France’s Pathé Aims to Enter Paris Stock Exchange in 2024

Elsa Keslassy International Correspondent Magnolia Pictures has acquired U.S. rights to “Kompromat,” an action thriller film directed by Jerome Salle (“The Largo Winch” ), starring Gilles Lellouche (“The Stronghold”) and Joanna Kulig (“Cold War”). SND, the commercial arm of M6, is representing the film in international markets. Loosely based on a true story, “Kompromat” stars Lellouche as a French diplomat working in Siberia who is arrested overnight by the Russian authorities. Accused of sexually abusing his own daughter and imprisoned, he realizes he is a victim of a Kompromat. Someone is working with the FSB (Federal Security Service) to frame him. His only way out is to escape.

Elsa Keslassy International Correspondent Dominique Boutonnat, the president of France’s most powerful entertainment body the National Film Board (CNC), has been order to stand trial for an alleged sexual assault on his 22 year-old godson, Variety has confirmed. Boutonnat was just appointed by the French government to serve a second three-year mandate as president, despite the fact that he has been indicted for the alleged sexual assault since February 2021. The Nanterre public prosecutor’s office requested that Boutonnat’s case should be brought before a criminal court back in April, following a 14-month investigation. A judge then had to determine whether to drop the case or order Boutonnat to face trial, and ultimately ruled the latter. The news agency AFP was first to report the news.

Elsa Keslassy International Correspondent IFC Films has bought North American rights to Sebastien Marnier’s thriller “The Origin of Evil” starring “Call My Agent!” star Laure Calamy. The film world premiered at the Venice Film Festival and had its North American premiere at Toronto. The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”). Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.

Elsa Keslassy International Correspondent A trio of French films, the melodrama “A Family for 1640 Days,” political thriller “Goliath” and comedy “Adieu Paris,” are set to be released in the U.S. by the New York-based company Distrib Films. Both Fabien Gorgeart’s “A Family for 1640 Days” (“Une vraie famille”) and Edouard Baer’s “Adieu Paris” are represented in international markets by Le Pacte. “A Family for 1640 Days,” winner of the top prize at last year’s American French Film Festival, revolves around Simon, a six-year old adopted boy who is about to reunite with his biological father. The movie stars Melanie Thierry (“En therapie”) and Lyes Salem. Distrib Films is planning to release the film in early 2023 and have it play at festivals.

Elsa Keslassy International Correspondent Birds will fly, fish will swim and Emily will be in Paris. Darren Star’s Emmy-nominated escapist romantic comedy “Emily in Paris” will launch its third season on Netflix on Dec. 21. The streamer announced the date and revealed a teaser for the upcoming season on Saturday morning during its Tudum virtual fan event. The new footage shows Emily (Lily Collins) as she finds herself at a crossroads in every aspect of her life, deciding the pathway she will choose regarding her work and love life. Emily will have to figure out exactly where her loyalties lie and what those decisions mean for her future in France, all while continuing to immerse herself in the adventurous lifestyle that wandering through the city of love provides. 

Elsa Keslassy International Correspondent The Danes may have surpassed the French in clashing with streamers. The Danish Producers’ Association and Create Denmark, the guild representing writers, actors and directors, among others, have been involved in a bitter dispute over fees and rights with local and global streaming services including Netflix and Viaplay since January. While Viaplay signed a temporary agreement over the summer which is valid through December, other services, including Netflix, HBO Max, Disney+ and Amazon Prime have fully stopped the development or production of Danish content since January. The estimated loss of revenue for the country is approximately $200 million, according to Lene Børglum, a leading producer in Denmark whose credits includes Nicolas Winding Refn’s “Only God Forgives” and “Copenhagen Cowboy” which Netflix had ordered way before the start of the dispute. The series world premiered at the Venice Film Festival.

Elsa Keslassy International Correspondent Rodolphe Belmer, the former CEO of Canal+ Group, is set to join TF1 and is on track to be appointed managing director of TF1, France’s leading commercial channel. Gilles Pélisson, who is currently the chairman and CEO of TF1 Group, will propose Belmer as CEO at an Oct. 27 board meeting. Belmer would then fully succeed Pélisson as chairman and CEO after the following board meeting on Feb. 13. Pélisson will remain at the company as chairman of the Board of Directors until Feb. 13 and will then join the Bouygues group as senior VP in charge of media and development.

Elsa Keslassy International Correspondent Canal+ Group, the Vivendi-owned French TV group, has won its court case against TF1 after being sued by latter following a dispute over carriage fees. The ruling was issued on Sept. 22 by the business court of Paris. Chaired by Maxime Saada (pictured), Canal+ was previously distributing TF1 and its channels TFX, TF1 Séries Films and LCI as part of its TNT Sat paybox platform which traditionally gives access to all French channels. But when their pact was about to expire on Aug. 31, TF1 tried to renegotiate the terms of the agreements and asked Canal+ for pay 50% more for the right to distribute its free-to-air channels. Canal+ refused and subsequently stopped distributing them, leading TF1 to sue the banner.

Elsa Keslassy International Correspondent Netflix has unveiled first look images of Darren Star’s Emmy-nominated hit show “Emily in Paris” season three. The show’s third and fourth seasons are currently filming in France. Netflix will be unveiling some special news on “Emily in Paris” on Sept. 24 during its virtual Tudum event. The third season brings back producer and star Lily Collins also returns Lily Collins, Philippine Leroy-Beaulieu, Lucien Laviscount, Lucas Bravo, Ashley Park and Camille Razat, among others. Season three follows Emily as she finds herself at a crucial crossroads in every aspect of her life. Faced with two very different paths, Emily will have to decide exactly where her loyalties lie — at work and in her romantic life — and what those decisions mean for her future in France, all while continuing to immerse herself in the adventures and surprising twists and turns that life in Paris provides.  The first images unveiled today suggest Emily will reunite with her British boyfriend, played by Laviscount.

Elsa Keslassy International Correspondent Zentropa Entertainments has unveiled the full cast of Nikolaj Arcel’s new epic historical drama “The Bastard” (previously known as the working title “King’s Land”). The movie has just started shooting.  Along with Mads Mikkelsen and Amanda Collin (“Raised by Wolves”), the movie will star Simon Bennebjerg (“Borgen”) who will play the Frederik de Schinkel, the local landowner and nemesis to Mads Mikkelsen’s character Ludvig Kahlen. Norwegian actress Kristine Kujath Thorp (“Ninjababy,” “Sick of Myself”) will play Frederik de Schinkel’s cousin Edel Helene, trapped in a deadly game between Shinkel and Kahlen of power and love. The cast also includes European Shooting Star winner Gustav Lindh (“Riders of Justice”) who will play pastor Anton Eklund, Kahlen’s unlikely ally.Other cast members include Jakob Lohmann (“Riders of Justice”), Morten Hee Andersen (“Ride Upon the Storm”), Magnus Krepper (“Queen of Hearts”) and Felix Kramer (“Dark”), among others. Believed to be Zentropa’s biggest feature films in years , the $8-million budget feature has already pre-sold to the U.S. (Magnolia Pictures), Germany (PLAION PICTURES), France (The Jokers Films), Benelux (September Films) and Hungary (Vertigo Media).

Elsa Keslassy International Correspondent After “Midnight in Paris,” Woody Allen will return to the French capital for his 50th movie which he’s described as a “poisonous romantic thriller” with a pair of French stars, Valerie Lemercier (“Aline”) and Niels Schneider (“Love Affair(s))”. The untitled film, the plot of which is being kept under wraps, will start filming next month and will be entirely in French with a budget in the $10-million range. Allen has described the film to be similar to “Match Point,” in that it would be “exciting, dramatic and also very sinister.”  Allen sparked headlines earlier this week after Spanish newspaper La Vanguardia ran a story reporting that the New York-based filmmaker had told them he was planning on retiring. Allen’s representative then issued a statement saying that the director had “no intention of retiring.”

Elsa Keslassy International Correspondent Ruben Östlund’s Palme d’Or winning film “Triangle of Sadness” has been sold by Coproduction Office to major distributors around the world. “Triangle of Sadness,” which was acquired by Neon for North America at the Cannes Film Festival, just had its North American premiere at Toronto and is playing at the San Sebastian Film Festival. Coproduction Office has now sold the movie worldwide to major distributors. Recent deals have been closed with Stay Golden (China), Edko (Hong Kong), Impact (India), Gaga (Japan), Green Narae (South Korea), Catchplay (Taiwan), TBA Studios (Philippines), Sun (Latin America), Frontrow (Middle East), Forefont (South Africa) and Les Films 26 (French-speaking Africa). 

Elsa Keslassy International Correspondent TF1 and M6 groups, France’s top two commercial networks, have abandoned their plans to merge after being auditioned by France’s anti-trust board. “Following the debates with the Authority and despite the additional remedies proposed, it appears that only structural remedies involving at the very least the divestment of the TF1 TV channel or of the M6 TV channel would be sufficient to approve the proposed merger,” said the companies in a joint release. As a result, the “proposed merger no longer has any strategic rationale,” the statement continued. TF1, which is owned by Bouygues, and M6 Group, which is part of Bertelsmann-owned RTL Group, had unveiled their merger plans to form a $4-billion European media powerhouse back in May 2021.

Jessica Kiang There are no flirtations with the fourth wall in Frances O’Connor’s “Emily.” There is no synthpop on the soundtrack. No one ranks the relative attractiveness of the Brontë sisters on a scale out of 10, or attempts, bustle be damned, to twerk. Yet despite lacking all markers of the recent trend for girlbossified costume drama, the directorial debut from O’Connor — an actor who is no stranger to corsetry herself after “Mansfield Park” and “The Importance of Being Earnest” — gives us a strikingly current take on the Brontë behind “Wuthering Heights.” Unlike many a literary biopic, it feels anything but pagebound. If “Emily” were a book, however, it would be a fresh reissue of a Penguin Classic, with its timeless orange cover unobtrusively updated to be crisp and covetable all over again. 

Elsa Keslassy International Correspondent Antonin Baudry, who made his feature debut with Netflix’s submarine thriller “The Wolf’s Call,” is set to adapt Homer’s epic war tales of “The Iliad and The Odyssey” into a science fiction series titled “Ulysse.” Pathé has recently boarded the series project which is being co-developed by Axelle Boucai (The Mad’s Women Ball”) and Alain Goldman (“La Vie en Rose,” “The Mad’s Women Ball”) at Paris-based Ness Films. “Antonin Baudry is writing the adaptation and had the idea of transposing these mythological tales in space and in the future,” said Boucai, who cited “Dune” as inspiration.

Elsa Keslassy International Correspondent Florian Zeller, the French filmmaker behind the Oscar-winning “The Father” and “The Son,” is set to make his TV debut with the adaptation of Stefano Massini’s play “The Lehman Trilogy.” Zeller will write, direct and co-produce the series under his newly formed Blue Morning. Lorenzo Mieli at The Apartment Pictures, a Fremantle company, and Domenico Procacci at Fandango are executive producing the series. The pair previously teamed on the acclaimed series “My Brilliant Friend” based on the Elena Ferrante novels. Massini’s epic drama charts the history of one of the global financial institutions that helped spark the 2008 recession. The original production inspired Sam Mendes to stage an English-language version of Massini’s five-hour play. Adapted by Ben Power, the production won five Tony Awards earlier this year, including prizes for Sam Mendes’ direction and for the lead performance of Simon Russell Beale.

Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.  But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.

Elsa Keslassy International Correspondent Canal+, France’s leading pay TV group, has signed distribution deals with Universal and Sony to ramp up its programming of U.S. movies. Under the pact, Canal+ now has access to the studios’ new films six months after their releases. Sony’s “Spiderman : No Way Home” is currently being broadcast on Canal+’s linear pay TV channels, along with its transactional VOD platform, My Canal. The news was half-revealed by Maxime Saada, Canal+ Group’s chair and CEO, during the company’s upbeat press conference on Sept. 14, which was held at their posh headquarters in Paris. Saada, who recently joined the management board of Vivendi, Canal Plus Group’s parent company, said the outfit already boasts partnerships with Fox, Disney and Warner, as well as Paramount.

Elsa Keslassy International Correspondent Franco-Swiss director and New Wave linchpin Jean-Luc Godard, who revolutionized world cinema with his ground-breaking debut, “Breathless,” and never stopped pushing the envelope of his creativity, has died. He was 91. The news was first reported in Liberation.

Emma Mackey is getting rave reviews for her work in the new movie Emily, which just premiered at the 2022 Toronto International Film Festival.