It’s been three years since Colton Underwood came out as gay, but he only just attended his very-first Pride celebration.
16.05.2024 - 16:15 / deadline.com
Russian director Kirill Serebrennikov to Cannes this year with his fourth film in Competition and his first in English. Titled Limonov: The Ballad, it tells the incredible story of Eduard Limonov — pronounced “Le-morrr-nov” not “Limunuv” — a Russian renegade poet who traversed the world, reinventing himself whenever times got hard (and they usually did). To star, the director chose British actor Ben Whishaw, himself a chameleonic actor who’s just as at home taking tea with the Queen in his Paddington guise as he is playing Hamlet onstage at the Old Vic. Here, he talks about getting to grips with an enigma and recalls his first-ever Cannes for her movie Bright Star in 2009.
DEADLINE: How did you get involved with this project?
BEN WHISHAW: It was during lockdown, so I think it was maybe sent to me around August or September 2020. Goodness… A long time ago now! It was during that crazy lockdown time when everyone was wanting to be doing something, but no one could. Anyway, it got sent to me, and then I had a couple of Zoom meetings with Kirill. I knew it was going to be a kind of crazy project, about a very complicated man, but there was just something about it that felt kind of irresistible to me. And kind of terrifying, honestly, at the same time.
DEADLINE: What most appealed to you about this character?
WHISHAW: Well, he was many things, I guess, which is the point. He was a kind of a shapeshifter. He started out being a poet. He was kind of a thug, a pretty urchin thug, but he became quite well regarded as a poet in Soviet times. And then he left the Soviet Union and went to America, and he lived like a bum, really, for ages. But then he became a novelist. Then he went to France, and was quite respected there, and
It’s been three years since Colton Underwood came out as gay, but he only just attended his very-first Pride celebration.
Eamonn Holmes' clan reportedly didn't 'warm up' to his now-estranged wife Ruth Langsford, according to rumours.The pair, both 64, shocked the showbiz world on Saturday, 25 May, when it was announced they were ending their 14-year marriage and heading for divorce. Eamonn, who expressed his gratitude on GB News on Monday for the support following the announcement, was previously married to Gabrielle Holmes.They tied the knot in 1985 and had three children Declan, 35, Rebecca, 33, and Niall, 31 before their separation in 1996.
Princess Eugenie has shared a series of adorable pics of her youngest son Ernest as he celebrates his first birthday. The Princess, 34, welcomed her second son on May 30th 2023, with her husband Jack Brooksbank.Taking to her Instagram account, Eugenie posted an adorable slideshow of pictures of her son, as he celebrates his big day. “One year of you my dear Ernest.
Selena Gomez is opening up about her family plans for the future.
Ben Affleck is supporting his daugther, Violet. Recently, he was photographed attending her high school graduation. He was spotted attending her graduation party alone, prompting more speculation regarding the state of his marriage to Jennifer Lopez.
Refresh for latest…: The 77th Cannes Film Festival draws to a close this evening with the prize ceremony about to kick off inside the Grand Théâtre Lumière. The past 10 days have been building to this moment after a somewhat muted start that arrived under gloomy skies. The clouds have since cleared and several films have emerged as potential winners tonight. Scroll down for the list of laureates which is being updated as awards are announced.
Chris Pratt opened up about his first big paycheck as an actor.
Zayn Malik teased plans for his first-ever solo tour and talked about his creative process in a new interview.
Joey King just arrived in town for the 2024 Cannes Film Festival!
CANNES – Eduard Limonov was a complicated man. He was a poet, a novelist, and a political activist, At one point a Russian dissident who lived in New York and Paris, he returned to his homeland to lead a fascist party that supported a return to an ideology closer to that of the former Soviet Union.
In the Moscow Times’ obituary for Eduard Limonov, who died four years ago aged 77, writer Mark Galeotti summed up the poet-turned-politician in two simple sentences: “Was Limonov a visionary or a poser, an artist or a politician, a leftist or a rightist? The answer to all of them is, of course, yes.” This is key to understanding Kirill Serebrennikov’s latest movie, a boundary-blasting biopic that simply drips with punk-rock energy, revealing everything and nothing about a slippery character whose modus operandi was reinvention from the get-go and for whom consistency really was the hobgoblin of small minds.
Jessica Kiang That the name Limonov is pronounced Lee-MWAH-nov is one of two main things that Kirill Serebrennikov‘s “Limonov: The Ballad” teaches us about Eduard Limonov, the Russian radical, poet, dissident, emigré, returnee, detainee, bête noire and cause célèbre who in 1993 co-founded the ultra-nationalist National Bolshevik Party. The second is that, as imagined in this adaptation of Emmanuel Carrère’s 2015 fictionalized biography, for all the shifting identities and attitudes he assumed over the course of his controversial life, his persona as an aggravatingly self-aggrandizing solipsist never wavered.
Nick Vivarelli International Correspondent Russian auteur Kirill Serebrennikov (“Leto,” “Petrov’s Flu,” “Tchaikovsky’s Wife”) is back in the Cannes competition with “Limonov,” an epic about Russian punk poet Eduard Limonov that the director describes as “probably the most complicated project in my life.” Based on the best-selling book by Emmanuelle Carrere, “Limonov” delves into the story of its titular character who lived many lives. He was an underground writer in the Soviet Union who escaped to the U.S. where he became a punk-poet and also a butler to a millionaire in Manhattan.
Annika Pham According to the European Audiovisual Observatory, Switzerland is ranked third in Europe for its yearly output of documentaries, with more than 70 titles in 2023. On May 19, it will unveil four of its most promising features at the Swiss Cannes Docs Showcase. The event is jointly organized by the national promotional agency Swiss Films, Visions du Réel —the country’s sole non-fiction film festival—and Cannes Docs.
Nick Vivarelli International Correspondent Paolo Sorrentino is back in Cannes for the seventh time with “Parthenope,” a love letter to his native Naples but also, as he puts it, a film about his “missed youth” that comes as a natural follow-up to his autobiographical “The Hand of God.” Perhaps more significantly, “Parthenope” – an epic spanning several decades – is Sorrentino’s first female-centric film. Why? “In thinking of a modern hero, it came naturally to me that it would be a heroine, not a man,” he tells Variety. Let’s start with the film’s titular protagonist, Parthenope. Of course, Neapolitans in Italy are also known as “Parthenopeans.” My impression is that, after returning from Rome to Naples to make “The Hand of God,’ your native city drew you further back into its fold. It’s a bit more complex, actually, not necessarily just linked to Naples.
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Well, that was quick!
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The King has revealed the first official portrait of himself since the coronation, which includes one key detail Charles wanted to be added.The portrait, by British artist Jonathan Yeo, had been commissioned in 2020 to celebrate the then Prince of Wales’s 50 years as a member of the philanthropic institution The Drapers’ Company in 2022. On Tuesday 14 May, the portrait was unveiled at Buckingham Palace and shows the monarch wearing the uniform of the Welsh Guards, of which he was made Regimental Colonel in 1975.The noticeable red theme was inspired by the uniform of the Welsh Guards, with the shade seen splashed over much of the portrait.There is also one special detail picked out by Charles himself - a butterfly hovering over the King’s shoulder in the portrait.