Gabrielle Union & Keith Powers Debut 'The Perfect Find' During Tribeca Film Festival in NYC!

“The Perfect Find” than the narcissistic label, which stemmed from Tia Williams’ novel of the same name.Darcy offers the story’s protagonist Jenna Jones (Gabrielle Union) a job after Jenna goes through a very public breakup and firing, but she and Jenna go way back — mainly as nemeses. Once Jenna meets Darcy’s son Eric Combs (Keith Powers), the two cannot stay away from each other, and it’s only after they kiss that Jenna learns Eric is Darcy’s son.“I loved the old villains of 90s nighttime soaps, so I would say that that kind of started there, but I also wanted people to be treated to her humanity as well,” Torres told TheWrap.

Netflix’s new rom-com “The Perfect Find” isn’t short on great music. The original film stars Gabrielle Union and Keith Powers as Jenna Jones and Eric Combs as well as Gina Torres, who plays Darcy Hale.

When it’s particularly hot and humid, the idea of adding an extra layer and wearing shapewear under your clothes can be unbearable. However, sometimes some of the more clingy items of clothing need a little helping hand to make them sit more flatteringly, so you end up stuck in a conundrum – add the shapewear and overheat, or forgo it and avoid wearing more form-fitting clothes altogether during the heatwave.Thankfully, Marks and Spencer has created the perfect solution to the problem, with a cooling bodysuit that smooths and shapes your body, whilst stopping your from overheating during the higher temperatures.

Lisa Kennedy Fashionista Jenna Jones (Gabrielle Union) took quite the tumble from her position in New York’s world of style. In “The Perfect Find” — Netflix’s visually vibrant, cinema-loving, if not quite perfect, rom-com — her professional and romantic plummet is documented in opening credits that cleverly use an animated collage to relate her story. So, when we meet Jenna in person ,she’s without a job, and her man (D.B. Woodside) of 10 years has moved on … or so it seems. The 40-year-old is sporting baggy sweats, and not because she’s headed to the gym. She’s been living in her parents’ home licking her wounds, for a year, when her mother calls her out on it. The scene between mother (Janet Hubert) and grown-ass daughter is amusing and promising. As are the musical and visual choices director Numa Perrier makes that evoke Old Hollywood in a film with characters decidedly not Old Hollywood.

Angelique Jackson When Gabrielle Union-Wade turned 50 last October, the veteran actor and producer experienced a personal transformation, which has also filtered into her latest work. This era of her career, she says, is about embracing the possibilities. “Whatever I thought that my dreams were, I was making them small,” Union-Wade told Variety at the American Black Film Festival (ABFF). “Turning 50 is about making things bigger by expanding the idea of what the possibilities could even be.” Union-Wade debuted two projects at ABFF: the Netflix rom-com “The Perfect Find” and the BET+ docuseries “My Journey to 50,” which chronicled her birthday pilgrimage to Africa. She celebrated the BET+ series first, hosting a private bowling and ice-skating bash at the Miami Beach Edition on June 15, the same night the doc began streaming.

U.S. NARRATIVE COMPETITIONBest Performance in a U.S. Narrative Feature: Ji-Young Yoo for “Smoking Tigers,” (United States) – World Premiere.

Gabrielle Union and Aaron Rodgers are stepping out in style!

There was no mention of artificial intelligence Thursday at Tribeca Festival’s Paul McCartney talk with Conan O’Brien.

It’s been a busy week for Ariana DeBose!

Sometimes it feels as though A.I. is already here, given the number of films resembling Garden State that pop up on the festival circuit every year. Robert Schwartzman’s The Good Half is only the latest, and his attempt to out-emo Zach Braff’s legacy film falls disappointingly short, given that his last Tribeca appearance was with the surreal and underrated comedy The Argument (2020), which channeled Charlie Kaufman in the story of a couple whose obsession with a petty fight spirals into absurdity. The Good Half, however, mostly serves as a decent vehicle for Nick Jonas, who seems to making a play to be the new Adam Driver, which is not as far-fetched as it might sound.

Dwyane Wade opened up about how he and Gabrielle Union manage their finances together as a couple.

Each other’s biggest fans. Ben Stiller supported his wife, Christine Taylor, alongside their daughter, Ella, 21, at the 2023 Tribeca Film Festival.

Hollywood’s biggest names never miss an opportunity to dazzle Us with their fierce fashion sense. Tracee Ellis Ross, Claire Danes, Brittany Snow and more stars turned heads on the red carpet at the 2023 Tribeca Film Festival. 

It was a Stiller family affair.

In the proliferation of subgenres, the media noir is perhaps the rarest. From the ’50s alone, Billy Wilder’s Ace in the Hole, Fritz Lang’s While the City Sleeps, and Alexander Mackendrick’s Sweet Smell of Success spring to mind. Just lately, with the exception of Dan Gilroy’s Nightcrawler (2014), there hasn’t been too much evidence of a renaissance, but Roxine Hellberg’s satisfying feature debut taps back into the same dark wells of oral ambivalence corruption and power, casting the excellent Bel Powley as a journalism student who will do whatever it takes to make it in the cut-throat world of TV news broadcasting.

Though it doesn’t exactly have the same warm, melancholic charm, Alice Troughton’s elegant literary thriller The Lesson could give star Richard E. Grant the kind of late-career bump that last year’s Living afforded Bill Nighy. An Oscar nom might be a little fanciful at this stage, but a Bafta shot is a no-brainer, with Grant on top form as a mercurial, narcissistic British author. Co-star Julie Delpy might also find new offers coming in, showing a stiletto-sharp new side to herself as his enigmatic wife.

There have been plenty of movies detailing life in a fraternity – Animal House being the crown jewel of all, no matter how outrageously funny. The newest entry in the genre, The Line which premiered at the Tribeca Film Festival this weekend, is not trying to amuse on any level , a deadly serious take on college frat houses that looks like it was ripped straight from the many headlines about hazing deaths and horrific goings-on at these places.

For his sophomore feature, the follow-up to 2004’s little-seen indie House of D, David Duchovny serves up a similarly niche confection, a sometimes-zany black comedy based on his 2016 novel of the same name. The elevator pitch is a tough one; though it’s funny in places, the tone is all over the place, one minute aspiring for the arch, stoner laughs of PTA’s Inherent Vice, the next veering into straightforward sentiment with a rambling final section that hits a similar highway to the 2006 Sundance hit Little Miss Sunshine. There’s also the f-word: the looming curse of American baseball movies that don’t have the word Field in the title, which could hamper its commercial prospects in the wider world.

Premiering Saturday night in the Tribeca Film Festival’s Spotlight Narrative category, Eric Larue is an intense and devastating account of the after effects of a school shooting, but the focus is almost entirely on the parents of that boy who shot and killed three male classmates and is now in prison. Adapted by Brett Neveu from his own 2002 stage play, it has taken on new weight in the two decades since it was first presented at Chicago’s Red Orchid Theatre in light of the seemingly endless numbers of school shootings and the fact that the number one cause for deaths of young people is now by gun. But for his feature film directorial debut actor Michael Shannon was most interested in looking at the effects of this traumatic life-changing incident from the point of view of the parents, those of the kids killed, and particularly the pair of the young teen who murdered them.