American audiences might not be very familiar with Ester Exposito, but she’s a huge international star thanks to her hit Netflix series Elite!
08.09.2020 - 15:09 / thewrap.com
Also Read: How Peter Bogdanovich, Frank Marshall and Netflix's Money Saved Orson Welles' Final MovieWelles and Hopper were both talkers, as other works have shown: L.M.
“Kit” Carson’s 1971 documentary “The American Dreamer,” filmed around the same time as “Hopper/Welles,” largely consists of the actor-director going on and on about life, art, sex and “The Last Movie,” while Henry Jaglom’s recorded lunchtime conversations with Welles in the 1980s would later be turned into the book “My Lunches
.American audiences might not be very familiar with Ester Exposito, but she’s a huge international star thanks to her hit Netflix series Elite!
American audiences might not be very familiar with Ester Exposito, but she’s a huge international star thanks to her hit Netflix series Elite!
Throughout his career writing for film, television and the stage, from The West Wing, Charlie Wilson's War and The Newsroom to A Few Good Men and To Kill a Mockingbird, Aaron Sorkin has shown a consuming fascination with the trembling institutions of American politics and justice.
Jessica Alba has become a master of TikTok as she often partners with her eldest child, Honor.
Focusing as much on bystanders to a historical event as on its central character, documentarian Keith Maitland follows up his brilliant (and Emmy-winning) Tower with Dear Mr. Brody, another inventive look at a fifty year-old piece of American history: In January 1970, a 21 year-old "hippie millionaire" announced to the media that he intended to give his money away to anyone who'd ask for it.
David Bowie in Stardust has been released – check it out below.The film, an unauthorised biopic about Bowie in 1971 mapping his infamous US tour and the creation of the Ziggy Stardust persona, has set a UK premiere date at Raindance Film Festival.The first screening will take place at a socially-distanced opening night gala in London on October 28 with the film’s director Gabriel Range in attendance.Check out the new image here:Stardust will not include any of Bowie’s songs, as the musician’s
Dennis Harvey Film CriticThe COVID epidemic must be rough for sex addicts — something that lends at least a temporary tinge of nostalgia to “Lost Girls & Love Hotels,” whose promiscuous heroine seems unconcerned even about old-school STD risks.
Endless drunken sex in exotic locales is no kind of fun for the star of William Olsson's Lost Girls & Love Hotels, a sober adaptation of Catherine Hanrahan's novel of the same name. Running away from herself —assuming she has a coherent self to run from —a young American woman remains just employed enough to pay rent in Tokyo while spending the rest of her time drunk and/or in bed with strangers at the quirky pay-by-the-hour destinations that hold such appeal for tourists.
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Chris Rock has defended Jimmy Fallon over a Saturday Night Live (SNL) sketch in which he imitated the comedian while wearing blackface.
Americans abroad Chloe (Irish actor Denise Gough, better known for her stage work, especially in the National Theatre revival of Angels in America) and Mickey (Sebastian Stan, a.k.a. the Winter Solider in the Marvel franchise) are the central couple in Argyris Papadimitropoulos' latest feature Monday (his previous was Suntan).
In her two previous features, Songs My Brother Taught Me and The Rider, Chloé Zhao established a spiritual connection to the American West, with its immense skies and wide-open landscapes that speak equally of desolate solitude and of freedom. Working primarily with nonprofessional actors playing versions of themselves, she specializes in stories carved into the bones of her characters, their communities and the remotes spaces they inhabit.
Chloé Zhao’s “Nomadland” is a tiny indie film on a huge scale, an intimate drama set against the vast spaces of the American West.
Todd McCarthy Go-her-own-way director Chloé Zhao closes out her exceptional trilogy about the dispossessed and left-behind in the modern American West with Nomadland, a cool, contemplative look at contemporary American outcasts whose foothold in society grows more precarious with every passing year.
It's been 17 years since Gus Van Sant stunned and polarized audiences with Elephant, his transfixing, oddly lyrical response to the Columbine High School massacre of 1999, a national tragedy now almost normalized by the sickening frequency of mass shootings that have continued to stain American soil. A number of films in the years since have reflected on school shootings in provocative ways, among them We Need to Talk About Kevin, And Then I Go and Vox Lux.
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Despite the countless technological innovations in the 36 years since the release of Jonathan Demme's Stop Making Sense, that iconoclastic time capsule of a 1983 Talking Heads show is still considered by many to be the greatest rock concert film ever made.
just really has no part in any discussion of the work of Byrne or of director Spike Lee, who turned the former Talking Heads front man’s Broadway show into a film that premiered at the slimmed-down TIFF on Thursday, and will come to HBO in October.