City Hong Kong Showbiz Latest News and Updates

The move was announced on the first day of FilMart, the annual rights market for the Asian industries, at an event attended by Fan Luyuan, chairman and CEO of Alibaba’s digital media and entertainment unit, and Kevin Yeung, the Hong Kong government’s secretary for culture, sports and tourism. Alibaba’s Hong Kong Cultural and Art Industry Revitalization Program “will focus on film production and distribution, rights acquisitions, TV series production, investments in concerts, collaboration with performance venues and talent development, etc.

Faye Bradley Hong Kong’s One Cool Film group has announced five new movies, revealed through exclusive teasers and posters on the opening day of FilMart. Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring Louis Koo and Eddie Peng; “The Way We Talk,” produced, written and directed by Adam Wong, with Neo Yau, Chung Suet Ying and Ng Tsz Ho Marco in leading roles; “Good Game,” helmed by Dickson Leung, written by Lily He Xin and Sheng Ling Xiu Zhong, and starring Andrew Lam, Will Or and Yanny Chan; and “Behind the Shadows,” produced by Soi Cheang, directed by Jonathan Li and Chou Man Yu, and starring Koo, Chrissie Chou and Liu Kuan Ting.

After stints heading local-language production at Disney APAC and HBO Asia, Hong Kong-based Jessica Kam-Engle is now heading CreAsia Studio, a new Banijay Asia venture in Southeast Asia, in the role of EVP & Business Head.

Patrick Frater Asia Bureau Chief Chan Tai-lee, the screenwriter of many of the Ip Man martial arts action films, has written and directed upcoming action film “Fight for Tomorrow.” Mandarin Motion Pictures, which backed the film and is handling international rights sales, is using this week’s FilMart to launch the picture to international buyers. The production was assisted with finance from the Hong Kong Film Development Fund.

Patrick Frater Asia Bureau Chief Leading South Korean sales company Finecut has picked up international sales rights to action comedy film “Boss.” It will launch the title at next week’s FilMart in Hong Kong. Directed by Ra Hee-chan (“Going by the Book,” “Mr. Idol”), the film follows gang members embroiled in fierce competition.

Patrick Frater Asia Bureau Chief Cora Yim and Benjamin Lin, both established indie producers of Chinese-language content, have joined forces to launch S11 Partners. It is partially backed by Medialink Group, an IP, distribution and brand licensing mini-conglomerate that is listed on the Hong Kong Stock Exchange. The pair, who previously worked on TV series “Taiwan Crime Stories,” are launching their venture at FilMart in Hong Kong with a slate of three feature films in development.

Seoul-based sales company Finecut has boarded international sales on the action-comedy Boss and will launch sales at this week’s Filmart in Hong Kong. 

As Filmart gets underway, Hong Kong’s major production companies, including Edko Films, Emperor Motion Pictures (EMP), Media Asia, One Cool Group and Universe Entertainment, will be unveiling their new titles in enormous booths at the front of the trade show floor, some of which will be as elaborate as film sets.

Patrick Frater Asia Bureau Chief COVID, changing money flows and a new superpower Cold War of sorts may have, over the past few years, helped to reduce the connections between the film and TV industries of China and the rest of the world — so, will the 2024 edition of FilMart, whose organizers continue to claim bridgehead status, be the market to increase those connections? Candas Yeung, the Trade Development Council associate director who takes over as head of FilMart this year, says that visitor and exhibitor numbers have crept up again this year — to an anticipated 7,500 and 715, respectively — and that fully 40% of market participants hail from mainland China. “That’s a pretty significant proportion and they are very active in the market, both buying and selling, and making some announcements,” Yeung says.

Asian Film Awards. The 17th edition of the prizes was held at the Xiqu Centre, part of the West Kowloon Cultural District in Hong Kong. While “Evil Does Not Exist” and Korean blockbuster “12.12: The Day” had dominated the nominations with six each, including those in the best film category, the prizes on Sunday were much more evenly distributed.

Patrick Frater Asia Bureau Chief Oscar contenders and Berlin prize-winners will be among the European films being represented by visiting companies to FilMart that are making use of the European Film Promotion umbrella stand within the annual Hong Kong market. In total 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.

Ben Croll Paris, Hong Kong and L.A-based sales company All Rights Entertainment has picked up worldwide rights for “The Defects,” a 3D animated sci-fi comedy that drew significant buzz as this year’s Cartoon Movie, which ran from March 5 – 7 in Bordeaux. Directed by Federico Milella (“The Fairy Princess & the Unicorn”) and produced by Luxembourg-based Fabrique d’Images (“Luis and the Aliens,” “Tally Ho!”), the family adventure will enter production later this year with budget of €10 million ($10.9 million) with an intended 2027 delivery date.

Patrick Frater Asia Bureau Chief This month’s Hong Kong International Film Festival will showcase over 190 films from 62 countries and regions, including five world premieres, and 64 Asian premieres. Running 12 days (March 28 – April 8), the festival will open with the Asian premiere of local director Ray Yeung’s “All Shall Be Well,” which won the Teddy Award at the recent Berlin festival.

This year’s Hong Kong International Film Festival (HKIFF, March 28-April 8) will open with the Asian premiere of All Shall Be Well, directed by Hong Kong filmmaker Ray Yeung, which recently won the Teddy Award at Berlin film festival.

Patrick Frater Asia Bureau Chief Warner Bros. is to handle the Southeast Asia theatrical release of Philippines-produced drama film “Under Parallel Skies.” The picture will have its world premiere this weekend as part of the Asian Film Awards in Hong Kong. Directed by Sigrid Bernardo, “Under Parallel Skies” follows the story of a Thai bachelor, portrayed by major local star Win Metawin, who travels to Hong Kong in search of his missing mother.

After a successful return as a physical event last year, Hong Kong International Film & TV Market (Filmart, March 11-14) is taking place again this year against a complicated backdrop, both in terms of market realities and the shifting geopolitics of the region. 

EXCLUSIVE: UK distributor Trinity CineAsia has acquired UK rights to Norris Wong’s The Lyricist Wannabe from Hong Kong’s Edko Films and is planning a theatrical release on March 15. 

Taking place alongside Filmart, the Hong Kong-Asia Film Financing Forum (HAF) is one of Asia’s oldest and most established project markets, helping a string of award-winning films to get made. 

Patrick Frater Asia Bureau Chief Atlas Distribution Company, a U.S. indie distributor, has set Vietnamese-American co-production film “A Fragile Flower” on course for a theatrical release in the U.S. Produced by the duo Mai Thu Huyen and Jacqueline Thu Thao, the romantic musical drama, with a screenplay by Vietnamese singing sensation Nhat Ha, is set debut from Mar.

Korean actress Lee Young-ae, known for her roles in Park Chan-wook’s Joint Security Area and Lady Vengeance, will be presented with the Excellence in Asian Cinema Award at this year’s Asian Film Awards (March 10) in Hong Kong.

This year’s Hong Kong International Film Festival will feature a masterclass and career retrospective of UK-Irish writer and director Martin McDonagh.

Patrick Frater Asia Bureau Chief Superstar Japanese auteur Hamaguchi Ryusuke will unveil “Gift,” a companion piece to his recent “Evil Does Not Exist” as a one-off live performance at next month’s Hong Kong International Film Festival. Following the success of his breakout “Drive My Car,” which won the Oscar for best international feature film, Hamaguchi initially made “Gift” as a silent film project to accompany the live performance of Ishibashi Eiko, the music composer of both “Drive” and later “Evil.” From the same project, Hamaguchi also derived “Evil Does Not Exist,” which then went on to win the Grand Jury Prize at last year’s Venice International Film Festival.

Patrick Frater Asia Bureau Chief Janet Yang, the Los Angeles-based producer and president of the Academy of Motion Pictures Arts and Sciences, has been appointed as an independent non-executive director to the board of Imax China, a subsidiary of premium large format cinema company Imax that has its own share listing on the Hong Kong Stock Exchange. The company, Wednesday, reported a return to net profits of $27.5 million for the 2023 calendar year. That compared with net profit of $10.8 million in 2022.

Naman Ramachandran The Asian Film Awards Academy has revealed several events around the annual Asian Film Awards in Hong Kong. Veteran filmmakers, jury president of this year’s awards, Japan’s Kurosawa Kiyoshi and Hong Kong’s Fruit Chan, will share their filmmaking experiences and artistic concepts in a joint masterclass. Thai star Metawin Opas-Iamkajorn (“2gether” series and film) known as Win, will be honored with the AFA Rising Star Award and the event will host the world premiere of his new film “Under Parallel Skies.” There will also be six themed panel discussions featuring actors Wan Fang (Taiwan), Rachel Leung and Yoyo Tse (both Hong Kong), Tergel Bold-Erdene (Mongolia), Awat Ratanapintha (Thailand) and Shirata Mihaya (Japan).

Lucas Wong, a former member of boybands NCT and WayV, has addressed his past controversies in a brand-new documentary titled Freeze. Lucas Wong released part one of Freeze on February 24 to his newly opened YouTube channel, who appears to be making his return to the music industry as an artist under SM Entertainment.

Jessica Kiang With a title that itself feels like a soothing murmur, Hong Kong director Ray Yeung‘s “All Shall Be Well” returns to the social and lifestage milieu of his well-received 2019 later-life gay romance “Suk Suk,” and occupies a similarly melancholic, placatory register. But those hoping for a renewal, or maybe even an amping up of “Suk Suk”s restrained interrogation of internalized and externalized homophobia within Hong Kong’s economically advanced but culturally conservative middle class, may be a little disappointed. Although his fourth film revolves around a sixty-something lesbian couple, Yeung’s focus is broader, not sharper.

Ernst Lubitsch, Stanley Kubrick and Roman Polanski are among eight older titles set to play at next month’s Hong Kong International Film Festival. Lubitsch’s 1920 farce “Kohlhiesel’s Daughters,” will be presented with a live music accompaniment by the Hong Kong New Music Ensemble. And, despite rumors to the contrary, Kubrick’s first feature, “Fear and Desire,” has been preserved intact and will play at the festival with nine minutes of previously deleted footage.

Elsa Keslassy International Correspondent Hong Kong director Ray Yeung ‘s “All Shall Be Well” has sold in several key markets following its world premiere at the Berlin Film Festival. Represented in international markets by Films Boutique, “All Shall Be Well” is playing in the Panorama section at the Berlinale and is eligible for the Teddy Award.

Patrick Frater Asia Bureau Chief The Hong Kong-Europe-Asian Film Collaboration Funding Scheme being launched this week in Berlin is intended as a major component of an exercise in rehabilitating and internationalizing the Hong Kong film industry. In unprecedented fashion, the territory’s Film Development Council is getting ready to start giving cash grants to movie projects that don’t necessarily have to shoot in the city or even use one of its three official languages.

Patrick Frater Asia Bureau Chief In January, when Netflix unveiled its slate of Chinese-language original productions for 2024, all of them turned out to be Taiwanese. Not Chinese. And not from Hong Kong, a territory that once produced over 300 movies a year in multiple Chinese dialects.

Patrick Frater Asia Bureau Chief Cinema box office in Hong Kong failed to live up to expectations over the Lunar New Year holidays, even as local films led the chart. Movie theatre takings between Feb. 9-13 in Hong Kong weighed in at just HK$48.6 million ($6.23 million), according to data provided by Hong Kong Box Office Limited, a joint venture between Motion Picture Industry Association (MPIA) and the Hong Kong Theatres Association.

Patrick Frater Asia Bureau Chief Hong Kong will offer more than $1 million per project to film coproductions with Europe under a new grant scheme to be launched this week at the European Film Market in Berlin. The territory’s government is also sponsoring a visit to Berlin by a select group of producers and directors. The Hong Kong-Europe-Asian Film Collaboration Funding Scheme is an extension of the Hong Kong-Asian program that was launched in January last year.

The Goldfinger ( or maybe just ‘Goldfinger’) where Tony Leung is re-teaming with Andy Lau and director and screenwriter Felix Chong for the first time since the Infernal Affairs movies. The film is described as a crime movie and will reportedly be set in the 1980s.Simon Yam, Philip Keung, Alex Fong Chung-sun, Charlene Choi, Chin Ka-lok, and Carlos Chan are also among the cast.The synopsis is as follows: Set in the 1980s, the film depicts cut-throat machinations between Hong Kong’s jostling business elites amidst the backdrop of the tail end of British colonial rule. It tells the story of the rise and bust of a fictional Hong Kong company called Jiali Group, following the travails of its chairman Cheng Yiyan through 15 years of investigations by the Independent Commission Against Corruption as murders are committed, billions in market value evaporate and millions are spent on litigation fees.No release date as yet for this one but we’ll keep you posted.

Patrick Frater Asia Bureau Chief Fish out of water comedy film “Jonny Keep Walking” kept its place at the top of the mainland China box office in its fifth weekend of release. The top five titles remained unchanged from the previous week. “Jonny,” in which a man from the countryside struggles to hold down a corporate job in a big city, earned $12.1 million (RMB86.2 million), according to data from consultancy Artisan Gateway.

Hunter Ingram SPOILER ALERT: This post contains spoilers from the two-episode premiere of “Expats,” now streaming on Prime Video. Lulu Wang can’t escape Blondie’s “Heart of Glass.” At first, the acclaimed writer-director of “The Farewell” thought she was just hyper aware of the 1978 classic after she’d handpicked it to score the single moment of genuine happiness in the premiere episode of “Expats,” her new Prime Video limited series. The scene in question finds series stars Nicole Kidman and Sarayu Blue letting loose and dancing to the song during a late-night meal in a Hong Kong restaurant.

NCT member Ten has shared more details about his upcoming solo debut.Today (January 26) at midnight KST, NCT’s Ten announced the release date and new details for his forthcoming solo debut. Titled ‘TEN’, his first mini-album will be released on February 13 at 6pm KST.Released alongside the announcement was a teaser poster that seems to tease the lyrics of an upcoming song: “When the midnight comes / Pulling the strings / Beautiful monster royalty energy / I am yours”NCT TENThe 1st Mini Album ‘TEN’【TEN – The 1st Mini Album】➫ 2024.02.13 6PM (KST)#TEN #李永钦 #텐#NCT #WayV #威神V#TEN_TEN #NCT_TEN_TEN pic.twitter.com/7WYHbxSI4H— NCT (@NCTsmtown) January 25, 2024Ten has previously released several solo tracks, mainly through SM Entertainment’s SM Station project, the first being 2017’s ‘Dream in a Dream’.