Interscope Geffen A&M Boosts Four Senior Execs to President and General Manager Levels

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift’s pop dominance in 2023 is not going unnoticed in this year’s MTV Video Music Awards nominations. Swift came out as the leader in the nods announced Tuesday morning, with eight nominations altogether for her videos, followed by six for the videos of SZA. The competition thickens when it gets down to the six artists tied for five VMAs nominations each: Doja Cat, Olivia Rodrigo, Kim Petras, Miley Cyrus, Nicki Minaj and Sam Smith.

Chris Willman Senior Music Writer and Chief Music Critic The new collaborative album by Vince Gill and instrumentalist Paul Franklin is not a vocal duets record. But for anyone who believes that there’s something about the steel guitar that’s uncannily akin to the moan of the human voice, in spirit if not sound, maybe it’s close enough.

Chris Willman Senior Music Writer and Chief Music Critic One of the questions raised by Taylor Swift’s recent single “Karma” is whether the titular force is something that can be, like, aggressively courted. And, if so, is writing out $100,000 bonus checks to one’s tour truck drivers a form of metaphysical insurance payment? These are the deep thoughts that may woozily cross your mind on the Eras Tour, as the clock nears midnight while Swift is bringing things to a close by performing “Karma” at the end of a 3-hour-and-25-minute marathon set. It’s a weird, funny finale that leaves an audience with the idea that virtue is even better than revenge, or that maybe these can amount to the same thing.

Chris Willman Senior Music Writer and Chief Music Critic The U.S. will not have seen the last of the Eras Tour next week after all. Taylor Swift will bring her stadium outing back to the United States and Canada in October and November… not of this year, but in 2024.

Chris Willman Senior Music Writer and Chief Music Critic Deathstars can be temporal things, but a Dogstar, maybe that’s forever. That is the lesson the rock world can learn after the reemergence of the trio of that name after a mere 23-year layoff. There might have been a reasonable assumption in the interim that maybe the group was a hobby that its most famous member, bassist Keanu Reeves, got over as his other gig just grew and grew.

Chris Willman Senior Music Writer and Chief Music Critic Joni Mitchell FOMO: it’s a real thing. Or it was a year ago, when she made a surprise appearance at the Newport Folk Festival, and again this summer, when Mitchell booked an appearance as part of a Brandi Carlile mini-festival in Washington state, which was advertised and had tickets sold in advance but instantly sold out.

Chris Willman Senior Music Writer and Chief Music Critic With “Austin,” Post Malone has finally gone full pop star — as opposed to partial “Rockstar,” or hip-hop-adjacent star, or anything else he might’ve previously represented or flirted with. The Post Malone we hear here would have been hard to imagine a few albums ago, when he was employing guest rappers by the boatload (there are none on the new record) and embracing trap sounds (also pretty much now absent).

Chris Willman Senior Music Writer and Chief Music Critic If you came into the “Barbie” film cold, expecting that if any song was going to get the most play, it might be Aqua’s “Barbie World,” you had a surprise coming. Turns out Barbie is a huge Indigo Girls fan — or, at least like a million women and some men before her, she likes to belt along with the 1989 folk-rock smash “Closer to Fine” in the car. The song pops up three times over the course of the blockbuster film, guaranteeing that there is going to be a huge resurgence in the real world of people singing about going “to see the doctor of philosophy,” even if they’re actually on their way to the beach.

Chris Willman Senior Music Writer and Chief Music Critic Ready to expand your theatergoing experience to encompass “Scottieheimer”? Hip-hop artist Travis Scott has a feature film going into theaters this weekend. He announced the release of “Circus Maximus” through a tweet (or rather, an X), revealing poster art of himself on a motorcycle and taking writer-director credit, although a release about the film also lists five other famous names as “additional directors”: Gaspar Noé, Nicolas Winding-Refn, Harmony Korine, Valdimar Jóhannsson and Kahlil Joseph.

Chris Willman Senior Music Writer and Chief Music Critic Pop-jazz singing legend Tony Bennett died July 24 at age 96, after being diagnosed with Alzheimer’s disease seven years earlier. His 75-year career followed a classic three-act structure: a rise through the 1950s and early ‘60s that culminated in his biggest hit, “I Left My Heart in San Francisco” in 1962; the loss of pop opportunities as rock took over, resulting in deeper explorations into jazz; and a return to superstardom in the 1990s as he won the album of the year Grammy for “MTV Unplugged.” Actually, “we had a fourth act, with Lady Gaga, that lasted 10 years,” says his son, Danny Bennett. Danny became his dad’s manager in 1986 and oversaw one of the great comebacks in music, which ended with Bennett and Gaga taping a final special at Radio City Music Hall on his 95th birthday.

Chris Willman Senior Music Writer and Chief Music Critic Jason Aldean played his first concert Friday since his vigilante anthem “Try That in a Small Town” stirred up a national firestorm, soaking up a Cincinnati crowd’s adoration Friday night as he railed against “cancel culture” being responsible for the opposition to his divisive, violence-threatening song and video. “It’s been a long week. I’ve seen a lot of stuff suggesting I’m this, suggesting I’m that,” Aldean said, as the audience at the Riverbend Music Center booed the opposition he’s faced. “I feel everybody’s entitled to their opinion. You can think something all you want to, it doesn’t mean it’s true. What I am is a proud American… I love our country. I want to see it restored to what it once was before all this bullshit started happening to us. I love my country. I love my family. And I will do anything to protect that,” he declared, as the crowd began chanting “USA! USA!”

Chris Willman Senior Music Writer and Chief Music Critic Reading between the lines of country superstar Jason Aldean’s “Try That in a Small Town” has mostly been up to media commentators and social media participants so far, but one country/Americana singer has taken up the duty of writing a satirical number that spells out some of what Aldean’s critics believe are undertones implicit highly contentious hit. A criticism that has come Aldean’s way has been that the ominous language of “Try That in a Small Town” echoes the coded or uncoded threats that have historically been associated with the South’s “sundown towns” — places where, in the most dangerous eras of segregation, people of color and other outsiders were advised to get out of before dark. Now the singer known as Adeem the Artist has made that interpretation of Aldean’s “See how far ya get down the road” lyrics explicit with a parody song posted on social media called “Sundown Town.” (Hear the song embedded in the artist’s tweet, below.)

Chris Willman Senior Music Writer and Chief Music Critic Landing a first headlining slot at the Hollywood Bowl is a cherished milestone for any major musical acts who claim Los Angeles as their home base. It can even mean a little more, probably, when it’s a sibling jubilee. Last summer, it was a homecoming-queens coronation for the Haim sisters, who got the honor a mere nine years into their professional career. This year, the Bowl debut honor for cherished locals goes to the Mael brothers, who only had to wait 52 years for their own crowning gig. What’s five decades among friends and family … everybody loves a slow build, right? The brothers would never be mistaken for rank sentimentalists, but Sunday night’s Sparks show might have brought a hint of a tear to a waggish eye, knowing it was a boyhood dream. Or at least when Ron and Russell Mael’s mom brought them to see the Beatles at the venue in 1965, it was “probably some good education,” as Russell allowed near the beginning of the show. At the Bowl Sunday, Mom was likely not around, but they did have the closest thing they’ve probably had lately to a surrogate parent, director Edgar Wright, whose consciousness-raising documentary “The Sparks Brothers” can be loosely said to have kind of nurtured them across a sort of finish line. (The show-closing photo seen above, plus some video snippets below, are courtesy of Wright’s backstage camera.)

Chris Willman Senior Music Writer and Chief Music Critic CMT has confirmed that, after initially airing Jason Aldean’s highly controversial music video for “Try That in a Small Town,” the network pulled the contentious clip from the air on Monday, even before the furor over the tune grew greater on Tuesday. A CMT spokesperson had no further comment on the video being yanked. Reps for Aldean’s label, BBR Music Group, did not immediately respond to a request for comment. Billboard was first to report the video being removed by the network. Meanwhile, Aldean took to his social media Tuesday afternoon to defend the song from its many critics, taking a much softer tone in his messaging than he does in the hostile single itself, or a video that projects images of demonstrators onto a courthouse that was the site of a famous lynching.

Chris Willman Senior Music Writer and Chief Music Critic If country music used to pride itself on being about “three chords and the truth,” the increasingly belligerent superstar Jason Aldean has a different idea of what the genre should represent: two chords and a beating, or maybe a shotgun blast. Aldean’s “Try That in a Small Town” is close to being the most cynical song ever written about the implicit moral superiority of having a limited number of neighbors, which is saying something, given how many attempts to write the Great American Small Town Anthem are generated in a single year. At least most of the others at least put up the appearance of celebrating local pride, not prejudice. But for Aldean, it’s about how tiny burgs are under the imminent threat of attack from lawless urban marauders who will have to be kept at bay by any means necessary — meaning, pretty explicitly, vigilantism.

Chris Willman Senior Music Writer and Chief Music Critic The Who has released boxed sets commemorating many of the albums from the band’s storied discography, but never the coveted one that would celebrate the release that some fans consider the crown jewel of the catalog, “Who’s Next.” That changes Sept. 15 with “Who’s Next/Life House Super Deluxe Edition,” a 10-CD/1-Blu-Ray set that will include 155 tracks, 89 of them previously unreleased, plus spatial audio and surround mixes. The expansive set will hark back to the legendary origins of “Who’s Next,” the band’s follow-up to “Tommy,” as what was originally designed by Pete Townshend as a concept album in its own right, “Life House,” before it shifted gears to become a more traditional, non-narrative rock album.

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift is setting some high chart benchmarks with the release of her “Speak Now (Taylor’s Version)” album. Not only has it debuted at No. 1 with the biggest numbers of the year so far for any release, but it’s one of four albums she now has in the top 10 of the album chart. According to Billboard, that’s the first time a woman has done that in the entire six-decade history of there being an album chart — and she’s one of only three artists to ever accomplish the feat. Swift also set a record for the female artist with the most No. 1 albums in history: She now has a dozen, moving ahead of Barbra Streisand, with whom she was formerly tied with 11 each.

Chris Willman Senior Music Writer and Chief Music Critic Jung Kook launched his first major solo single, “Seven,” at the stroke of midnight ET Friday morning, as promised. It came with a surprise that was unpromised: the appearance of one of the hottest female rappers of our day, Latto, making a featured appearance on the track. The lyrics talk about some hot action that is due to go down between the two, but the music, however, high-energy, feels deeply chill. In other words, it feels designed to be a late entry in the “songs of the summer” derby. In an email interview with Variety, Jung Kook acknowledges the summery vibe but sounds almost surprised to hear a hit-status projection for the tune, as if this crossed his mind about the Andrew Watt/Cirkut co-written and -produced track belatedly. “I honestly didn’t have a huge goal in mind, but since you said that, I’d be ecstatic if it becomes a ‘hit,'” he says.

Chris Willman Senior Music Writer and Chief Music Critic Music-related films, limited series, specials and documentaries are well-represented in the 2023 Emmy nominations — including projects like “Daisy Jones & the Six” that were shut out by the music branch in actual music categories but did just fine just about everywhere else. Actors playing famous musicians fared well. Michael Shannon and Jessica Chastain, who portrayed George Jones and Tammy Wynette in “George & Tammy,” were nominated for best lead actor and actress in a limited series or movie. Also up in those categories, respectively, are Danielle Radcliffe, for his comic turn in the satirical title role of “Weird: The Al Yankovic Story,” and Riley Keough for her more serious take as a fictional singer-songwriter in “Daisy Jones.”

Chris Willman Senior Music Writer and Chief Music Critic The vinyl boom is not going bust anytime soon. In the first half of 2023, vinyl LP sales were up 21.7% from the same period the year before, a robust vote of confidence for the format that has dominated album sales in recent years. That’s one of the findings in Luminate’s Midyear Music Report, being released by the leading data company today. That the vinyl format would be experiencing some kind of growth is not a surprise in and of itself is not a surprise. After all, 2022 marked the 17th consecutive year that vinyl saw a rise, so it was perhaps inevitable that 2023 would keep the streak going. Yet the whopping growth rate over the last six months is reassuring after, last year at this time, Luminate’s study showed the format had then only risen by 1%, leading some to believe the market had found its natural plateau after explosive bursts of quarantine buying that caused a 108% increase in 2021. This latest uptick is proving that a raging pandemic isn’t required for the avid interest in LPs to expand further still.