‘Insidious: The Red Door’ Producer Jason Blum Says He’s Lived a Real-Life Ghost Story: ‘I Will Remember It Until I Die’ (Video)

Barbie movie, but the real team looks a little different.In Greta Gerwig’s new film starring Margot Robbie and Ryan Gosling – which has been praised for its feminist message and storytelling – the chair of the all-male board is played by Will Ferrell.The actor pops up in the film to “play the dim-witted CEO”, as NME wrote a four-star review.The real Chairman and CEO of Mattel, Ynon Kreiz, is indeed male, but does sit alongside female board members, too.According to the Mattel website, the real Board Of Directors currently consists of six men and five women, who comprise “global leaders from various fields and industries, with a broad and diverse range of experiences and perspectives required to provide independent governance and oversee the execution of our long-term strategy”.The feminist messaging of Barbie has been a key topic of discussion after opening weekend (July 21).America Ferrera, who plays Mattel executive Gloria, revealed that one of the most pivotal sequences of dialogue – about the double standards women face – took 30 to 50 takes to film.“It worked on the page, and so I definitely wanted to give that feeling to the audience as the person performing it— to make it resonate the way that it did with me when I read the words on the page,” Ferrera told Vanity Fair.The actor said that while it “felt like” 500 takes, it was probably closer to 30 to 50 “full runs”.In other Barbie news, it was recently revealed that the marketing budget was more than it cost to make the film.According to Variety, the marketing budget for the film was a staggering $150million (£117m), eclipsing the $145million (£113m) it cost to actually make the film itself.Elsewhere, Robbie has said she was teased by her friends for not having a

Chris Willman Senior Music Writer and Chief Music Critic The BTS Army drove Jung Kook’s first solo single, “Seven,” to No. 1 on the latest Billboard Hot 100 chart, a milestone previously reached by fellow member Jimin’s “Like Crazy” three months ago. With 21.9 million streams registered, 6.4 million airplay impressions audience and 153,000 singles sold, the track (which features rapper Latto as a guest artist) came out of the box as a certifiable monster. Country star Jason Aldean doesn’t have a similar Army bolstering him, but does sound like he might be forming a militia in “Try That in a Small Town.” The deeply polarizing song was able to ride a wave of headlines to a No. 2 entry, after it’d spent the last two months not even cracking the lower ranks of the chart, prior to the controversy erupting.

It's now been 10 years since Tim Metcalfe arrived on the cobbles as he reunited with his daughter Faye Windass. The ITV soap character, played by Joe Duttine, made his first appearance in Weatherfield after being contacted by his then-10-year-old daughter.

has delivered a plethora of candy-colored ensembles, the press tour for Christopher Nolan’s *Oppenheimer—*featuring Emily Blunt and —has also made its mark with its red carpet fashion moments. From Cillian Murphy’s sheer Saint Laurent shirt to Pugh’s burnt orange Valentino haute couture gown and matching orange buzz cut, the looks have felt theatrical and err on the dark side. At the London premiere of Oppenheimer, wore an Alexander McQueen ’40s sequin ensemble, before leaving with the rest of the cast in a mass walkout in solidarity with the actor’s strike in America.Emily Blunt and Florence Pugh on the red carpet.The outfit—look 51 from the brand’s autumn/winter 2023 collection, to be precise—comprised a black and silver cut-out dress adorned with bugle beads, as well as pronounced capped sleeves and a sweeping fringed skirt.

When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut.

Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

J. Kim Murphy Indiana Jones has faced Nazis and aliens, snakes and the fury of an Old Testament God — but he has never faced the terrors of the Red Door. Sony’s “Insidious: The Red Door,” the latest installment in the supernatural series, blew by expectations on its opening day with a $15.2 million gross from 3,188 venues — a figure that includes $5 million in Thursday previews. Horror entries usually face front-loaded weekend performances, but the Screen Gems, Stage 6 Films and Blumhouse co-production has fired off with a commanding lead. It looks to land the top spot on domestic charts for the weekend, projecting a $31 million haul and toppling last week’s victor “Indiana Jones and the Dial of Destiny” in the process.

While ghosts by themselves are frightening, the idea that they can hurt the very people we love is several shades scarier. “The Conjuring” and “Insidious”—the two James Wan joints that have spun the two most successful and sophisticated supernatural horror franchises of the last decade—understood this timeless fear at a deep level.

Sophia Scorziello editor Being a television personality is a lot different than playing a television character. For someone like cooking TV personality Matty Matheson, the latter can be terrifying. “Acting scares the shit out of me,” said Matheson, actor and executive producer on FX’s acclaimed restaurant dramedy series “The Bear.” On the show, Matheson plays Neil Fak, better known simply as Fak, the childhood friend of Carmy (Jeremy Allen White) and Carmy’s cousin Richie (Ebon Moss-Bachrach). Fak is sensitive and sweet and sometimes spacey, but does his best in both seasons to keep first the Beef and then the Bear running as a handyman and server.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

Sony/Stage 6 Films/Blumhouse’s fifthquel Insidious: The Red Door nearly locked out Indiana Jones and the Dial of Destiny yesterday at the box office. The Patrick Wilson starring and directed PG-13 horror film scared up $5M in previews at 2,806 locations that began showtimes at 4PM. That amount of money is very close to what Indy grossed, early estimates showing around $5.2M for the day in an awful week that ended at $94.5M for the $300M-plus grossing Disney/Lucasfilm finale sequel.

Owen Gleiberman Chief Film Critic Halfway through “Insidious: The Red Door,” there’s a moment that encapsulates why the movie isn’t more insidious. Josh Lambert (Patrick Wilson), the father from the first two “Insidious” films (this one is number five), has just dropped his son off for his freshman year at college. The son, Dalton, is once again played by Ty Simpkins, who was just a spooked kid in the earlier films; now he’s a spooked surly emo art student draped in hippie hair. Eight years ago, Dalton and his father were hypnotized so that they would lose all memory of the Further, the spirit zone Dalton got sucked into as an astral projection of himself. The hypnosis worked; they’ve forgotten the living nightmares they saw. But now the visions are coming back.

Insidious: The Red Door, the fifth installment of the Insidious franchise and helmed by actor-turned-director Patrick Wilson, promises a dive into the haunted memories of the past, but the script by Scott Teems delivers little more than a stifling yawn. Alongside Wilson, the film stars Ty Simpkins, Rose Bryne and Sinclair Daniel. 

Insidious: The Red Door brings a sense of finality to the supernatural horror franchise.This fifth installment brings back series staples Patrick Wilson, Ty Simpkins, Andrew Astor and Rose Byrne, alongside newcomers Hiam Abbass and Sinclair Daniel.Along with reprising his role of Josh Lambert, Wilson makes his directorial debut with Insidious: The Red Door, from a screenplay by Scott Teems.This fifth entry is set 10 years after the ending of Insidious: Chapter 2, as Josh Lambert (Wilson) drops off his son Dalton (Simpkins) at an ivy-league university. Insidious: The Red Door is a direct sequel to the first two films, with the third and fourth entries, Insidious: Chapter 3 and Insidious: The Last Key, serving as prequels to the first film.An official synopsis for Insidious: The Red Door, reads: “Set 10 years after the ending events of the second film, Josh Lambert heads east to drop his son Dalton off at an idyllic, ivy-league university.

Red, White & Royal Blue has finally unveiled its first trailer, giving fans a tantalizing glimpse into the enchanting love story between Henry and Alex. Based on the novel of the same name by Casey McQuiston, this upcoming LGBTQ film already looks like it’s going to live up to the novel, which many fans are hoping for.The trailer wastes no time in immersing viewers into the world of Henry and Alex’s blossoming romance.

The fifth film in the franchise and a direct sequel to 2013’s “Insidious: Chapter 2,” “Insidious: The Red Door” is a confident and satisfying addition to the series.  READ MORE: The 25 Most Anticipated Horror Films Of 2023 Picking up ten years after the events of the second film, the Lamberts are a fractured family in mourning. Patrick Wilson returns as Josh Lambert, a father struggling with the loss of his mother, Lorraine, and keen to mend the relationship with his oldest son, Dalton, again played by Ty Simpkins.

Emile Hirsch is going undercover in a new mob thriller, The upcoming film, from director Danny A. Abeckaser and writer Kosta Kondilopoulos, is based on true events surrounding New York City's infamous Gambino crime family in the 1960s and '70s.Hirsch stars as a disgraced New York police detective, Bobby Belucci, who goes undercover after a violent reaction to his wife's infidelity lands him a demotion at work.