EXCLUSIVE: Trailers, posters and global marketing campaigns from the likes of Focus Features’ Last Night In Soho, Netflix’s Ozark and Amazon Prime Video’s The Tomorrow War were among the winners Saturday at the inaugural World Trailer Awards.
08.02.2022 - 14:01 / variety.com
Emilio Mayorga Rapidly emerging as one of Spain’s foremost hothouses for new producer and creative talent, the ECAM Madrid Film School’s Incubator program has chosen five titles for its 2022 program:“Last Night I Conquered the City of Thebes,” “Disposable,” “Macrame,” “Festina Lente” and “Ripli.”Launched to connect early career talent in Spain with Europe’s film industry, the 5th Incubator runs from Feb. 23 through July.The program will be overseen by writer-director Rafa Alberola, who serves as the new manager of The Screen, ECAM’s industry initiative umbrella.This year’s lineup announcements comes as one Incubator project, Alauda Ruiz de Azúa’s “Lullaby,” is set to world premiere in Berlin’s Panorama section later this week.
Chema García Ibarra’s “Sacred Spirit” proved a standout at August’s Locarno Festival, another Incubator debut, Javier Marco’s Javier Marco’s “Josefina” was for many the most notable Spanish feature debut at September’s San Sebastian Festival. Bowing Jan.
7 on Netflix, David Casademunt’s “The Wasteland” topped the streaming service’s world rankings for movies, according to streaming analytics firm FlixPatrol.A drill down on the five projects:“Last Night I Conquered the City of Thebes”Produced by Spain’s Dvein Films and Filmika Galaika in partnership with Portugal’s Primeira Idade, “Last Night” is directed by Gabriel Azorín, part of creative collective lacasinegra which scored a Locarno’s Golden Pardino award for best short for “Those Who Lust,” by Elena López Riera. A standout at the Locarno Festival’s 2021 Match Me! forum, it begins in the present as two teenagers, one winter afternoon, visit Roman baths in Galicia, North-West Spain.
EXCLUSIVE: Trailers, posters and global marketing campaigns from the likes of Focus Features’ Last Night In Soho, Netflix’s Ozark and Amazon Prime Video’s The Tomorrow War were among the winners Saturday at the inaugural World Trailer Awards.
There's absolutely zero love lost between Cristiano Ronaldo and Atletico fans - and the Portuguese star will expect a hostile welcome when he returns to Madrid this evening.
Manchester United were made to fight hard for all three points at Elland Road to move them four points clear in the race for fourth place.
Cristiano Ronaldo's future at Manchester United all rests on who the club installs as its next permanent manager.
Leo Barraclough International Features EditorCrime show “Divided We Stand,” which will premiere in Germany on the public broadcaster ARD on Feb. 22 with the title “ZERV,” screened this week at the European Film Market in the Berlinale Series Market Selects section.
The streets outside her window are dripping with hope, and yet Élisabeth (Charlotte Gainsbourg) is lost. It is Paris, 1981, a new president has been elected, and Élisabeth’s husband has left, claiming the thrillingness of motion by moving in with a new girlfriend while his ex is left with the stagnance of remaining, the apartment where they’ve raised their children, Judith (Megan Northam) and Matthias (Quito Rayon-Richter), at once comfortingly familiar and dreadfully new.
A couple struggles to process the aftermath of the Bataclan terrorist attack in One Year, One Night (Un Ano, Una Noche), an affecting Berlin Film Festival competition title from Spanish director Isaki Lacuesta (Between Two Waters). Inspired by a book from Ramón González entitled Peace, Love and Death Metal, it’s based on recollections from real survivors of the 2015 attack in Paris, and the level of detail is compelling.
EXCLUSIVE: Isaki Lacuesta’s drama One Year, One Night (Un Año, Una Noche), about survivors grappling with trauma following the devastating terrorist attack at Paris’ Bataclan theater on November 13, 2015, world premieres in competition at the Berlin Film Festival today. Check out a clip above as a group of friends discusses messages of support they received in the wake of the tragedy.
We’re back in 1981 — among placards, lapel badges and whooping young people. François Mitterand, a socialist, has just been elected president of France. It isn’t a date that resonates much now — certainly not outside France — but the palpable sense of excitement in the opening scene of Mikhael Hers’s Berlin Film Festival competition entry The Passengers Of The Night suggests we are about to take a sweeping look at lived history.
Pretty well from when he started out in 2002, melding fiction, recreation and direct reportage in films that won him two San Sebastián Golden Shells but bamboozled more mainstream critics, Spain’s Isaki Lacuesta has maintained that he wanted to make larger audience movies.With his tenth feature, Berlin competition player “One Year, One Night,” taking in the 2015 Bataclan Paris terrorist attack, he finally has his chance.Produced by Lacuesta’s label La Termita Films and Spain’s Bambu Producciones, the company behind milestone Spanish TV shows “Grand Hotel,” “Velvet” and “Cable Girls,” “One Year, One Night” cost six times the budget of Lacuesta’s most expensive film before that, the director says. It stars Argentina’s Nahuel Pérez (“BPM (Beats Per Minute)”) and Noémie Merlant (“Portrait of a Lady on Fire”), two of the most admired young actors currently working in France, and it’s backed by the distribution and sales muscle of Studiocanal, which took a minority stake in Bambu in 2016.“I’ve never tried to make films of a size whose budget I didn’t have,” says Lacuesta.
Naman Ramachandran British auteur Peter Strickland is back with his fifth feature, “Flux Gourmet,” and it is as striking and uncompromising as his previous body of work, which includes “In Fabric” (2018), “The Duke of Burgundy” (2014), “Berberian Sound Studio” (2012) and “Katalin Varga” (2009). “Flux Gourmet” world premieres at the Berlin Film Festival’s Encounters strand on Feb. 11.The film follows a sonic collective trio with rocky interpersonal dynamics, who take up residency at an institute devoted to culinary and alimentary performance and have to answer to the institute’s head, who has her own opinions about their work.
Manori Ravindran International EditorIn a year when a festival darling like Ryûsuke Hamaguchi’s “Drive My Car” was able to garner four Oscar nominations, including best picture, questions for the Berlin Film Festival jury — which includes Hamaguchi — centered on the role of film festivals in connecting both arthouse and mainstream audiences.Declaring that he “felt like a kid” at the Berlinale, where his jury will be watching 18 films in all, M. Night Shyamalan sat beaming next to Hamaguchi, who is fresh off his Oscar nomination for best director earlier this week.
Leo Barraclough International Features EditorGlobal Screen has secured a presale of the female-led drama “Lost Transport” to Menemsha Films for the U.S. and Canada ahead of the European Film Market in Berlin.Inspired by true events, the film tells the story of the final days of World War II when German soldiers abandon a deportation train, leaving the fate of its occupants in the hands of advancing Russian troops.
Pachyman's music lives at the inersection of Jamaican dub, the traditional rhythms of his native Puerto Rico, and the collagic sounds of his adopted home town, Los Angeles. For "All Night Long" — his first new song since the release of his third album, The Return of Pachyman, last summer — he teamed up with Brazilian-American singer Winter, who adds her dreamy, R&B-tinged pop vocals to Pach's already prodigious sonic tool kit.
Emiliano De Pablos Barcelona-based indie sales outfit Filmax has taken international sales rights to Jorge Dorado’s noir thriller feature “Objetos” (“Lost & Found”), starring “Money Heist” actor Álvaro Morte.Filmax is launching the film onto the market with a first promo at this year’s European Film Market.Shot October-November at several locations in Spain and Argentina, including Madrid and Jujuy, the film is currently in post-production.“Lost & Found” is produced by Cristina Zumárraga and Pablo Bossi at Tandem Films, the Madrid-based production company, whose recent titles include award-winning comedy “Rosa’s Wedding” and toon feature sales hit “Turu, the Wacky Hen.” A Spain-Argentina-Germany co-production, “Lost & Found” also teams Spain’s Setembro Cine (“A Fantastic Woman”), Argentina’s Pampa Films (“Chinese Take-Away”) and In Post We Trust (“Unknown Origins”), plus Germany’s Rexin Film, with the participation of Spanish pubcaster RTVE, Amazon Studios and Germany’s ZDF.Written by top Spanish scribe Natxo López (“Stolen Away,” “Unauthorized Living”), “Lost & Found” is sets against the sordid world of human trafficking, moving between some characters who treat objects with as much as care as people and others who treat people as if they were objects.The film follows Mario, who works at a large lost and found office, where he looks after all the missing items that have built up over the decades.Having decided a long time ago to live a solitary life, Mario spends his free time investigating the origin of the lost objects, with the aim of returning to people these lost pieces of their lives.Only Helena, a young police officer, who often visits the lost and found office, has been able to crack Mario’s hard, outer shell a
Shalini Dore Features News EditorMultihyphenate M. Night Shyamalan is eager to get started on his role as the Berlin Film Festival’s competition jury president.“Part of going to film festivals and seeing these movies is I’m with the very best storytellers that are telling the most different and original stories in their own way,” Shyamalan said.
“Rifkin’s Festival” is bombing at the box office.The comedy flick starring Gina Gershon and Wallace Shawn has the lowest opening of the 86-year-old filmmaker’s long career, which tanked after he was accused of molesting his his adopted daughter Dylan Farrow.“Rifkin’s Festival” is Allen’s 49th film to date and only made $24,000 on Friday and Saturday from 26 theaters, according to the Wrap. Landmark Theaters owns many of the cinemas that the movie is being screened at.