Jackie Chan’s ‘Ride On’ Saddles up Stable-Full of Sales Deals for Golden Network

Patrick Frater Asia Bureau Chief TriStar Pictures film “The Woman King” has been given official permission to release in cinemas in mainland China. It is expected to debut on April 14. The Viola Davis-starring fantasy action film had its world premiere at the Toronto International Film Festival in September last year and went into U.S. and international commercial release shortly after. The film has grossed $97.2 million worldwide, with $29.9 million coming from international markets and $67.3 million in North America. While the China release is significantly later than the rest of the world, potentially opening the film to online piracy, the launch date was communicated by Chinese authorities with some five weeks of advanced notice. That is more than many Hollywood films have received in China and gives the local marketing teams a reasonable chance to promote the film’s theatrical launch.

Patrick Frater Asia Bureau Chief Global streaming operation Netflix is forecast to spend $1.9 billion on local content in the Asia-Pacific region this year as group revenue from the region accelerates to 12%, according to a new report. The content investment spending figure represents a 15% hike. Netflix will grow revenues this year by 12% year-on-year to exceed $4 billion compared with 9% growth in 2022, says a new report published on Monday by Media Partners Asia.

Patrick Frater Asia Bureau Chief “Cyber Heist,” a crime thriller directed by Hong Kong’s Wong Hing-fan (“I’m Livin’ It”) and scripted by Soi Cheang (aka Cheang Pou Soi), took the top spot at the mainland Chinese box office over the weekend. It earned a very modest $6.2 million, according to data from consultancy Artisan Gateway. But that was enough to win on the quietest weekend since January’s Lunar New Year holiday season. “Cyber Heist” stars Aaron Kwok as a cyber security engineer who develops a state-of-the-art firewall that is capable of fending off online attacks against the global financial system. But he does not realize that in doing so he has stepped into a minefield that is even more dangerous. The picture also stars Lam Ka-tun and Simon Yam.

J. Kim Murphy Seth Rogen took to the Nickelodeon Kids’ Choice Awards stage Saturday evening to reveal the full voice cast for the animated reboot “Teenage Mutant Ninja Turtles: Mutant Mayhem,” including the teenage actors voicing the squad of heroes and Jackie Chan as the master sewer dweller Splinter. Micah Abbey, Shamon Brown Jr., Nicolas Cantu and Brady Noon will voice the roles of Donatello, Michelangelo, Leonardo and Raphael, respectively. The quartet was introduced by Rogen, a producer and voice actor for the film, onstage at the ceremony to accompany the announcement. The voice cast also features a slew of notable performers taking on characters that will be familiar to “TMNT” fans, including Hannibal Buress as Genghis Frog, Rose Byrne as Leatherhead, John Cena as Rocksteady, Ice Cube as Superfly, Natasia Demetriou as Wingnut, Ayo Edebiri as April O’Neil, Giancarlo Esposito as Baxter Stockman, Post Malone as Ray Fillet, Paul Rudd as Mondo Gecko, Maya Rudolph as Cynthia Utrom and Rogen as Bebop. Jeff Rowe (“The Mitchells vs. the Machines”) is directing.

Paramount Pictures, Nickelodeon Movies and Point Grey Productions have set an all-star voice cast for their upcoming CG-animated theatrical feature Teenage Mutant Ninja Turtles: Mutant Mayhem, Seth Rogen revealed on Saturday.

Zack Sharf Digital News Director Michelle Yeoh was already an actor star overseas by 1997 thanks to popular Hong Kong movies like “Police Story 3: Super Cop” and “Supercop 2,” but it wasn’t until the James Bond tentpole “Tomorrow Never Dies” opened that year that Yeoh had her Hollywood breakthrough. The actor played Wai Lin, a Chinese spy who is highly skilled in marital arts and bucks every “damsel in distress” and “Bond girl” stereotype. “The first movie I did after I came to America was ‘Tomorrow Never Dies’ with Pierce Brosnan,” Yeoh recently told People magazine. “James Bond at that point had only been known as macho, and the girls were just the ones with cutesy names.”

EXCLUSIVE: Paris-based Alpha Violet has posted fresh sales on Mexican director Lila Avilés’s family drama Tótem, which world premiered in competition at the Berlinale to acclaim in February.

Patrick Frater Asia Bureau Chief Already the highest grossing local film in its home market, courtroom drama, “A Guilty Conscience” has broken into Hong Kong’s all-time top ten box office ranking with a cumulative of HK$107 million ($13.7 million). Data from Hong Kong Box Office Ltd. shows the film achieving the feat after just 41 days in cinemas and coming within HK$1 million ($150,000) of overtaking “Top Gun: Maverick.” The data firm noted that the last time a Hong Kong film got this far was with fantasy-action-comedy “Kung Fu Hustle” in 2004. Since then, it has been overtaken by a fleet of Hollywood titles. Hong Hong’s current top ten is headed by “Avengers: Endgame” and includes six Marvel movies, the two “Avatar” titles and “Titanic.”

new “baby mama” in mind should he choose to welcome baby No. 13.The 42-year-old host was joined by “The Real Housewives of New York City” alum Luann de Lesseps, 57, on Wednesday’s episode of “The Masked Singer” as she provided the judges with clues to guess the identity of the masked performer Medusa.But before the cabaret singer could give her hints, Cannon told the audience that the duo “have a love thing going” — to which she replied, while caressing his shoulder, “We do, we do,” according to The Sun. Lesseps then joked to Cannon that she “wouldn’t tell — if he didn’t,” as judge Robin Thicke perfectly interjected, “We will all find out nine months later.”The remark both stunned and amused the fellow judges and live audience, the outlet reported.

Patrick Frater Asia Bureau Chief Sculptor turned director Wu Lang made a splash at the Berlin Film Festival with his debut feature “Absence” playing in the festival’s showcase Encounters section. With a high-profile cast headed by Lee Kang-sheng (“What Time Is It There?” “The Wayward Cloud”) and Li Meng (“The Bad Kids,” “The Guillotines”) “Absence” is an art-house romance that uses skyscapes and urban landscapes as metaphors for inner feelings. The seduction starts with a man’s return to Hainan Island after ten years in jail and ends with a flock of sheep in an abandoned construction site. Wu: Shooting the first short film for me had two purposes. First, making a film is not easy in terms of financing and finding coproducers. So, first I wanted to make a short in order to get myself started.

Patrick Frater Asia Bureau Chief Maoyan, the Chinese film ticketing agency and film distribution company, has issued a warning that profits for 2022 are set to take a steep dive. Revenue for last year is expected to come in at RMB2.27 billion and RMB2.37 billion, representing a decrease of up to 31% compared with 2021. Profit attributable to the owners of the company will range between approximately RMB70 million and RMB120 million, representing a decrease of approximately 67% to 81% compared with attributable profit in 2021, which had been RMB369 million. The company’s fortunes are closely allied to the trend of the mainland Chinese box office. Nationwide theatrical grosses took a huge tumble in the second half of the year as the government stepped up its battle against the COVID outbreak, causing the full year box office to fall by 36%.

Patrick Frater Asia Bureau Chief Hong Kong courtroom drama film “A Guilty Conscience” edged aside Chinese and Hollywood tentpole films to top the mainland China box office in its opening weekend. According to data from consultancy service Artisan Gateway, the film earned $8.5 million (RMB58.4 million) in its opening three days between Friday and Sunday. “The Wandering Earth 2,” which has been in cinemas for over a month, earned $7.4 million to elevate its cumulative total to $568 million. “Ant-Man and the Wasp: Quantumania,” which opened on top a week earlier, collected $7.0 million, giving it a 10-day cumulative of $31.4 million.

Tommy Fury and Jake Paul settled their rivalry in the ring on Sunday night in a cruiserweight fight in Riyadh, Saudi Arabia. The hotly-anticipated contest was more than two years in the making with two fights between the pair having previously been cancelled.

Nick Cannon is showing some love to his ex-wife Mariah Carey!

Patrick Frater Asia Bureau Chief China-based video streamer iQiyi achieved a surge in paying subscriptions and achieved net profits in the fourth quarter of 2022. While still loss-making over the full year, the company hailed its turnaround as “miraculous.” In the October-December period, gross revenues were RMB7.6 billion ($1.1 billion), representing a 3% increase year over year, the company said in a regulatory filing. Net income attributable to iQiyi was RMB304 million ($44.1 million), compared to a net loss of RMB1.8 billion in the same period in 2021. Over the course of the full 2022, total revenues were RMB29.0 billion ($4.2 billion), representing a 5% decrease from 2021. Net losses decreased from RMB6.2 billion to RMB136 million ($19.7 million).

Patrick Frater Asia Bureau Chief Profits at Alibaba, the Chinese e-commerce and media conglomerate, more than doubled in the three months to December 2022 to reach $6.63 billion (RMB45.7 billion), on revenues that increased by 2% to $35.9 billion (RMB248 billion). The figures, which constitute the third quarter of Alibaba’s current financial year to end March 2023, represent a significant rebound after two difficult quarters. Alibaba’s aggregate net profits between April and December are still down by 32% at just $6.32 billion, compared with the equivalent nine-month period in 2021. The group portrayed the results as “solid [..] despite softer demand, supply chain and logistics disruptions due to impact of changes in COVID-19 measures,” and said that China’s improving macro-economic outlook will help it recover further.

Peter Debruge Chief Film Critic Tapping into the Japanese national zeitgeist once again with “Suzume,” writer-director Makoto Shinkai surpasses his peers in making films for and about teenagers. Now 50 years old, the anime master christened his latest blockbuster after its heroine, Suzume Iwato (voiced by Nanoka Hara), a 17-year-old orphan on the southwestern island of Kyushu swept up in a cross-country trip to prevent a series of natural disasters. That such a responsibility should fall to someone so young is typical of his oeuvre (see “Weathering With You”), but also an apt way of illustrating the lingering trauma and vulnerability that adolescents feel in many parts of Japan. Funnier and more streamlined than Shinkai’s earlier hypercharged toon epics, “Suzume” is a massive hit in its home country, where it has earned more than $100 million since opening last November — his third film to pass that milestone. The film made its international premiere at the Berlinale, one of two animated features in official competition (the other being Chinese director Liu Jian’s “Art College 1994”). Theatrical releases are scheduled to follow in most countries on or around April 13.

Brent Lang Executive Editor Sometimes it takes more than a pair of global blockbusters to shake off the lingering impact of a devastating public health crisis. Quarterly sales and profits fell at Imax despite the commercial success of “Avatar: The Way of Water” and “Black Panther: Wakanda Forever.” The big screen company recorded revenues of $98 million, a 10% drop from the $108.6 million that Imax recorded in the year-ago period. The company also recorded profits of $2.6 million, compared to the $10.1 million that Imax logged in the year-ago period. That came out to earnings of 19 cents a share, which failed to match the profits of the 31 cents that Imax recorded in the same period in 2021.

Imax said today it expects return to pre-pandemic gross box office level of $1.1 billion in 2023.

Rep. David Cicilline (D-RI), who has championed a set of antitrust bills to curb the power of big tech, said that he plans to resign from Congress on June 1 to take a job at a non profit foundation.