Paolo Sorrentino on Making His First ‘Feminine Epic’ With Cannes Film ‘Parthenope’ and Directing Gary Oldman: He’s ‘One of the Top Five Actors in the World’ (EXCLUSIVE)

Nick Vivarelli International Correspondent The Eternal City’s glitterati celebrated Sofia Coppola on Wednesday at an American Academy in Rome gala in the 17th century Villa Aurelia on Janiculum Hill. The Oscar-winning director of “Lost in Translation,” “Marie Antoinette,” “Bling Ring” and, most recently, “Priscilla” was honored with a McKim Medal that “marks the profound relationship between Italy and the United States and recognizes the works of individuals who have contributed to the intense artistic and humanistic dialogue between the two nations,” as a statement put it.

Eamonn Holmes' clan reportedly didn't 'warm up' to his now-estranged wife Ruth Langsford, according to rumours.The pair, both 64, shocked the showbiz world on Saturday, 25 May, when it was announced they were ending their 14-year marriage and heading for divorce. Eamonn, who expressed his gratitude on GB News on Monday for the support following the announcement, was previously married to Gabrielle Holmes.They tied the knot in 1985 and had three children Declan, 35, Rebecca, 33, and Niall, 31 before their separation in 1996.

Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, has won the Cannes Film Festival’s top award, the Palme d’Or.Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony Saturday. The win for “Anora” marks a new high point for Baker, the director of “The Florida Project.” It’s also, remarkably, the fifth straight Palme d’Or won by indie distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.”“I don’t really know what’s happening right now,” said Baker.While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise.

Refresh for latest…: The 77th Cannes Film Festival draws to a close this evening with the prize ceremony about to kick off inside the Grand Théâtre Lumière. The past 10 days have been building to this moment after a somewhat muted start that arrived under gloomy skies. The clouds have since cleared and several films have emerged as potential winners tonight. Scroll down for the list of laureates which is being updated as awards are announced.

It has been a big week for the beloved 1964 musical, The Umbrellas Of Cherbourg at the Cannes Film Festival where it won the 1964 Palme d’Or and went on to international acclaim and five Oscar nominations, plus served as one of the key inspirations for Damien Chazelle’s Oscar winning La La Land.

Weird sisters have been spinning their witchy webs in stories dating back to Greek mythology, which included a macabre trio of sisters who passed a single eye between them. There is something of that sense of a closed circle of unknowable femininity between the two teenage girls in September Says, the first film to be directed by Greek Weird Wave actor Ariane Labed, based on the 2020 novel Sisters by Daisy Johnson and set between England and Ireland.

appeared to scold security at the red carpet premiere of the French-Italian film “Marcello Mio” during the Cannes Film Festival.Photos from the event showed Rowland pointing her finger towards a female security guard during their heated exchange.But according to insiders, Rowland was not the instigator in the incident.“The people who are assigned to helping stars walk the red carpet were being aggressive and Kelly was trying to ignore it,” a source claimed to the Daily Mail Wednesday.They continued: “By the time she got to the last woman she had had it because she scolded Kelly and told her to move when she was trying to wave to fans and help the paparazzi get their shot.”Rowland appeared to be enjoying herself at the glitzy premiere before the incident. As the source noted, she was initially smiling and waving to fans in her gorgeous red gown with a long train as she made her way up the red carpet steps.But according to the insider, the former Destiny’s Child member isn’t bothered about being in the center of drama.“She doesn’t care if she comes across like a diva if she knows that she is advocating for herself,” said the source.

Today at the Parthenope Cannes press conference, actor Gary Oldman was asked about throwing his performance as Sirius Black in Harry Potter and the Prisoner of Azkaban under the bus.

Ellise Shafer Gary Oldman took the opportunity to clarify his comments about his acting in the “Harry Potter” franchise during the Cannes press conference for his new film, “Parthenope,” on Wednesday. When asked about a prior comment in which he disses his performance as Sirius Black as “mediocre,” Oldman said he didn’t mean to “disparage anyone out there who are fans of ‘Harry Potter’ and the films and the character who I think is much beloved.” “What I meant by that is, as any artist or any actor or painter, you are always hypercritical of your own work,” he continued. “If you’re not, and you’re satisfied with what you’re doing, that would be death to me.

Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night. Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd. “For me, this movie is a celebration of the journey of my life,” he said.

Oscar winner Paolo Sorrentino ascended the red carpet here this evening for his latest Cannes competition entry, Parthenope, which was welcomed by a nine-minute standing ovation.

CANNES – If we know anything about Paolo Sorrentino it’s that he adores his hometown of Naples, Italy. His last directorial effort, “The Hand of God” was a love letter to the port city and, in something of a surprise, he taps that well once again for “Parthelone,” a title in competition at this year’s Cannes Film Festival.

Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.

Siddhant Adlakha A decades-spanning drama about a young woman born in Naples — the hometown of writer-director Paolo Sorrentino — “Parthenope” is an exquisite treatise on cinematic beauty. Chronicling her birth, her youthful teenage summers and the years she spends adrift as a young adult, the film is an intoxicating reflection on the way people and places are seen, and the way they see themselves.

Cannes Film Festival Tuesday. Photos from the event show Rowland smiling at the crowd as she walked up the red carpet steps to go into the theater — before she seemingly got into a heated exchange with a female security guard. The former Destiny’s Child member looked upset and angry as she pointed her finger toward the woman.

EXCLUSIVE: Paolo Sorrentino‘s anticipated new movie Parthenope has sold around the world for Pathé here in Cannes where the film is playing in Competition.

Nick Vivarelli International Correspondent A new Saudi Arabian film studio with deep pockets and Hollywood connections is launching from the Cannes Film Festival with a slate of film and TV projects. The Los Angeled-based 3SIX9 Studios – announced at an event on a yacht in the bay of Cannes – is co-founded by actor and producer Daya Fernández, who serves as CEO; Inga V.

Nick Vivarelli International Correspondent A new Italian distribution and international sales company called PiperFilm is launching in Cannes, having scored rights for Italy to Paolo Sorrentino’s Cannes competition title “Parthenope.” Former Vision Distribution managing director Massimiliano Orfei is president of PiperFilm, while Luisa Borella, who is also a former top-level Vision Distribution executive, serves as the new media company’s COO. PiperFilm is adopting an innovative distribution model by striking an agreement with Netflix under which the streaming giant will have the first exclusive post-theatrical window for Italy on their titles, while Warner Bros.

Nick Vivarelli International Correspondent The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The Tearsmith” and promising fresh fare from Cinema Italiano’s next generation.

Nick Vivarelli International Correspondent Italy’s film industry is fighting to stay vibrant amid disruption caused both by politics and market forces.After reaping the rewards of a protracted growth spurt, local producers are facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s currently stalled tax incentives for film and TV production. At a packed protest event held in early April at Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the culture ministry to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business.