Late-Night’s Future On Streaming Is Back In The Spotlight As The WGA Seeks Writer Safeguards, Again
07.03.2023 - 18:33
/ deadline.com
It’s only a matter of time before late-night cracks the streaming model.
Chelsea, hosted by Chelsea Handler, and Patriot Act with Hasan Minhaj opened the door for late-night shows on Netflix, followed by a second wave of streaming originals such as Apple TV+’s The Problem with Jon Stewart and Peacock’s The Amber Ruffin Show.
The latter two shows did not exist the last time there was a negotiation between the WGA and the AMPTP.
But in 2020, the writers guild did attempt to help scribes working for streaming comedy-variety shows by lobbying for WGA minimums to apply.
At the time, the WGA’s negotiating committee said, that “comedy-variety is perhaps the oldest television genre and it’s still going strong with more new shows being produced now than in any time in recent memory. And for the past few years this genre has been quite popular on subscriber streaming platforms.”
They weren’t successful but they’re back with another attempt, as per the latest Pattern of Demands unveiled earlier this week. Once again, the WGA wants to get rid of entirely negotiable rates. “Apply MBA minimums to comedy variety programs made for new media,” the WGA said.
In the linear world, the minimum for a writer working on a late-night show was $4,282 per week in 2017, rising to $4,566 in 2020 and $4,785 in 2023. However, there are discounts applied, up to 20%, for those on longer contracts, which is traditional in late night.
This doesn’t exist in streaming, however, and the WGA is attempting to bring parity to writers who may find themselves working there in the future which, given the fact the linear world is contracting, is only a matter of time when more shows that look like CBS’ The Late Show, ABC’s Jimmy Kimmel Live!, NBC’s The Tonight