John Ford Latest Celebrity News & Gossip

IATSE Studio Mechanics Local 52 in New York has entered into a settlement agreement with James Harker, a nonunion production worker, in which the union has agreed that it will not discriminate against nonunion workers seeking jobs in the film and TV industry.

Switzerland’s Locarno Film Festival will celebrate the centennial of Columbia Pictures with an expansive retrospective titled The Lady with the Torch, mounted in collaboration with the studio’s parent company, Sony. 

Nick Vivarelli International Correspondent Switzerland’s Locarno Film Festival is set to celebrate the centennial of Columbia Pictures with a retrospective featuring classic titles spawned by the Hollywood studio between the dawn of sound and the late 1950s. The Locarno retro, titled “The Lady With the Torch –– The Centenary of Columbia Pictures,” is being curated by Ehsan Khoshbakht, co-director of Italy’s Il Cinema Ritrovato festival, which is dedicated to cinematic treasures of the past and organized in partnership with Switzerland’s Cinémathèque Suisse.

Martin Scorsese was presented with the Berlin Film Festival’s Honorary Golden Bear for Lifetime Achievement on Tuesday evening, with old friend German director Wim Wenders paying a warm personal tribute to the director.

Nick Holdsworth There is a certain inevitability about a film inspired by Hermann Hesse’s novel “Steppenwolf,” first published in German in 1927, and two famous Westerns of the 1950s — John Ford’s “The Searchers,” and Howard Hawks’ “Red River.” In acclaimed Kazakh director Adilkhan Yerzhanov’s latest film — also called “Steppenwolf” — two characters who are essentially loners existing outside of the usual moral boundaries of the world come together united in a common task: to save a small boy who has gone missing. The world premiere of “Steppenwolf” is slated for International Film Festival Rotterdam’s Big Screen Competition.

Kathy A. McDonald Utah is one of Hollywood’s real-world backlots. The scenic state’s close relationship with moviemakers began 100 years ago during the silent film era when cowboy star Tom Mix shot “The Deadwood Coach” in Southern Utah, and continues today through projects from the likes of multi-hyphenate Kevin Costner.

Nick Vivarelli International Correspondent Roberto Benigni, whose film “Life Is Beautiful” won three Oscars in 1999, has come out of the woodwork to support Matteo Garrone’s Golden Globe-nominated “Io Capitano,” which is Italy’s current Oscar candidate for best international feature film. The revered yet reclusive Italian actor/director, whose most recent big screen role is playing Geppetto in Matteo Garrone’s hit 2019 live-action adaptation of “Pinocchio,” is clearly a big fan of “Io Capitano” (the title translates to “Me Captain”). The movie narrates the Homeric journey of two young African men, Seydou and Moussa, who decide to leave Dakar to reach Europe.

David Lynch had some hesitations about acting in Steven Spielberg‘s The Fabelmans. However, once he took on the role of John Ford, he had one simple request — a bag of Cheetos.

Sometimes you read a quote and think that it can’t possibly be real. You check the source, make sure it’s not The Onion, and if you’re lucky, then you’ve found something so amazing, you just have to share it with the world.

Naman Ramachandran Michael Boyd, theater director and former artistic director of the Royal Shakespeare Company (RSC) has died of cancer. He was 68. His family said in a statement issued via the RSC: “Theater director Michael Boyd has died from cancer.

John Hopewell Chief International Correspondent O2 Play, the distribution-sales arm of Brazil’s O2 Filmes group, co-owned by “City of God” director Fernando Meirelles, has boarded “Broken” (“Partido”), which is co-directed by Oscar-nominated “City of God” DP César Charlone. O2 Play has acquired Brazilian and world sales rights to the doc feature. O2 Play founder Igor Kupstas will introduce “Broken” to buyers at Locarno Pro, which runs Aug.3-9. Charlone, also “The Two Popes” DP and director of “3%,” South America’s first Netflix series, has directed alongside Sebastián Bednarik (“Maracaná,” “Sangre de Campeones”) and Joaquim Castro (“Máquina do Desejo – 60 Anos do Teatro Oficina”).

McKinley Franklin editor Finis Dean Smith, a stuntman regular in John Wayne Westerns who turned to Hollywood after becoming an Olympic gold medalist, died Saturday. He was 91.  Smith was born in Breckenridge, Texas and began his athletic career competing in track and field competitions, earning All-American status in the 100-meter dash in 1952. He went on to win varying athletic championships, culminating in his inclusion on Team U.S.A. as a member of the 4×100-meter relay team at the Helsinki Olympics, where he would win the gold medal. Following his graduation from University of Texas at Austin, Smith would play for the Los Angeles Rams and Pittsburgh Steelers for a few years ahead of his career in the entertainment industry. 

The great Spanish filmmaker Pedro Almodovar is a rabid fan of the western genre but until now had never made one, and also has only dabbled in directing any english language film with the exception of the 2020 short, The Human Voice that starred Tilda Swinton. His latest movie is also a short, just 31 minutes, but he finally got to do his western in english, and it is a nice homage to the form and those great directors who made it that way, one it is safe to say could only have come from this master of cinema, and a true cineaste himself. Almodovar brought the finished product to its World Premiere at the Cannes Film Festival today and, if flattered by the attention, the ghosts of John Ford, Howard Hawks, John Sturges, Anthony Mann, Raoul Walsh , and Sam Peckinpah may be surprised at the twist in Strange Way Of Life that this 73 year old fanboy has given it.

Matt Donnelly Senior Film Writer Republic Pictures, an historic movie label founded in 1935 and shuttered in 1967, has been revived by parent company Paramount Global. The banner will function as an acquisitions play, releasing titles acquired by Paramount Global Content Distribution. “We’ve chosen to revitalize the Republic banner given its storied history of delivering popular movies to a global audience, ” said Dan Cohen, Paramount chief content licensing officer and newly-named president of Republic Pictures. “With our best-in-class global distribution teams working to identify the best homes around the world, we aim to continue that legacy by offering audiences great entertainment across all genres.”

As a producer, Mirisch aggressively recruited top filmmakers such as Billy Wilder and Norman Jewison, then gave them freedom to craft the movies as they saw fit.“We offered these filmmakers what they needed,” he told the Los Angeles Times in 1983. “Billy could call me up and say, `I’d next like to do a picture about so-and-so’ — and that’s all we’d need to know.

With two days to go until Christmas, I can’t think of a better gift for film lovers or those with an interest in iconic forces in the entertainment industry than the 2022 autobiography My Place in the Sun, which chronicles the life of George Stevens Jr — now 90 and still going strong in a remarkable career that has traversed the highest corridors of Hollywood to Washington, D.C.

Near the beginning of Sean Egan’s recently-published piece in the U.K. publication The Critic, are the following assertions: “new Scorsese films are routinely an hour too long…his directorial talent has never been as great as occasional masterpieces like Goodfellas (1990) tricked us into believing it was.”

JUST IN: The Duke John Wayne suffered from ill health"I did not admire him. But he seduced me mercilessly. 'I promise you I will do the best job I possibly can,' he said.

Peter Debruge Chief Film Critic No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing that feels like listening to two and a half hours’ worth of well-polished cocktail-party anecdotes, only better, since he’s gone to the trouble of staging them all for our benefit. Spielberg’s a born storyteller, and these are arguably his most precious stories. From the first movie he saw (“The Greatest Show on Earth”) to memories of meeting filmmaker John Ford on the Paramount lot, this endearing, broadly appealing account of how Spielberg was smitten by the medium — and why the prodigy nearly abandoned picture-making before his career even started — holds the keys to so much of the master’s filmography. More similar to Woody Allen’s autobiographical “Radio Days” than it is to European art films such as “The 400 Blows” and “Amistad” (the more highbrow models other directors typically point to when re-creating their childhoods), “The Fabelmans” invites audiences into the home and headspace of the world’s most beloved living director, an oddly sanitized zone where even the trauma — which includes anti-Semitism, financial disadvantage and divorce — seems to go better with fresh-buttered popcorn.

John Wayne classics such as The Searchers and Stagecoach saw his health deteriorating terribly in the early 1970s. After breaking a hip, Ford had to get used to a wheelchair and was moved from his Bel Air home to Palm Desert to be treated for cancer. In October 1972, the Screen Directors Guild paid tribute to him and in March the following year, the American Film Institute honoured the director with a Lifetime Achievement Award.

John Wayne and John Ford collaborated on some of the Hollywood Golden Age's best-loved Westerns from She Wore a Yellow Ribbon to The Man Who Shot Liberty Valance. Perhaps their most famous was 1956's The Searchers, which is on BBC Two this afternoon. The film saw Duke play a Civil War veteran spending years searching for his abducted niece, played by Natalie Wood.

Tim Gray Senior Vice PresidentThe Motion Picture & Television Fund, celebrating its 100th anniversary, might be the most active, admired — and most misunderstood — organization in Hollywood. Silent screen star Mary Pickford started the philanthropic org under the name Motion Picture Relief Fund (it was renamed in 1971).Over the century, entertainment’s biggest heavyweights gave support.

“Welcome to the 48th, 49th, and 50th AFI Life Achievement Awards,”  American Film Institute President and CEO Bob Gazzale stated as he began his welcoming remarks for Thursday night’s long awaited and long pandemic- delayed tribute to Julie Andrews, the 2022 honoree at a ceremony originally  set to take place in the spring of 2020 that now finally happened with all style and warmth so familiar to these AFI evenings ever since AFI founder George Stevens Jr. came up with the idea in 1973 when director John Ford was the first honoree (Stevens, now 90, was there and acknowledged from the stage last night). Since then there has never been a “gap” between cereomonies but now there is between 2019 honoree Denzel Washington and Andrews, but it was well worth the wait, and congratulations to the AFI, Board Trustees Chairs Kathleen Kennedy and Bob Daly as well as Gazzale (who is also Executive Producer of the show which will air on TNT June 16 at 10pm) for not letting Covid diminish the event, even if it had to come a little later than usual,and every member of the audience at the Dolby Theatre (transformed into a banquet setting for the elegant dinner) had to take a PCR test at least 48 hours before entering the building. Other than that it was just like old times and you could tell the industry crowd was thrilled to be there for a genuine show business legend. The only sad part was that Andrews’ The Sound Of Music co-star Christopher Plummer was not there. The Oscar winning actor had actually been set to appear at the tribute when it was originally to take place before the pandemic had other ideas. He died in Feburary of last year at age 91.

on Instagram. “Please keep them in your prayers. What an incredible legacy he leaves behind.”Seals & Crofts helmed the era of soft rock, with a string of hit tracks in the ’70s including “Summer Breeze,” “Diamond Girl” and “Get Closer,” which featured Carolyn Willis.

Steven Gaydos Executive VP of ContentNearly a half-century has passed since Elvis left the building, permanently. Australian auteur Baz Luhrmann has just unleashed “Elvis,” his big, bold, nearly three-hour biopic, at Cannes and that Warner Bros. bet appears to have paid off.

Clayton Davis The final voting for Sunday’s 94th Oscars has closed. What can we expect?A two-year global pandemic, which is still in progress, changed the mindset of humankind, and the Hollywood industry. The awards season seemed to be back on track but just prior to the holiday break, events were being postponed, and a familiar dark passenger started showing its face once again, under different name variants.It’s no secret that Oscar voters have been looking for a good mood.

With his 8th Oscar nomination for directing today, Steven Spielberg joins a very select group of four filmmakers who have received 8-plus Best Director nominations. They include Billy Wilder, who also has 8, his contemporary Martin Scorsese, who has 9, and the great William Wyler, who earned 11 total directing nominations.

Natalie was a child star who successfully made the transition to young adult roles, going on to lead an illustrious career. She won four Golden Globes and three Academy Award nominations in her time, starring in at least 31 films. As a teenager, she was nominated for an Academy Award for Best Supporting Actress for her performance in 'Rebel Without a Cause' in 1955, followed by a role in John Ford's 'The Searchers' in 1956.

The Western is a film genre that has exerted an irresistible pull over the decades to filmmakers interested in action and adventure.

La Croix that he died in Sainte-Maxime in the Var region of southeastern France.Also Read: George Segal, Venerated 'Who's Afraid of Virginia Woolf?' and 'The Goldbergs' Actor, Dies at 87Inspired by filmmakers like Jean Vigo, Jean Renoir and John Ford, Tavernier began his career in the ’60s in France, writing for the PEN club and aspiring to become a filmmaker like many of his French New Wave peers.

If Chloé Zhao manages to nab this year's directing Oscar for Nomadland, she won't be the first to win for a drama about down-on-their-luck itinerant workers making their way across the American West.

I blame Frank Capra and John Ford and Aaron Sorkin … and even Steven Spielberg. Because of them, my idea of American politics was forever captured by the image of a rumpled Jimmy Stewart standing up to the forces of evil in Mr.

Peter Debruge Chief Film Critic“Cowboys” taps directly into the myth of the American male, with his leather boots and blue jeans, square jaw and wide stance, as immortalized in the collective imagination by painter Frederick Remington, director John Ford and decades of Marlboro tobacco advertising. But it does so with a twist: This debut feature from Anna Kerrigan explores how that tough-guy archetype impresses itself on a gender-nonconforming child.

Linda Cristal, the Golden Globe-winning actress who portrayed Victoria Cannon, the wife of Leif Erickson's character, on the 1967-71 NBC WesternThe High Chaparral, has died. She was 89.

Eureka! has got in touch in regards to their upcoming release of Rio Grande, John Ford’s excellent John Wayne-led movie from 1950. The release is part of the distributor’s ‘Masters Of Cinema’ series and will arrive later this month.

Actors sometimes complain about being typecast, but it’s a fact of life for anyone in entertainment. John Ford is usually labeled a director of Westerns, despite “The Grapes of Wrath” and  “Mister Roberts.” David Lean is known for his epics, but he also directed “Brief Encounter” and “Summertime.” Vincente Minnelli? The director of musicals, overlooking “The Bad and the Beautiful,” “Lust for Life” and “Some Came Running.”