‘In the Name of the Land’ Director Edouard Bergeon Sets Eco-Thriller Set in Indonesian Forest; Playtime Boards Sales (EXCLUSIVE)

Elsa Keslassy International Correspondent Yellow Veil Pictures, the U.S.-based arthouse genre distribution company, has acquired North American rights to Belgian director Claude Schmitz’s deadpan detective thriller “The Other Laurens.” The feature debut world premiered at Cannes’ Directors’ Fortnight and will have its North American Premiere at Fantastic Fest which kicks off Sept. 23 in Austin, Texas. Yellow Veil Pictures plans for a theatrical release in 2024.

It sucks when it always has to frame Latinx and Hispanic people as drug lords—and it’s often the only kind of representation they get in film and television—but the flip side is that it’s nice to see something like “Narcos” become its own cottage industry and give roles to Latinx people (yes, that’s contradictory and complicated—crime always fascinates the public— but such is life, and sometimes it’s one step at a time or progress.

Rishi Sunak has been accused of "pouring more fuel on the global fire" as the struggling Prime Minister plans to water down some of his key environmental policies.

Elsa Keslassy International Correspondent Netflix has ordered a sequel to “Troll,” the Norwegian action-adventure film directed by Roar Uthaug, who helmed Norway’s first disaster movie, “The Wave.” “Troll 2” reteams Uthaug (“Tomb Raider”) with writer Espen Aukan andproducers Espen Horn and Kristian Strand Sinkerud at Motion Blur, the Oslo-based banner whose credits include “Cadaver,” “Amundsen” and “The 12th Man.” The first installment unfolds in the aftermath of an explosion in the Norwegian mountains, which awakens an ancient troll. The story revolves around a fearless paleontologist who embarks on a journey to stop the troll from wreaking deadly havoc.

Elsa Keslassy International Correspondent Prime Video and Gaumont (“Intouchables”) are teaming up on an uplifting mother-son drama tackling disability, directed by Ken Scott (“Starbuck”), and starring French actors Leïla Bekhti (“All Your Faces”) and Jonathan Cohen (“Sentinelle”). Scott penned and will be directing the film which is titled “Ma mère, Dieu et Sylvie Vartan” and is based on Roland Perez’s novel by the same name. The project is the first theatrical film that Amazon Prime Video is co-financing as part of the French decree that kicked off in July 2021 and stems from the implementation of the European Commission’s legislation called Audiovisual Media Services Directive (AVMS).

Elsa Keslassy International Correspondent Norwegian filmmaker Joachim Trier will next direct “Sentimental Value,” a family drama starring Renate Reinsve, who won best actress in Cannes for her role in Trier’s Oscar-nominated 2021 film “The Worst Person of the World.” “Sentimental Value” will follow Nora (Reinsve), an actor, and her sister Agnes, who are grieving the loss of their mother while their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role.

Elsa Keslassy International Correspondent Charades has closed multiple deals on “There’s Something in the Barn,” Magnus Martens’s (“Fear the Walking Dead”) comedy horror movie from “Dead Snow” producers at 74 Entertainment and XYZ Films. The English-language movie is headlined by Martin Starr (“Freaks and Geeks,” “Spider Man”), Amrita Acharia (“Game of Thrones”) and Jeppe Beck Laursen (“The Last Kingdom”).

Elsa Keslassy International Correspondent Natalie Portman may be an outspoken feminist and co-founder of a female-driven soccer club (Angel City FC), but she isn’t a believer in the so-called “female gaze.” In an interview with Vanity Fair France for the magazine’s 10-year anniversary issue, conducted prior to the SAG-AFTRA strike, Portman argued that “to say that a female director has a particular gaze is reductive of women’s individuality and points of view.” The Harvard-educated actor also said that gender isn’t a factor when she chooses projects. “Female directors should have the same opportunities as their male counterparts.

Elsa Keslassy International Correspondent The political backlash surrounding Agnieszka Holland’s Venice Special Jury Prize-winning refugee drama “Green Border” hasn’t kept the movie from being a hot seller. The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees, Polish activists and border guards.

Elsa Keslassy International Correspondent “Portrait Artist of the Year,” the popular U.K. entertainment format that will celebrate its 10th birthday on Sky Arts with Dame Judi Dench on Sept. 30, is set for a Norwegian adaptation to be produced by Nordisk Banijay.

Elsa Keslassy International Correspondent “Vogter,” a psychological thriller directed by Gustav Möller, whose previous film “The Guilty” won the Audience Award at Sundance, has been pre-sold by Les Films du Losange to multiple territories. “Vogter,” which was just completed and is now in post, has been picked up for Germany, Austria, Switzerland (Ascot Elite), Spain (La Aventura), Italy (Movies Inspired), Japan (Happinet Phantom Studios), Belgium, Netherlands, Luxembourg (Cineart), Estonia, Latvia, Lithuania (Kino Pavasaris) and Hungary (Vertigo). Les Films du Losange has closed these deals since unveiling the project at Cannes and is negotiating further sales in other key territories.

Elsa Keslassy International Correspondent Kirill Serebrennikov, the celebrated Russian playwright and director whose last three films competed at Cannes, is set to create and direct a sensual, gothic TV adaptation of “The Phantom of the Opera,” Gaston Leroux’s 19th century novel. Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios.

What is the fine line between altruism and narcissism, and what happens when “higher-calling” religious beliefs blur those demarcations? That vague space is not exactly what celebrated doc filmmakers Jesse Moss and Amanda McBaine are trying to resolve in their compelling new documentary “The Mission.” Honestly, their story is more subtle and nuanced; a fairer and balanced look at the ideas of self-sacrifice, an empathetic examination of a tragedy, and yet a sobering probing of good intentions and the paths that lead us astray.

EXCLUSIVE: Here’s your first trailer for Liam Neeson crime-thriller In The Land Of Saints And Sinners, which debuts tomorrow at the Venice Film Festival.

Elsa Keslassy International Correspondent French TV sales broke an all-time record of €214.8 million ($230 million) in 2022, a 15.4% year-on rise, bolstered by premium TV series such as Newen’s procedural “HPI,” Federation’s spy series “The Bureau” and Banijay’s period show “Marie Antoinette,” according to a study unveiled by the National Film Board and promotion org Unifrance. The French org credited the spike in French TV exports to the end of the pandemic and the delivery of fresh content, as well as the return of in-person markets and business travel. French linear channels still remain the main buyers of local TV content, accounting for 49% of sales, on par with 2021.

Elsa Keslassy International Correspondent French director Edouard Bergeon, whose Cesar-nominated debut feature “In the Name of the Land” was a box office hit in 2019, has penned another eco-thriller, “The Green Deal.” The movie, which is partly set in the Indonesian forest, has been boarded by Playtime and will be pitched to buyers at the Toronto Film Festival. “The Green Deal” explores crimes and colliding interests in the exploitation of a palm oil and the production of biofuels.

Actor, producer and director Luca Barbareschi is at the Venice Film Festival this year as one the main representatives of Roman Polanski’s new film The Palace.

Elsa Keslassy International Correspondent With fashion-themed films and series building momentum on the festival circuit, Kevin Macdonald’s “High & Low — John Galliano” has been sold by Newen Connect in major territories ahead of its premiere at Telluride. “High & Low — John Galliano,” a documentary portrait of the controversial fashion designer, is produced by Chloe Mamelok and Macdonald through KGB Films, in association with Condé Nast Entertainment.

Elsa Keslassy International Correspondent Luc Besson, the formerly A-list director who rose to the top of the box office with his kinetic action films, had his career derailed by rape accusations leveled against him in 2018 by Sand Van Roy, an actress on his film “Valerian and the City of a Thousand Planets.” The ensuing legal battle consumed five years of Besson’s life, but after being cleared last June of all charges by the Cour de Cassation, the French equivalent to the Supreme Court, he’s re-emerging at this year’s Venice Film Festival with the indie drama “Dogman.” But will the industry work with Besson? That’s one of the questions that we discuss during a lengthy interview at the Plaza Athénée Hotel in Paris on the eve of his big premiere. Besson is evasive about the matter, preferring to talk up his latest effort, the story of a bruised man who faces rejection and finds solace in dogs, as well as dissatisfaction with a movie business that’s become more obsessed with superheroes than style.

Elsa Keslassy International Correspondent Pulsar Content has secured international rights on “Pacific Fear,” a French survival horror film which has started filming in French Polynesia. The movie is directed by Jacques Kluger, who previously directed the Belgian horror movie “Play or Die,” and is produced by Nolita, whose recent credits include the Netflix hit action franchise “Lost Bullet.” Darklight Content is co-producing.