‘Leopoldstadt’ Broadway Review: Tom Stoppard Delivers A Late-Career Masterpiece

Twenty years after it first arrived to shake up a complacent Broadway and make a Pulitzer Prize winner of its author Suzan-Lori Parks, Topdog/Underdog has lost none of its vitality and power and cunning. Director Kenny Leon proves that in a vibrant new production opening tonight at the Golden Theatre.

Broadway box office held steady at $28,621,480 last week as a slate of new productions began or continued previews (Almost Famous and Kimberly Akimbo filled more than 90% of their seats), MJ and Leopoldstadt set house records and The Phantom of the Opera was once again standing room only as the long-running Andrew Lloyd Webber musical heads toward its Feb. 18 closing.

Elsa Keslassy International Correspondent Cinemed, the Mediterranean Cinema Film Festival, is partnering up with Lebanese film org Aflamuna / Beirut DC to launch a new co-production and co-financing initiative aimed at high-profile projects from the Arab world. The new program, which is also backed by France’s National Film Board and is part of the festival’s industry showcase Cinemed Meetings, will present seven projects involving 22 Arab countries, including Algeria, Egypt, Jordan, Liban, Palestine, Qatar, Saudi Arabia, United Arab Emirates and Syria, among others. All selected projects are currently in development and are being brought by filmmakers who have previously directed at least one short film.

opened Thursday night on Broadway, is mostly in tune.  The August Wilson play’s greatest asset is its young leads John David Washington and Danielle Brooks, both of whom are already widely admired, but display an altogether new and enticing range of skills. 2 hours and 45 minutes, with one intermission. At the Ethel Barrymore Theatre, 243 W.

There’s abundant magic still in The Piano Lesson, August Wilson’s grand, 1987 Pulitzer Prize winning tale of a Black family torn between legacy and ambition, the past and the future, and, it’s not an overstatement to note, between life and death.

Patrick Frater Asia Bureau Chief Japanese director Kawase Naomi will lead the international competition jury of the 44th Cairo International Film Festival (Nov. 13-22). Kawase won the Caméra d’Or for best debut feature film at Cannes for “Moe no Suzaku” (1997) and also won awards there for “Mogari no Mori” (2007) and “Hikari” (2017). In 2000, her film “Hotaru” won the FIPRESCI award at Locarno. Cairo festival president Hussein Fahmy said that Kawase has had a distinguished career and possesses great experience that qualified her to obtain prestigious awards from various international festivals.

Japanese director Naomi Kawase will preside over the international jury of the 44th edition of the Cairo International Film Festival, running November 13 to 22.

Caroline, Or Change.” Whereas Caroline was stalwartly cold, Clarke’s Linda is an amiable “Stand By Your Man” type. She never recoils when Willy shouts at her, and in her dewy eyes he can do no wrong. At times, her constant devotion bowls you over; at others, it is one-note.And Khris Davis is Biff, the favorite son who moved out West against Willy’s wishes and can’t live up to his father’s lofty dreams.

Death of a Salesman, Arthur Miller’s classic tragedy of the American Dream gone sour, is revitalized and given room to encompass the Black experience in director Miranda Cromwell’s intriguing production opening at the Hudson Theatre on Broadway tonight. Boasting flat-out terrific performances – Wendell Pierce as Willie Loman and the amazing Sharon D Clarke as his wife Linda – this Death of a Salesman doesn’t so much reinvent Miller’s masterpiece as open its doors to perspectives that enrich the material.

James Bond fans have been longing for some concrete information about who will take over from Daniel Craig as 007 after No Time To Die. In recent months, Tom Hardy has been one of the biggest names in the running, but his odds have begun to stagnate.

Near the start of the Roundabout Theatre Company’s Broadway revival of the musical 1776, a cast made entirely of actors who identify as female, transgender and nonbinary, with multiple representations of race and ethnicity, step into the gold-buckled shoes, literally, of the men who would come to be called the founding fathers. We can only imagine how things might turn out differently, both for the musical and in some alternate real-life universe.

new revival of the show that opened Thursday night on Broadway, absolutely ironclad — and able to stand up to pointless, auteurist, burdensome, woke concepts like the one on display at the American Airlines Theatre.Two hours and 40 minutes with one intermission. At the American Airlines Theatre, 227 W.

best country music movies of all time, which is named after her song “Coal Miner’s Daughter. ” Her trailblazing career helped other women in country music find their place in the music industry.  This includes Faith Hill, who, along with being a singer, was recently welcomed into the Yellowstone family for her role in the prequel 1883.

Thania Garcia Dolly Parton, Reba McEntire, Carrie Underwood, Sheryl Crow, Margo Price and many other stars have shared heartfelt tributes to country music pioneer Loretta Lynn, who died Tuesday at age 90. Lynn’s family confirmed the late Country Music Hall of Famer died in her home in Hurricane Mills, Tennessee. “Mama and Loretta were four years apart, mama being the oldest. They always reminded me a lot of each other. Strong women, who loved their children and were fiercely loyal,” McEntire wrote in a statement to Variety. “Now they’re both in heaven getting to visit and talk about how they were raised, how different country music is now from what it was when they were young. Sure makes me feel good that mama went first so she could welcome Loretta into the hollers of heaven. I always did and I always will love Loretta. She was always so nice to me. I sure appreciate her paving the rough and rocky road for all us girl singers.” McEntire joined Lynn’s final album, 2021’s “Still Woman Enough,” singing on the title track along with Carrie Underwood.

Gnossiennes No. 3” plays.

A Pulitzer Prize can be a burden, one must assume, trumpeting expectations and pumping reputations from a distance. Martyna Majok‘s Cost of Living won the trophy in 2018, and that victory has been mentioned often in the lead-up to the play’s opening on Broadway tonight in a Manhattan Theatre Club production at the Samuel J. Friedman Theatre.

On the TV series “Glee,” Lea Michele honed an image of being Barbra Lite. There is nothing light about her playing Fanny Brice in the current Broadway revival of “Funny Girl,” which opened last spring and now stars Michele in the title role.

Three Minutes: A Lengthening,” similarly, is about a recently discovered reel of film that is the only evidence that thousands of murdered Jewish residents of a small Polish town ever lived. Many of their names, even so, are lost to time.The pages of Stoppard’s drama, loosely inspired by the British playwright’s own family, slowly flip like a hefty fading photo album, too, and while that strikes an appropriate tone it also creates a theatrical problem.