Alexei Navalny’s sacrifice for democracy is being recognized in the place where the concept of government by the people first flourished.
21.02.2024 - 19:21 / deadline.com
In the opening moments of 20 Days in Mariupol, Mstyslav Chernov’s chilling account of the siege of the Ukrainian port city, a Russian tank marked with the ominous ‘Z’ swivels its turret toward a hospital. On an upper floor of the building, Chernov and his small team record as the cannon slowly rotates towards them, preparing to fire.
“The tank did shoot the hospital right above the floor we were at,” he says. “It hit between the fifth and sixth floors and a patient was killed with that shell.”
It was one of many times he put his life at risk to show the Russian army’s destruction of the city and its systematic targeting of civilians. He remembers feeling his life was about to end.
“Exactly in that moment in the film, this moment of uncertainty, the moment when tanks are shooting at the residential areas, when the hospital is surrounded and we are trapped, that’s what I’m thinking about,” he recalls. “I’m thinking about my family, about my daughters, the fact that I probably will not make it out alive.”
For as long as documentaries have been made, filmmakers have been willing to sacrifice their own safety to tell stories rippling with danger. A number of those films have gone on to earn Academy Award nominations. Sebastian Junger and Tim Hetherington captured ferocious firefights in Afghanistan between the Taliban and U.S. forces for their 2010 film Restrepo (a year later, Hetherington would be killed covering the civil war in Libya).
Director Evgeny Afineevsky headed into the heart of the Maidan Revolution in Ukraine to make his 2015 Oscar-nominated film Winter on Fire: Ukraine’s Fight for Freedom. Peaceful protests against the Russian-allied government turned violent when troops opened fire on demonstrators, killing
Alexei Navalny’s sacrifice for democracy is being recognized in the place where the concept of government by the people first flourished.
Keith Richards has covered Lou Reed‘s ‘I’m Waiting For The Man’ ahead of the release of a new tribute album in honour of the NYC icon.Richards’ cover of ‘I’m Waiting For The Man’ comes a day before Reed’s birthday on March 2. The track is one of Reed’s earliest works which appeared on The Velvet Underground’s 1967 debut, ‘The Velvet Underground & Nico’.Speaking about the former Velvet Underground frontman in a statement (per Consequence of Sound), Richards said: “To me, Lou stood out.
Owen Gleiberman Chief Film Critic It’s not every day I get to review a documentary about a subject I feel personally close to, so let me put my bias right out there. “Veselka: The Rainbow on the Corner at the Center of the World” is a movie about one of my favorite New York restaurants — and, in fact, countless New Yorkers feel the same way. When you walk into Veselka, the legendary Ukrainian restaurant/diner on the corner of 2nd Ave.
Marta Balaga “Peaky Blinders” breakout Joe Cole enjoyed “little moments of levity” in his upcoming show “Nightsleeper.” “I play a lot of serious, moody characters. But I read this role and went: ‘This is close to me as a person.’ I could be free and use my life experience, everything I have been through. I try to have fun in life and bring it to the parts I play.
Rebecca Rubin Film and Media Reporter Netflix is getting into the business of Broadway. The streaming behemoth is producing the upcoming play “Patriots,” from “The Crown” creator Peter Morgan. The show, set in 1991 after the fall of the Soviet Union, is about Russian oligarch Boris Berezovsky, a billionaire who helped orchestrate the ruthless rise of Vladimir Putin.
More musical chairs in the UK’s national radio ecosystem after popular presenter Graham Norton announced live on air that this will be his last weekend presenting his popular Saturday and Sunday shows on Virgin Radio.
Italy’s Best International Feature Oscar-nominated Io Capitano starts its U.S. run today in ten market on 21 screens, a bit wider than usual for Cohen Media Group but with Academy final voting just started, reviews are gold for the odyssey that director Matteo Garrone calls “a movie about human rights. About the rights of everybody to move, to look for a better life.”
As he spoke at a Bay Area fundraiser today, Joe Biden spotted Katie Couric among the attendees.
Nick Vivarelli International Correspondent Jane Campion is championing Matteo Garrone‘s “Io Capitano,” which is Italy’s Oscar-nominated contender for best international feature film. The movie narrates the Homeric journey of two two Senegalese teenagers, Seydou and Moussa, who decide to leave Dakar to reach Europe in pursuit of a better life. It realistically depicts their plight through the pitfalls of the desert, the horrors of detention centers in Libya and the dangers of the sea.
Welcome to Deadline’s London TV Screenings list, our definitive look at next week’s buzzy event taking Soho by storm. If you’re wondering who’s exhibiting, what’s on offer and want to dive deeper into the distribs’ strategy, we’ve done the hard work for you, presenting profiles from nearly 30 exhibiting sales houses. Below, check out profiles for all the London TV Screenings founders, along with the outfits based in the UK. Read on, and find all our London TV Screenings content throughout the week here.
Christopher Vourlias Abel Ferrara has made a career out of staring unflinchingly into the abyss, interrogating man’s weakness and depravity and daring his audiences to look away. Faced with the catastrophic violence of the war in Ukraine, however, which he chronicles in the Berlin-premiering documentary “Turn in the Wound,” even the iconoclastic director finds himself at a loss — for words, and for easy answers.
With terrible conflicts raging in the Middle East and Ukraine, the world has rarely felt so troubled and simultaneously intertwined with geopolitics.
When the Oscar nominations were announced last month, it marked a watershed moment for the Documentary Feature category. All the nominated films focused on international subjects – stories from Uganda, Tunisia, Ukraine, India and Chile — and not a single American director was recognized.
When Nikki Haley‘s campaign announced on Monday that she would be giving a “state of the race” speech at noon ET today, there was immediate speculation that she was about to drop out of the race.
Jon Stewart conceded last night that he has some lessons to learn from a Russian-hopping “journalist” like Tucker Carlson. Chastened by Daily Show critics who snarked about the “both-sides-isms” of Stewart’s return to his old late night desk last week, a faux-humbled Stewart set out to learn whatever he could from his newfound mentor-du-jour, the Putin-chatting Tucker Carlson.
EXCLUSIVE: Buenos Aires-based Filmsharks has sold a series of its EFM titles, including Spanish horror pic The Boogeyman: The Origin of the Myth (El Hombre Del Saco) and a new 4K remastered version of the cult Argentinian thriller Nine Queens, to multiple international territories.
Marta Balaga Palme d’Or winner Cristian Mungiu and his Bucharest-based company Mobra Films will join forces with Poland’s Kijora Films on “Tales of the Golden Age – The Warsaw Pact,” a follow up to his 2009 sketch comedy referencing urban legends from the Ceausescu regime. Expanding to accommodate stories from different ex-communist Eastern European countries, including Poland, it will be written by Mungiu and directed by Ioana Uricaru.
EXCLUSIVE: After we broke news of the studio acquiring Margot Robbie starrer Big Bold Beautiful Journey, we can reveal that Sony Pictures has boarded another of the European Film Market’s most in-demand projects: Past Lives director Celine Song‘s next movie, Materialists, which A24 is selling.
EXCLUSIVE: Urban Sales has unveiled key deals for Mascha Halberstad’s CGI animation Fox And Hare Save The Forest ahead of its world premiere in the Berlin Film Festival’s young audience-focused Generation Kplus sidebar this weekend.
“Bobi has inspired our generation and the nation at large,” Bobi Wine: The People’s President co-director Moses Bwayo said of the famed Uganda performer now politician seeking to preserve his country’s waning democracy.