Kristen Stewart Praised as a ‘Generous’ Co-Star and the ‘Adult Version of Cool’ at Variety’s Sundance Cover Party

Marta Balaga Finnish director Tiina Lymi decided to “go big” for “Stormskerry Maja,” set in the 19th century. Based on a series of books by Anni Blomqvist, it has been selected for International Film Festival Rotterdam and Goteborg. “It had to be done this way.

The 2024 Sundance Film Festival awards ceremony honoring the best of this year’s lineup in Park City is in progress right now at the Ray Theatre. Refresh frequently as the winners are announced.

Variety Staff Follow Us on Twitter Variety will host its first-ever Grammy cover party, presented by TikTok, on Thursday, Feb. 1, in Los Angeles.

Rebecca Rubin Film and Media Reporter Daisy Ridley spent her 20s on film sets, fighting Siths as Rey in the “Star Wars” trilogy and ironing out her alibi in Kenneth Branagh’s whodunit “Murder on the Orient Express.” So the actor marveled at experiencing the mundanity of office life in the indie drama “Sometimes I Think About Dying,” which premiered at last year’s Sundance and debuts in theaters on Jan. 26. She plays Fran, a lonely clerical worker whose morbid daydreams are more comforting than the world around her.

Alex Ritman The 20th edition of the Glasgow Film Festival has landed one of Sundance’s most talked-about films for its opening night. “Love Lies Bleeding,” Rose Glass‘ queer romantic noir starring Kristen Stewart that earned critical acclaim in Park City, is set to raise the curtain on the event with its U.K.

The upcoming 74th Berlin Film Festival looks set to be its starriest edition in years with Kristen Stewart, Adam Sandler, Cillian Murphy, Lena Dunham, Sebastian Stan, Amanda Seyfried and Rooney Mara among the talent due to attend this year.

In 2019, Rose Glass announced herself to the world with the phenomenal Saint Maud. The film was an immersive character study of one lonely woman clinging to sanity in the wake of a personal trauma. Audiences loved Saint Maud with a common thread across all reviews being how hard it was to believe that it was only Glass’ feature debut. This year Glass returns with her second film, Love Lies Bleeding, which just debuted at Sundance. Whereas Saint Maud made a star out of lead Morfydd Clark, Love Lies Bleeding is set to do the same for Katy O’Brian.

The Sundance Institute and Alfred P. Sloan Foundation today named the recipients of three artist grants aimed at supporting projects currently in development, as they officially bestowed their Feature Film Prize on Sam and Andy Zuchero’s Love Me, all through their joint Science-In-Film Initiative.

Jena Malone is opening up about Kristen Stewart.

Kristen Stewart is one of the coolest stars in Hollywood, but even she still gets nervous when she heads to the red carpet.

Anyone who thought this year’s Sundance lineup was a bit ennui, didn’t see A24’s electric Love Lies Bleeding tonight at the Eccles Theatre in Park City, UT. The Rose Glass directed and co-written lesbian romance crime bender starring Kristen Stewart and Katy O’Brian, drew hoots and hollers and big cheers throughout in an ultraviolent, twisty and turny tale of familial revenge.

So what actually happened to Meghann Fahy‘s Daphne Sullivan after a Sicilian summer trip that yielded a dead body in the water?

Zack Sharf Digital News Director Justice Smith‘s career has taken him to the forefront of major Hollywood tentpoles such as “Dungeons & Dragons: Honor Among Thieves,” “Jurassic World: Fallen Kingdom” and “Pokémon: Detective Pikachu,” but it has never taken him to the Sundance Film Festival until now. The 28-year-old actor was one of five honorees at the Variety & Golden Globes Breakthrough Artists Party presented by Adobe, and earning a breakthrough artist award was “a really warm welcome” to the annual Park City event.

Kristen Stewart had an emotional moment at Sundance Film Festival. The seasoned actresses met up and took some photos together, providing viewer the opportunity to reminisce about their film “Panic Room,” which was released in 2002 and served as one of Stewart’s first film roles. Jodie Foster’s kids: Meet Charlie and KitJodie Foster was almost Princess Leia in ‘Star Wars’Stewart and Foster reunited at Sundance Film Festival’s opening night gala and took some photos to commemorate the occasion.

Peter Debruge Chief Film Critic On the most literal level, Sam and Andy Zuchero’s “Love Me” is about the relationship between a buoy adrift at sea and a satellite circling the earth. The eccentric rom-com takes place in a time after humans have gone extinct, when the surviving machines’ only references are a massive hard drive’s worth of data combed from search engines and social media sites.

PARK CITY – Whatever your thoughts on Sam and Andy Zuchero’s “Love Me” few will dispute that for an independently financed film it’s a unique and creative achievement. At least a third of the movie is CG animation, another third is motion capture animation, and the final portion is live action.

Set in a post-human world, Love Me, directed and written by Sam and Amy Zuchero and starring Steven Yeun and Kristen Stewart, unfolds as an unconventional love story between two inanimate objects. These entities stumble upon each other in the digital realm and, through the remnants of human knowledge, adopt new identities in hopes of evolving their relationship.

Kristen Stewart is keeping busy at the 2024 Sundance Film Festival.

Rebecca Rubin Film and Media Reporter Netflix has acquired “Ibelin,” a documentary that premiered at the Sundance Film Festival. Benjamin Ree (“The Painter and the Thief”) directed the film, which centers on a Norwegian gamer named Mats Steen, who died of a degenerative muscle disease at the age of 25. According to the official logline, “his parents mourned what they thought had been a lonely and isolated life, when they started receiving messages from online friends around the world.” “Many of my favorite documentary films and series of all time have been distributed by Netflix,” Ree said in a statement.

Gay cinema certainly has turned a corner lately, in the wake of films as varied as Cassandro, Rustin and All of Us Strangers, stories in which the lead character’s sexuality might form a crucial part of the tapestry of the drama but isn’t the be-all and end-all. Leading the vanguard for the next generation is this confident debut from 33-year-old British-Iraqi director Amrou Al-Kadhi, a frank and emotionally honest portrait of someone who falls outside society’s boxes and steadfastly refuses to conform to them. This emphasis on the positive is sometimes counterintuitive (more on that later), but, thanks to its core cast, Layla is an engaging study of love in the pronoun era.