The CW is officially moving into true-crime.
02.09.2023 - 09:53 / deadline.com
Actor, producer and director Luca Barbareschi is at the Venice Film Festival this year as one the main representatives of Roman Polanski’s new film The Palace.
The satire, poking fun at the ultra-rich against the backdrop of Switzerland’s luxury Gstaad Palace Hotel and featuring Mickey Rourke, Fanny Ardant and John Cleese in the ensemble cast, world premieres Out of Competition in a gala screening on Saturday.
Its selection for Venice’s 80th edition has sparked debate in the film world, which remains split over whether Polanski should be celebrated an artist while 1973 charges of unlawful sex with a minor in the U.S. remain unresolved.
The director, who turned 90 in August, has not travelled to Italy, where it remains unclear whether he would be subject to Italy’s extradition treaty with the U.S., while a number of the film’s international stars including John Cleese are staying away due to the Hollywood actors’ strike.
Aside from playing a porn star called Bongo in the film, the larger-than-life figure of Barbareschi was a driving force behind getting The Palace off the ground, having previously aproduced Polanski’s last film, the award-winning Dreyfus Affair drama An Officer And A Spy.
In the face of the controversies swirling around the director, he lead produced under the banner of his Rome-based Èliseo Entertainment, securing the support of Italy’s Rai Cinema as a lead partner as well as Jean-Louis Porchet at CAB Productions, Wojciech Gostomczyk at Lucky BOB as co-producers. Polanski’s RP Productions is also credited as co-producer.
Barbareschi and Polanski have been friends for nearly 50 years, and he is fiercely loyal to the director.
“I know the real story. I was there in 1975 and 1976,” he says.
“I cannot
The CW is officially moving into true-crime.
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With 12 reviews so far, Roman Polanski’s latest film, “The Palace,” currently sits at a horrendous 0% on Rotten Tomatoes. Polanski hasn’t really had a hit film in a very long time and has also been at the center of controversy for decades, but a 0% is still really rough, with some reviews calling it the worst movie of the year.
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It’s hard to believe that it’s now over 60 years since Roman Polanski teamed up with Jerzy Skolimowski for the landmark 1962 Polish thriller Knife in the Water. But it’s even harder to believe that these two giants of international cinema reunited more recently to pool their braincells and come up with the most terrible, joyless farce since the heyday of the ’70s British sex comedy. Forget for a moment, if you can, the furor surrounding Polanski’s controversial status as a fugitive from justice and concentrate instead on the fact that the Venice Film Festival, in its infinite wisdom, went ahead and booked this entirely dreadful offering anyway, deeming it somehow worthy of a prestigious Out of Competition slot.
Variety’s chief film critic Owen Gleiberman wrote of the film, “When I saw ‘The Palace,’ Roman Polanski’s garish debacle of an ensemble comedy, I was sitting in the Sala Darsena, which seats 1400 (and was full), and on the rare occasion when a line in the movie got laughs, it was literally coming from about six people. I’m not sure if I’ve ever heard a giant theater this deadly silent for a movie that’s working this strenuously to amuse you.” Polanski has a history at Venice, having premiered his film “Carnage,” starring Kate Winslet and Jodie Foster, at the festival in 2011, as well as 2019’s “An Officer and a Spy.” His return to the festival this year has been cause for controversy, as he has faced several sexual assault allegations over the course of his career.
Roman Polanski’s Venice Film Festival feature The Palace received a 3 minute ovation tonight at its world premiere screening.
Owen Gleiberman Chief Film Critic As any critic will tell you, when you’re watching a comedy with an audience, it doesn’t matter how bad the movie is — even the jokes that are making you groan are going to provoke laughter. (That’s why comedies are always screened in advance; the studios want the audience giggles to rub off on you.) But at the Venice Film Festival, when I saw “The Palace,” Roman Polanski’s garish debacle of an ensemble comedy, I was sitting in the Sala Darsena, which seats 1400 (and was full), and on the rare occasion when a line in the movie got laughs, it was literally coming from about six people.
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The cast, producers and collaborators of Roman Polanski’s The Palace showed their support for the filmmaker here in Venice today during a press conference for the movie that world premieres out of competition this evening.
Nick Vivarelli International Correspondent Roman Polanski’s Italian producer Luca Barbareschi got emotional at the press conference for “The Palace,” a black comedy that is the director’s new work and premieres at the Venice Film Festival today. “It’s been very difficult to make this film,” said Barbareschi, a multi-hyphenate who also stars in “The Palace.” “Polanski is not easy [to finance]” he added, noting that “there is a hole – France – in the middle of this film,” since French companies refused to participate in its production. Polanski’s previous film, “An Officer and a Spy,” a period drama about the Dreyfus affair, scooped the Grand Jury Prize at Venice, won best director at the Cesar Awards and was one of the highest grossing French films of 2019.
EXCLUSIVE: Roman Polanski’s dark comedy The Palace has sold to a host of key territories ahead of its Venice premiere, with distributors getting behind the film in spite of the controversy surrounding the director.
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