In preparation for his Oscar nominated role as Elvis, Austin Butler has claimed that he connected to the late singer's ghost, ahead of the star studded awards ceremony happening tonight.
28.02.2023 - 21:53 / thewrap.com
“Elvis” “I always thought, if you’re going to do a movie about a music icon, go big,” Luhrmann said when he first spoke to TheWrap about Elvis. And the film does indeed go big, even though the writer-director started with the idea of Elvis as canvas or Elvis as metaphor before realizing that the man was pretty interesting too – particularly when played by an actor as obsessive as Butler, who immersed himself in all things Elvis for years.
In TheWrap’s review of the film at the 2022 Cannes Film Festival, I wrote, “The film is part spirited homage to a titanic force in American music, delivered with the brio and extravagance of Lurhmann riffs like ‘Moulin Rouge!’ and ‘Romeo + Juliet’; part sad cautionary tale of a quick rise and a long, slow decline; and part showcase for Austin Butler, who takes an impossible role and does a terrific job even though he, like everyone else on the planet, doesn’t really look like Elvis.”“Just a Boy From Tupelo: Bringing Elvis to the Big Screen” This 30-minute feature about the making of “Elvis” is partly an extended EPK looking behind the scenes at Luhrmann’s film, but it also plays as much like a tribute to Elvis as a look at the making of the movie. As it moves chronologically through the events of the film – from Elvis discovering gospel and blues to the 1968 “comeback” special to the Las Vegas shows and the long, slow decline that followed – Luhrmann keeps repeating how impossible it is for us to realize how strange, how revolutionary and how dangerous the singer was in his time.
Naturally, “Just a Boy From Tupelo” also spends a lot of time on the boy from Herons Creek in New South Wales, Australia. Speaking of Luhrmann, costar Tom Hanks says, “At first I thought, ‘Is he gonna drive
.In preparation for his Oscar nominated role as Elvis, Austin Butler has claimed that he connected to the late singer's ghost, ahead of the star studded awards ceremony happening tonight.
A column chronicling conversations and events on the awards circuit.
Wow. HBO has announced yet another TV show is coming to an end this year!
For Elvis, prosthetic designers Jason Baird and Mark Coulier thought the bulk of their work would be transforming Tom Hanks into Colonel Tom Parker. They were surprised to find that the real challenge was the subtle changes for Austin Butler as Elvis throughout the film. Baz Luhrmann’s biopic takes a 20-year look at the unprecedented superstardom of the legendary Elvis Presley (Austin Butler.) The story is told through the eyes of his manager, Colonel Tom Parker (Tom Hanks), as he navigates Presley’s career through rock ’n’ roll, Hollywood movies, and a Las Vegas residency. As he aged, the prosthetics on Elvis needed to change gradually, to create an almost imperceptible difference to simulate his natural aging.
EXCLUSIVE: Following the success of Netflix’s Wednesday and Oscar contender Elvis, Andrew Mittman has renewed his overall deal with MGM Television.
Joe Otterson TV Reporter HBO Max’s “The Batman” spinoff series “The Penguin” has cast Clancy Brown in a recurring role, Variety has learned. Brown joins a cast that includes series lead Colin Farrell, who will reprise the role of Oswald “The Penguin” Cobblepot from “The Batman, as well as Cristin Milioti, Rhenzy Feliz, Michael Kelly, Shohreh Aghdashloo, and Deirdre O’Connell. Brown will appear as Salvatore Maroni, a notorious Gotham City crime boss. The character was referenced repeatedly in “The Batman,” as his arrest by corrupt Gotham officials and the collapse of his criminal empire allowed for Carmine Falcone’s organization to rise. Maroni has previously been portrayed onscreen by actors like David Zayas in “Gotham” at Fox and by Eric Roberts in “The Dark Knight.”
“Succession” kicks off on March 26, so mark your calendars. Meanwhile, the long-awaited second season of “Perry Mason” is upon us with a debut on March 6, while “The Last of Us” wraps up its acclaimed first season on March 12.
We Need To Talk About Kevin and Marvel’s Doctor Strange, revealed her favourite films in a poll for Sight And Sound magazine.Since 1952, the magazine has asked filmmakers every decade for their lists of the greatest films of all time. As part of the Winter 2022-23 issue, directors like Martin Scorsese, Wes Anderson and Barry Jenkins were invited to contribute their favourites.Swinton, who has directing and producing credits over her career, features a mix of Japanese animation and British classics in her list. You can check out the list below.1. A Matter Of Life And Death (1946)2. Vertigo (1958)3. Monsieur Hulot’s Holiday (1953)4. To Be Or Not To Be (1942)5. Walkabout (1971)6. Journey To Italy (1954)7. Pickpocket (1959)8. Jeanne Dielman (1975)9. My Neighbour Totoro (1988)10. La Dolce Vita (1960)The actor’s top pick, A Matter Of Life And Death, is directed by Michael Powell and Emeric Pressburger.
Final Oscar balloting starts today. The 9,579 eligible Academy voters are now going to make their choices, and they have only until March 7 at 5 p.m. PT to do it. There is lots of speculation, but the only thing that really counts right now is what these AMPAS members check off on their digital ballots. Good luck, everyone.
Ellise Shafer HBO Max’s “Dune” prequel spinoff “The Sisterhood” is going through some changes. Both director Johan Renck and star Shirley Henderson have exited the HBO Max series, Variety has confirmed. The news comes as the production takes a “pre-scheduled hiatus,” according to the streamer. “There are some creative changes being made to the production in an effort to create the best series possible and stay true to the source material,” a HBO Max representative said in a statement. “Johan Renck has completed his work on the series and a new director will be brought on; through mutual agreement Johan is moving on to pursue other projects. Additionally, Shirley Henderson will be exiting the series and will no longer be playing Tula Harkonnen.”
EXCLUSIVE: HBO Max‘s Dune prequel TV series’ long journey to the screen is taking another turn.Dune: The Sisterhood (wt), which started production in late November, is undergoing a creative shift, a director change and a recasting.
When one thinks of women and Elvis Presley, it’s either his widow Priscilla, his late daughter Lisa Marie, or the legion of ladies left weak in the knee when the badass kid from Tupelo, Mississippi began shaking that moneymaker. In the case of the eight-time Oscar-nominated film Elvis, the front men are writer/director Baz Luhrmann, Austin Butler and Tom Hanks. Behind the camera, the film was entirely made possible by a chorus of women, many of whom are nominated. They include Luhrmann’s partner Catherine Martin, who’s up for the Production Design Oscar with cohorts Beverley Dunne and Karen Murphy; Mandy Walker, for Cinematography; Gail Berman for Best Picture with Martin, Luhrmann, Patrick McCormick and Schuyler Weiss; and Martin again for Costume Design.
is expanding, with a prequel series coming to HBO Max. Set in the world of Stephen King's universe, is based on the author's novel as well as filmmaker Andy Muschietti's successful feature film adaptations, and . The series is being developed by Andy Muschietti as well as sister Barbara Muschietti and Jason Fuchs, both of whom were involved in the films.
Jennifer Maas TV Business Writer HBO, HBO Max and Discovery+ added 1.1 million subscribers in Q4 to end 2022 with a total of 96.1 million worldwide. That’s up from the 95 million combined global streaming customers Warner Bros. Discovery hit from July 1-Sept. 30, the quarter during which the highly anticipated “Game of Thrones” prequel “House of the Dragon” debuted. During the Oct. 1-Dec. 31 quarter, “House of the Dragon” concluded its first season the second season of HBO’s hot Mike White drama “White Lotus” premiered. Details about the upcoming combined HBO Max-Discovery+ streamer — which does not yet have a name, launch date or pricing details — will be revealed at an April 12 press day.
HBO Max is expanding the world of Stephen King‘s IT with the drama series Welcome To Derry (wt) from Warner Bros. Television and developed for TV by filmmakers Andy Muschietti and Barbara Muschietti (IT, IT Chapter Two) and Jason Fuchs (IT Chapter Two, Wonder Woman).
Joe Otterson TV Reporter HBO Max is officially moving forward with the “It” prequel series currently titled “Welcome to Derry,” Variety has learned. The show was first reported as being in development in March 2022, while Variety exclusively reported that the project had attached its co-showrunners in November. As previously reported, the series was developed for television by Andy Muschietti, Barbara Muschietti, and Jason Fuchs. “As teenagers, we took turns reading chapters of Stephen King’s ‘It’ until the thick paperback fell to pieces,” said the Muschiettis. “‘It’ is an epic story that contains multitudes, far beyond what we could explore in our ‘It’ movies. We can’t wait to share the depths of Steve’s novel, in all its heart, humor, humanity and horror.”
Andy Muschietti‘s two “IT” films from 2017 and 2019 brought Stephen King‘s 1986 epic horror novel to the big screen for the first time. Now Muschietti will develop the franchise even further.
HBO Max. The streamer announced on Thursday that “Welcome to Derry” has been ordered to series, with “It” and “It: Chapter Two” director Andy Muschietti onboard to executive produce and direct multiple episodes.
More and more HBO and HBO Max content is being canceled.
Casey Bloys was about four years into his tenure as a programming executive at HBO when he was driven to champion a project that was disliked by others at the network. At first blush, the brilliantly raunchy Danny McBride comedy “Eastbound & Down” might have seemed out of place among the erudite offerings on HBO. When the series premiered in February 2009, HBO was still known for its New York-centric (“Sex and the City”) and Hollywood-set (“Entourage”) comedies. “Eastbound” revolved around Kenny Powers, a washed-up, foulmouthed, amoral former professional baseball player who heads home to North Carolina. HBO brass weren’t sure “Eastbound” fit their high-end brand. But Bloys, then the network’s young head of comedy, knew McBride had something with the show. “I truly thought and continue to think the show is funny,” Bloys says. “And it was at a point in my career where I was learning how to be an advocate for a show. How to explain to people why something is good, why we should put our name and our money behind something.”