'Lost Girls & Love Hotels': Film Review

For many westerners who keep up with current events, Jamal Khashoggi is remembered mostly as a victim, a name from headlines two years back. The Saudi-born journalist, at the time of his death a columnist for The Washington Post and an American resident, walked into the Saudi consulate in Istanbul on October 2, 2018, to collect some documents related to his upcoming marriage.

Love Island's Justine and Caleb are the winning couple for Season 2! Caleb found himself with the envelope containing the $100,000 grand prize and had the choice of either keeping the money and walking away single or splitting the prize and keeping the girl. Caleb, of course, agreed to split the money with Justine and remain coupled up.

Love Island. Justine and Caleb have been crowned the winning couple for Season 2 of CBS' summer dating reality series, and we couldn't be happier.

Love Island USA, which aired daily at 9/8c on CBS and is currently available to stream on CBS All Access. The new season, which is set to wrap with a dramatic finale on Wednesday, Sept.

Daniel D'Addario Chief TV CriticParis has long been the staging ground for a particular sort of American fantasy, one that tends to bring the characteristics of Americans into sharp relief. In the final episodes of “Sex and the City,” to cite one example, Carrie Bradshaw attempts a warm embrace of all the City of Light has to offer, but finds that she may in fact be too warm, that the cool briskness of Paris is making her someone she does not recognize.

Throughout his career writing for film, television and the stage, from The West Wing, Charlie Wilson's War and The Newsroom to A Few Good Men and To Kill a Mockingbird, Aaron Sorkin has shown a consuming fascination with the trembling institutions of American politics and justice.

In William Olsson’s “Lost Girls & Love Hotels,” Margaret (Alexandra Daddario), is spiraling out of control. An American expat living in Japan, the young woman spends her days fighting off a hangover, barely competent enough to hold a job, and her nights drunkenly talking in bars followed by late-night sexual encounters with strangers.

Focusing as much on bystanders to a historical event as on its central character, documentarian Keith Maitland follows up his brilliant (and Emmy-winning) Tower with Dear Mr. Brody, another inventive look at a fifty year-old piece of American history: In January 1970, a 21 year-old "hippie millionaire" announced to the media that he intended to give his money away to anyone who'd ask for it.

Dennis Harvey Film CriticThe COVID epidemic must be rough for sex addicts — something that lends at least a temporary tinge of nostalgia to “Lost Girls & Love Hotels,” whose promiscuous heroine seems unconcerned even about old-school STD risks.

Also Read: Noomi Rapace's 'The Secrets We Keep' Acquired by Bleecker StreetNoomi Rapace stars as Maja, trying her best to live the American Dream as a mother of a young son and wife to Lewis (Chris Messina), whom she married in Europe when he served with the medical corps in 1946, after the end of fighting.

Americans abroad Chloe (Irish actor Denise Gough, better known for her stage work, especially in the National Theatre revival of Angels in America) and Mickey (Sebastian Stan, a.k.a. the Winter Solider in the Marvel franchise) are the central couple in Argyris Papadimitropoulos' latest feature Monday (his previous was Suntan).

In her two previous features, Songs My Brother Taught Me and The Rider, Chloé Zhao established a spiritual connection to the American West, with its immense skies and wide-open landscapes that speak equally of desolate solitude and of freedom. Working primarily with nonprofessional actors playing versions of themselves, she specializes in stories carved into the bones of her characters, their communities and the remotes spaces they inhabit.

Chloé Zhao’s “Nomadland” is a tiny indie film on a huge scale, an intimate drama set against the vast spaces of the American West.

Todd McCarthy Go-her-own-way director Chloé Zhao closes out her exceptional trilogy about the dispossessed and left-behind in the modern American West with Nomadland, a cool, contemplative look at contemporary American outcasts whose foothold in society grows more precarious with every passing year.