiCaprio now serves as an executive producer on the project alongside Scorsese, with the adaptation previously set up as a feature at Paramount.According to Variety, Reeves will now no longer participate in the series, and representatives for both the actor and Hulu declined to comment thus far.