Lil Baby shares new song ”Heyy,” reveals It’s Only Me cover art and tracklist

Lil Baby just dropped his new album It’s Only Me and he's in a celebratory mood in the "Stand On It" video. "Stand On It" charts Baby's rise from "Shootin' dice and selling weed" to a world of private jets and hero worship.

Nearly three months after the release of his July EP RED & WHITE, Lil Uzi Vert is back with a new solo single. “Just Wanna Rock” is a change of pace for Uzi, who trades the flamboyant trap instrumentals they usually favor for a thumping drill beat and follows suit vocally, rapping in a lower register than usual.

Stormzy blazes straight into the Official Trending Chart at Number 1 this week with latest cut Hide & Seek.

Caroline Polachek has returned with “Sunset,” her second song of 2022. The track was produced by Sega Bodega: the producer for Shygirl, Eartheater, and more who released his fourth album, Romeo, last year.

The 1975 lead an all-new Top 5 in the race for this week’s Official Albums Chart Number 1 with Being Funny In A Foreign Language.

Lil Baby has opened up about how he coped with the pressures of becoming successful, explaining that in the early days of his fame, the rapper found himself in a “dark spot”.The revelation came in an interview with fellow rapper Big Loon, with Lil Baby – real name Dominique Jones – appearing on his podcast The Experience. Around halfway into their hourlong chat, Loon and Jones spoke about how a position of influence can affect a young rapper’s psyche; asked outright if he enjoyed his life, Jones said: “Yeah.

About a month ago, Charlamagne the God was publically dragged for questioning Chief Keef‘s influence, absurdly claiming that the Chicago rapper didn’t “change the world.” Those defending Keef’s impossible-to-overstate legacy defended it on Twitter, and even exposed some new wrinkles: Lil Gnar, an artist signed to Keef’s label 43B, tweeted at the time: “im in spain rn n da biggest rappers here told me dey learned english jus to understand what chief keef says.” That’s pretty incredible! If I sound reflective, it’s because this week saw the ninth anniversary of Almighty So, a mixtape from Chief Keef that’s become a significant chapter in his career. So it’s no small thing that his next full-length project is being billed as a sequel.

Doechii has shared the studio version of “Stressed,” a song she premiered on Monday (October 10) via a COLORS live show. The new track arrives exactly a month after the release of her remix of Ravyn Lenae’s “Xtasy” and just under three months past SZA’s remix of “Persuasive,” a song from Doechii’s August EP, she / her / black bitch.

Girl In Red has shared a new single produced by The National‘s Aaron Dessner – listen to ‘October Passed Me By’ below.The track, announced last week, serves as the long-awaited sequel to 2018 single ‘We Fell In Love In October’, and follows the singer’s 2021 debut album. ‘If I Could Make It Go Quiet’.In a statement about the song and its short film, Girl In Red said: “’October Passed Me By’ has been living in the back of my head since June 2021. Every fall since I put out ‘We Fell In Love In October’ in 2018, I was encouraged to do things on social media to talk about the song again.

Christine and the Queens – is accompanied by a clip featuring Redcar alongside Rodin’s 1877 statue l’Age d’airain (The Age of Bronze).The new clip sees Chris, AKA Redcar, dancing through a series of neon-lit scenes, described in a press release as “a dream-like universe” that “pays homage to the sculpture’s impeccable omnipotence”.Redcar will also present the video at the new Paris Sales art event in the French capital, the Paris+ fair by Art Basel. He will be guest of honour at the event between October 19-24.Watch the video for ‘la chanson du chevalier’ – which translates in English to ‘The Knight’s Song’ – below.Redcar has also announced a new, exclusive musical production at the Cirque d’Hiver in Paris on November 9 and 10 (rescheduled from September 22 and 23) and at Royal Festival Hall, London on November 22 (rescheduled from September 30).

Dermot Kennedy has also announced the dates for his 2023 UK and European tour.‘Innocence and Sadness’ is a powerful, piano-led offering that will feature on his second studio album, ‘Sonder’ – due for release on November 4. The release of the track has also been accompanied by an acoustic performance shot live from Mission Sound Studios in Brooklyn, New York.“It’s impossible for me to express how much this song means to me,” Dermot said of the single.

Fiona Apple has shared a new song inspired by a J.R.R. Tolkien poem and released it to mark the season finale of The Lord of the Rings: The Rings of Power.‘Where The Shadows Lie’ arrived yesterday (October 7) to mark the end of the first season of the hit Amazon Prime Video show which, following the release of the first two episodes on September 2, earned 25million viewers in the first 24 hours and became the biggest opening premiere in the streaming service’s history.Apple’s new song features music from Bear McCreary, and follows a cover of Charlie Rich’s ‘The Most Beautiful Girl’, which she shared on her YouTube channel over the summer.Earlier this summer, Apple also appeared on a song with Watkins Family Hour – a cover of the country classic ‘(Remember Me) I’m the One Who Loves You’, originally written and sung by Stuart Hamblen in 1950.

Lil Yachty has released a new track titled “Poland” and indicated that his next album will be coming out sometime next year. The song is produced by F1lthy and is only available on Soundcloud for now.

Sharon Van Etten has released a new single, ‘Never Gonna Change’, taken from a forthcoming deluxe edition of her latest album, ‘We’ve Been Going About This All Wrong’.‘Never Gonna Change’ sees Van Etten sing about her son, as well as being about “managing depression and anxiety in the midst of isolation”, according to the artist in a press statement.“Coping with recurring fears throughout adulthood, acknowledging that flaws, fears and triggers can’t be overcome, they are a constant part of one’s identity to learn to be at peace with,” Van Etten said.Listen to the song below:The artist will soon release a deluxe edition of her sixth album, ‘We’ve Been Going About This All Wrong’, which dropped back in May.As well as ‘Never Gonna Change’, the deluxe version looks to feature another previously unheard bonus track, ‘When I Die’, as well as this year’s standalone singles, ‘Porta’ and ‘Used To It’.Featuring the singles ‘Headspace’ and ‘Mistakes’, Van Etten recorded ‘We’ve Been Going About This All Wrong’ at home during lockdown. In a five-star review, NME‘s Jordan Bassett said that Van Etten’s album “sees her navigate her roles as a parent and musician, grapple with her demons and reclaim her past mistakes”.“This unyielding record is, at times, a powerful reckoning with the age of uncertainty”, Bassett wrote.This December will see Van Etten head to Australia for a nine-date tour in support of her latest album, bringing along BATTS and Banjo Lucia in support.

Don Omar has collaborated with the one and only Lil Jon for the new single “Let’s Get Crazy.”It’s a new musical collaboration we never knew we needed that will shake up the music industry. “Let’s Get Crazy” fuses the essence of “Mambo Dance” with electro music, with the sound of the trumpet front and center- one of the most popular instruments in Latin music.Lil Jon, a pioneer of “Crunk” is a fun and irresistible addition to the unconventional mambo with an energizing sound and an instantly recognizable voice.

Nia Archives has shared a new Brazilian-inspired track and video – watch ‘Baianá’ below.The track is the first solo release from the producer since her EP ‘Forbidden Feelingz’ was released back in March of this year.Discussing ‘Baianá’, which samples the traditional Brazilian choir Barbatuques, Nia Archives said: “I’ve always been a massive fan of Samba Music, Bossa Nova Music and Brazilian culture and had been a fan of the Barbatuques for a while.“When I was looking through my samba / bossa playlist and thinking about songs to sample, ‘Baianá’ was the one that stood out for me. When I started making it, the original version was quite bouncy which I wanted to make harder… so I flipped it into this crazy amen break roller with a Reese bass line.