Marta Ezpeleta Promoted to Mediapro Studio CEO, Taking Up the Position in 2025

Jazz Tangcay Artisans Editor The Palm Springs International ShortFest has announced the juried and audience award winners for its 2024 edition, which took place June 18-24. Over $25,000 in cash prizes and five Academy Award-qualifying honors were presented to the winning films, which included Esteban Pedraza’s “Bogotá Story” and Jadwiga Kowalska’s animated film “The Car That Came Back from the Sea.” See a full list of winners below.

John Hopewell Chief International Correspondent Making further inroads into markets in Central and Eastern Europe and beyond, Studiocanal, one of Europe’s top production-distribution-international sales powerhouses, has clinched further sales on premium daily drama “The Vow” (“La Promesa”), closing Poland and two Baltic States, as well as France. Produced by Spain’s Bambú Producciones (“Velvet,” “Cable Girls”), a Studiocanal company, Studiocanal and national Spanish public broadcaster RTVE, “The Vow” has been acquired by Polish pubcaster TVP Poland, state-backed network ERR Estonia and state-owned LTV Latvia. In additional new sales, Dubai TV has closed rights to MENA territories.

Patrick Frater Asia Bureau Chief A jury headed by French Vietnamese director Tranh Anh Hung awarded its Golden Goblet (Jin Jue) prizes for the Shanghai International Film Festival’s main competition. The top prize for best feature went to “The Divorce,” directed by Kazakhstan’s Daniyar Salamat. The jury praised the film for its sophisticated story-telling which mixes comedy, farce and tragedy, and “which moves fluidly from public sphere to the intimate relationship of a couple in crisis” and its feeling of innocence.

John Hopewell Chief International Correspondent TOLEDO, Spain — Delivering a masterclass on the first full day of Conecta Fiction in Spain’s Toledo, Javiera Balmaceda – Amazon Studios’ head of international originals, Latin America – underscored one of the perils of frequent air travel, in her case around South America: a voice reduced at times to a near gasp. All credit to her; she soldiered on, and her ideas came over loud and clear. Takeaways from her masterclass, one of the highlights of early Conecta Fiction.

Emiliano De Pablos Germany’s Pixable Studios has boarded coming of age “Finisterra,” one of the TV series projects which Portuguese outfit Take It Easy is promoting at this year’s Conecta Fiction & Entertainment edition. Lisbon-based Take It Easy produced Oscar-shortlisted LGBTQ+ live action short “An Avocado Pit,” executive produced by Elliot Page. “Finisterra” has just entered into post-production and will be ready for delivery by January.

John Hopewell Chief International Correspondent TOLEDO, Spain — Brazil’s Ventre Studio is readying a powerful slate of scripted series mining the rapidly growing Portugal-Brazil co-production axis, which Ventre itself has helped forge with “Godless John,” produced by Ventre Studio and Canal Brasil as well as Coral Europa and TVI in Portugal. First up in titles is dramedic mini-series “Coligay,” directed by Oscar-nominated Paulo Machline (“A Soccer Story”) and Rafael Gomes, helmer of LGBTQ romantic drama “45 Days Away From You.” Canal Brasil has boarded “Coligay” licensing Brazilian first window TV rights.

The Grand Jury Prize for International Competition at Sheffield DocFest has gone to At the Door of the House, Who Will Come Knocking, the feature directorial debut of Maja Novaković, a filmmaker from Bosnia-Herzegovina.

Patrick Frater Asia Bureau Chief Along with a red-carpet opening ceremony, a press conference with the members of the main competition jury is a staple event of major film festivals and the 26th edition of the Shanghai International Film Festival kicked off in traditional form on Friday. Along with Vietnam-French director Tran Anh Hung, previously revealed as jury president, the other members of the decisive committee this year are: Australian director and screenwriter Rolf de Heer; German director Matthias Glasner; Hong Kong actor Tony Leung Ka Fai; Argentinian director Santiago Mitre; Chinese director Sonthar Gyal; and, the jury’s only woman, star actor Zhou Xun. A packed audience lobbed familiar questions about the criteria they jurors would employ to decide the Golden Goblet prize winners, and what informs those views.

Inside Out 2” just scored the biggest box office previews of 2024. Disney and Pixar‘s latest animated outing grossed $13 million in Thursday previews domestically, with $22.3 million worldwide. The family-friendly sequel is projected to launch between $80 million and $90 million this weekend.

Elsa Keslassy International Correspondent Warner Bros. Pictures has acquired Pedro Almodóvar’s English-language film debut “The Room Next Door” for key international territories, including the U.K., Spain, Italy, Germany and Latin America. Starring Julianne Moore, Tilda Swinton and John Turturro, “The Room Next Door” will also be released by Warner Bros.

EXCLUSIVE: The Munich International Film Festival has set an eclectic trio of world premieres for its upcoming 41st edition. Harley Chamandy’s Allen Sunshine, Jamie Kastner feature doc The Spoils and Davi Pretto’s Continente will each premiere, Deadline can reveal.

EXCLUSIVE: Kartoon Studios has struck its first deal with an AI dubbing platform.

Marta Ezpeleta will be the next CEO of The Head and Paraíso producer The Mediapro Studio.

Annika Pham Toronto-based Syndicado Film Sales has picked up international rights to “Petroleo,” the fiction debut of doc Spanish filmmaker Álvaro F. Pulpeiro, lauded worldwide for his sensory and lyrical filmmaking, most recently displayed in the CPH:DOX-selected “So Foul a Sky.” The Galician-born filmmaker said the project was significantly influenced by Pier Paolo Pasolini’s unfinished book “Petrolio,” will draw inspiration “from Michelangelo Antonioni’s “The Passenger” (1975), the visual intensity of “Apocalypse Now” (1979) and the digital noir of “Miami Vice” (2006).” “Petroleo” will compete for the €30,000 ($32,700) Filmin Award for best title in the Film to Come section at the inaugural ECAM Forum co-production market, unspooling June 10-15 in Madrid.

Annika Pham Leading Barcelona-based production outfit Oberon Media (“Wild Flowers, “Holy Mother”) has confirmed co-financiers on “The Turtles” (“Los Tortuga”), the anticipated sophomore feature by the multi-prized Spanish filmmaker Belén Funes (“A Thief’s Daughter”). Besides sales agent Film Factory Entertainment and Spanish distributor A Contracorriente Films who came on board at an early stage, the round of co-financiers includespublic broadcasters RTVE for Spain, TVC (Televisió de Catalunya) for Catalonia and Andalusia’s Canal Sur, as well as Spanish pay TV/SVOD operator Movistar Plus+.

EXCLUSIVE: The movie Donald Trump doesn’t want people to see is going global.

It’s not all doom and gloom at the global box office as a handful of films reached milestones this week. 20th Century Studios/Disney’s Kingdom of the Planet of the Apes has topped $300M worldwide, while Paramount’s IF and Sony/Alcon’s The Garfield Movie crossed the $100M mark.

John Hopewell Chief International Correspondent A Berlin Generation Crystal Bear winner and the first foray into film of the Fremantle-backed The Immigrant, Sofía Auza’s “Adolfo” saw its premiere Monday night in Mexico City. With Fremantle handling international distribution, “Adolfo” has a lot to celebrate. Auza’s first feature, it also took best feature at Stockholm, screened as opening night film at last year’s TIFF Next Wave Festival and, testing home market waters, scooped best actress for Rocío de la Mañana at Mexico’s Guadalajara Festival in June.

Rebecca Rubin Senior Film and Media Reporter “Furiosa: A Mad Max Saga” is stalling at the international box office with $33.3 million from 75 territories. The fifth entry in director George Miller’s post-apocalyptic series has generated $58.9 million globally in its first weekend of release, a rough start given its $168 million production budget. Domestically, the Warner Bros.

Leo Barraclough International Features Editor The Match Factory has finalized global sales for the Cannes competition title “The Substance,” directed by Coralie Fargeat and starring Demi Moore, Margaret Qualley and Dennis Quaid. The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), CIS (VLG.FILM LTD.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (MCF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).