Korean Films That Are Worth the Wait in 2022

What a special day!! We were able to convince Momma Perez to do something with us and the kids!! We went to Koreatown and had Korean corn dogs, which we had never tried before. We tell you where to go and what to order! We tried four different dogs! There’s a clear best one! And then we surprised the kids with a very Korean treat after! Plus an extra rare treat for dad later at home! Watch!

Miky Lee, the enigmatic vice chair of South Korea entertainment conglomerate CJ ENM, grew up believing in the simple dictum from her grandfather that would prove to be the guiding principle of her life and work: “No culture, no country.”An heiress to the Samsung fortune, Lee has spent decades enhancing her family’s long legacy as business titans and innovators who were instrumental in building Korea’s postwar economic infrastructure. Her grandfather, who also launched a newspaper and radio and TV stations, believed that Korea would never become a strong nation without forums for nurturing and celebrating the nation’s distinctive traits, traditions and history.Lee has taken the family mission global in recent years, working tirelessly as an investor and a dealmaker to advance the interests of both her companies and her cultural homeland.

HYBE and YG Entertainment are set to launch a BLACKPINK-themed Korean language learning packet later this year.Earlier today (March 2), HYBE Edu and YG Entertainment announced that they will be launching a BLACKPINK-themed Korean language learning material titled ‘BLACKPINK In Your Korean’, per Kpop Herald.According to Kpop Herald and KBIZoom, ‘BLACKPINK In Your Korean’ hopes to familiarise fans with the Korean language through words and phrases that the K-pop quartet frequently use.The packet will include textbooks, stickers, quizzes and animated videos that will teach learners correct pronunciation. Notably, the videos will be available in Korean, English, Chinese, Japanese and Indonesian..@HYBE_EDU is launching "@BLACKPINK IN YOUR KOREAN," a Korean language education material using the act's IP.

aespa dominate the ceremony, with the quartet taking home the Rookie Of The Year award, as well as Song Of The Year and Best K-Pop song for ‘Next Level’. IU, meanwhile, bagged Best Pop Album for ‘Lilac’ and was one of the Best Pop Song awardees for ‘Nakka’, her collaboration with AKMU.In addition, BTS took home the Artist of the Year award for the third time in their career.

The 2022 Korea Music Awards winners are here!

EXCLUSIVE: IFC Films has set a July 8 stateside release date for Claire Denis’ Berlin Film Festival winner Fire, starring Juliette Binoche and Vincent Lindon.

EXCLUSIVE: The wild story of how Korean musician Tablo, otherwise known as Daniel Lee, involving online forums and disinformation, is being told in a new podcast series from Vice and iHeartRadio.

Elsa Keslassy International CorrespondentRolling off its Oscar nomination in the international feature category, Pawo Choyning Dorji’s Bhutanese feature debut “Lunana: A Yak in The Classroom” has been sold by Films Boutique in further territories. Bhutan’s first Oscar entry in 23 years, “Lunana: A Yak in The Classroom” follows a young teacher who dreams of emigrating to Australia to become a singer and instead finds himself assigned to a school in the most remote village in Northern Bhutan, where he unexpectedly bonds with local children and finds happiness.Berlin-based company Films Boutique has already sold the movie in most major markets including North America with Samuel Goldwyn Films and recently closed deals with leading distributors in Spain (A Contracorriente), Benelux (September Films) and Portugal (Alambique).

Elsa Keslassy International CorrespondentLoco Films, the Paris-based world sales and production company, has unveiled the trailer for Yulia Trofimova’s feature debut “The Land of Sasha” which is premiering today at the Berlinale, in the Generation 14plus strand.“The Land of Sahsa” tells the story of an indecisive 18-year-old struggling to pursue his desire to become a painter as his mother urges him to choose a safer career path. The sudden appearance of the boy’s estranged father complicates things further. But when Sasha has an unexpected encounter with an unusual girl called Zhenia, he realizes he has no choice but to finally grow up.“The Land of Sasha” was produced by Katerina Mikhaylova and Konstantin Fam for Moscow-based Vega Film.

EXCLUSIVE: Shooting upcoming Netflix pic Against The Ice was no straightforward task, as its stars and director reveal to Deadline in a first interview as a trio.

Nick Vivarelli International CorrespondentItaly’s robust 2022 Berlinale representation of a half-dozen titles runs the gamut from the latest works by venerable veterans Paolo Taviani and Dario Argento to pics by fresh new Cinema Italiano voices including Chiara Bellosi, whose first film, “Ordinary Justice,” launched from Berlin in 2020.Taviani, who is 91, is returning to Berlin but alone this time — his filmmaker brother, Vittorio, with whom he won a Golden Bear in 2012 for “Caesar Must Die,” passed away in 2018 — in competition with surreal drama “Leonora Addio,” inspired by a short story by Italian playwright and author Luigi Pirandello. Argento, who set his 1977 chiller “Suspiria” in Germany, will be at the Berlinale for the first time as a director with Rome-set suspenser “Dark Glasses,” though he was on the fest’s main jury panel in 2001.

Elsa Keslassy International CorrespondentTrustNordisk has closed a flurry of sales on a pair of 3D-animated family features, “Little Allan — The Human Antenna” and “The Super,” underscoring the market appeal of independent youth-skewing movies.“Little Allan – The Human Antenna” marks Danish film Amalie Naesby Fick’s follow up to her commercially successful debut “The Incredible Story of The Giant Pear,” which premiered in the the Generation Kplus section at Berlin in 2018. This year, the helmer has her daring drama series “Sex” selected for the Berlinale Series.The film takes place during summer vacation, when introverted, 11-year old Allan starts acting as a human antenna for his old neighbor, who thinks a huge invasion fleet from the outer space is on its way.

Patrick Frater Asia Bureau ChiefAlmost two years since “Parasite” won a handful of Oscars, the impact of COVID has meant that the Korean theatrical sector has been largely unable to capitalize on the trickle-down effect of those wins. Its current malaise stands in contrast to the pandemic windfalls enjoyed by other parts of the Korean entertainment biz — think BTS, Blackpink, “Squid Game” and the latest streaming phenomenon “All of Us Are Dead.”The current year potentially holds great things for Korean film, with nearly all of the country’s top-name directors having completed works, but the prospect remains tantalizingly out of reach.And the longer the hard times continue, the less likely a return to the old normal becomes.

Nick Vivarelli International CorrespondentUndeterred by the pandemic, the wheels of Switzerland’s film production machine kept on spinning in 2021, churning out the meticulously made multicultural co-productions the country is known for that scored slots at top festivals.Works by young directors such as Elie Grappe, whose coming-of-age drama “Olga” launched at Cannes; Niccolò Castelli’s terrorism-themed “Atlas,” which bowed at Locarno; and also the VR project “Caves” by Carlos Isabel Garcìa, which premiered at Venice; provided a preamble to the exceptionally strong Swiss presence at this year’s Berlinale.Berlin sees a record-breaking two competition slots filled by new works from established Swiss directors, Ursula Meier’s “The Line” and Michael Koch’s “A Piece of Sky,” plus several more Swiss titles in other sections. “In the worst year ever we shot three productions back-to-back during the pandemic; somehow we got used to it,” says Oscar-nominated Max Karli (“My Life as a Zucchini”), who is among the producers of “The Line” via his Geneva-based Bandita Productions, in tandem with Pauline Gygax.In Switzerland, the film and TV industry held firm last year as one of the few sectors where camera crews and actors continued to work, unlike advertising, which shuttered completely for many months.“It was quite hard because we were shooting without insurance pertaining to anything linked to the pandemic,” Karli says, though some government subsidies were made available for physical productions struck by COVID infections.But, as Karli and other Swiss producers point out, Switzerland is a confederation.

here. “There have been many words to describe Dionne Warwick, however, for me, it comes down to one word: ‘genius,’” Wooley said.

Leo Barraclough International Features EditorWide has come on board to represent international sales on Slovenian-Australian writer/director Sara Kern’s debut feature “Moja Vesna,” which premieres in the Generation Kplus section at the Berlin Film Festival.“Moja Vesna” stars newcomer Loti Kovačič as Moja, a 10-year-old girl who lives with her grief-stricken Slovenian dad and pregnant 20-year-old sister Vesna in an outer suburb of Melbourne. Unable to accept the reality of her mother’s sudden death, Moja focuses on preparing for the baby while Vesna is lost in troubles of her own.Adamant and full of light, Moja carries on, hoping in vain that Vesna will eventually fill the mother-shaped hole in her life.