, the shag meets Rachel Green mash-up hair trend. But now that fall and winter are here, make room for The Brachel.
07.10.2022 - 05:21 / nypost.com
new revival of the show that opened Thursday night on Broadway, absolutely ironclad — and able to stand up to pointless, auteurist, burdensome, woke concepts like the one on display at the American Airlines Theatre.Two hours and 40 minutes with one intermission. At the American Airlines Theatre, 227 W.
42nd Street.The writer’s jokes and taut scenes still play, but only barely.Co-directors Diane Paulus and Jeffrey L. Page have taken “1776,” which won the Tony Award for Best Musical over “Hair,” and cast women, transgender and nonbinary actors as the Founding Fathers.
That’s a fine idea for a whole new show with a different angle. Lin-Manuel Miranda’s “Hamilton,” of course, brilliantly reframed Alexander Hamilton, George Washington and others as people of color, with rap as their lingua franca, in part to make the point that Hamilton and Co.
were immigrants.“1776,” however, is an old show — a proudly straightforward musical that should caper about the stage until hard-hitting issues like slavery enter in Act 2 — and heavy-handed revisionism does not suit it. Instead, the story is bogged down by cartoony, dishonest impressions of dudes and lame attempts to jam in additional meaning by giving condescending glances to the audience.Not every directorial decision has to have logic, but Paulus and Page’s casting stunt is not powerfully evocative either, other than contributing a “take that, you classic musical!” ‘tude.
, the shag meets Rachel Green mash-up hair trend. But now that fall and winter are here, make room for The Brachel.
The new Kander & Ebb stage musical New York, New York, inspired by the 1977 Martin Scorsese film starring Liza Minnelli and Robert De Niro, will begin performances Friday, March 24, 2023 and officially open Wednesday, April 26, 2023 at Broadway’s St. James Theatre.
Broadway is going Back to the Future this summer when the Olivier Award-winning musical stage adaptation of the 1985 film begins previews at the Winter Garden Theatre. Making the trip stateside will be Roger Bart and Hugh Coles reprising their West End performances as Doc Brown and George McFly.
Twenty years after it first arrived to shake up a complacent Broadway and make a Pulitzer Prize winner of its author Suzan-Lori Parks, Topdog/Underdog has lost none of its vitality and power and cunning. Director Kenny Leon proves that in a vibrant new production opening tonight at the Golden Theatre.
No drama here! Gwyneth Paltrow revealed how husband Brad Falchuk feels about her decades-long friendship with Brad Pitt — and if he appreciates her ability to stay close with an ex.
Gwyneth Paltrow is opening up about her rekindled friendship with ex Brad Pitt.
Gwyneth Paltrow's husband is understanding of her friendship with her ex. ET's Cassie DiLaura spoke with the 50-year-old Goop founder on Wednesday, and Paltrow revealed how she rekindled her friendship with Brad Pitt and how her husband, Brad Falchuk, feels about her doing so.Paltrow and Pitt dated in the '90s and got engaged in 1996, before calling it quits later that year.«When we first broke up, we weren't friends for a while and then we sort of found our way back, probably about 18 or 19 years ago, something like that, and then just kind of stayed in touch over the years,» Paltrow told ET, after publishing a Q&A with Pitt on Goop earlier this year.«I adore him,» she added of her ex.
Lin-Manuel Miranda has Alexander Hamilton, and Kelsey Grammer said if he had the chance to portray an American history hero on the Broadway stage, it would be Benjamin Franklin because of his “bawdy history” and “naughtiness.”Grammer, who has a fondness for US history and years of experience performing for live audiences, expanded on his ideal “Hamilton” moment in an interview with Fox News Digital. “Playing a character from that time—Franklin would be fun,” Grammer told Fox News Digital.
Elsa Keslassy International Correspondent Cinemed, the Mediterranean Cinema Film Festival, is partnering up with Lebanese film org Aflamuna / Beirut DC to launch a new co-production and co-financing initiative aimed at high-profile projects from the Arab world. The new program, which is also backed by France’s National Film Board and is part of the festival’s industry showcase Cinemed Meetings, will present seven projects involving 22 Arab countries, including Algeria, Egypt, Jordan, Liban, Palestine, Qatar, Saudi Arabia, United Arab Emirates and Syria, among others. All selected projects are currently in development and are being brought by filmmakers who have previously directed at least one short film.
opened Thursday night on Broadway, is mostly in tune. The August Wilson play’s greatest asset is its young leads John David Washington and Danielle Brooks, both of whom are already widely admired, but display an altogether new and enticing range of skills. 2 hours and 45 minutes, with one intermission. At the Ethel Barrymore Theatre, 243 W.
There’s abundant magic still in The Piano Lesson, August Wilson’s grand, 1987 Pulitzer Prize winning tale of a Black family torn between legacy and ambition, the past and the future, and, it’s not an overstatement to note, between life and death.
Caroline, Or Change.” Whereas Caroline was stalwartly cold, Clarke’s Linda is an amiable “Stand By Your Man” type. She never recoils when Willy shouts at her, and in her dewy eyes he can do no wrong. At times, her constant devotion bowls you over; at others, it is one-note.And Khris Davis is Biff, the favorite son who moved out West against Willy’s wishes and can’t live up to his father’s lofty dreams.
Death of a Salesman, Arthur Miller’s classic tragedy of the American Dream gone sour, is revitalized and given room to encompass the Black experience in director Miranda Cromwell’s intriguing production opening at the Hudson Theatre on Broadway tonight. Boasting flat-out terrific performances – Wendell Pierce as Willie Loman and the amazing Sharon D Clarke as his wife Linda – this Death of a Salesman doesn’t so much reinvent Miller’s masterpiece as open its doors to perspectives that enrich the material.
Near the start of the Roundabout Theatre Company’s Broadway revival of the musical 1776, a cast made entirely of actors who identify as female, transgender and nonbinary, with multiple representations of race and ethnicity, step into the gold-buckled shoes, literally, of the men who would come to be called the founding fathers. We can only imagine how things might turn out differently, both for the musical and in some alternate real-life universe.
“Almost Famous,” which starts previews Oct. 3 at the Bernard B. Jacobs.
Gnossiennes No. 3” plays.