Canal+ Signs Deals with Universal, Sony For New Film Releases (EXCLUSIVE)

Elsa Keslassy International Correspondent Magnolia Pictures has acquired U.S. rights to “Kompromat,” an action thriller film directed by Jerome Salle (“The Largo Winch” ), starring Gilles Lellouche (“The Stronghold”) and Joanna Kulig (“Cold War”). SND, the commercial arm of M6, is representing the film in international markets. Loosely based on a true story, “Kompromat” stars Lellouche as a French diplomat working in Siberia who is arrested overnight by the Russian authorities. Accused of sexually abusing his own daughter and imprisoned, he realizes he is a victim of a Kompromat. Someone is working with the FSB (Federal Security Service) to frame him. His only way out is to escape.

Matt Donnelly Senior Film Writer Heatseeking actor Arian Moayed has joined the cast of “House of Spoils,” a new psychological thriller starring Oscar nominee Ariana DeBose and “Euphoria” actor Barbie Ferreira. Moayed is a breakout star of the HBO juggernaut “Succession,” in which he stars as private equity investor Stewy Hosseini — best frenemy and casual abuser to Jeremy Strong’s Kendall Roy. The part earned Moayed an Emmy nomination this year for outstanding guest actor in a drama series. He also drew acclaim as the weary lawyer of Anna Delvey in the Netflix original “Inventing Anna.” From Blumhouse and Amazon Studios, “House of Spoils” is directed by Bridget Savage Cole and Danielle Krudy from their own script, based on an original idea. DeBose plays an ambitious chef who opens her first restaurant — a farm-to-table affair on a remote estate — where she battles kitchen chaos, a dubious investor and crushing self doubt. The powerful spirit of the estate’s previous owner, however, threatens to sabotage her at every turn.

Elsa Keslassy International Correspondent IFC Films has bought North American rights to Sebastien Marnier’s thriller “The Origin of Evil” starring “Call My Agent!” star Laure Calamy. The film world premiered at the Venice Film Festival and had its North American premiere at Toronto. The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”). Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.

Elsa Keslassy International Correspondent A trio of French films, the melodrama “A Family for 1640 Days,” political thriller “Goliath” and comedy “Adieu Paris,” are set to be released in the U.S. by the New York-based company Distrib Films. Both Fabien Gorgeart’s “A Family for 1640 Days” (“Une vraie famille”) and Edouard Baer’s “Adieu Paris” are represented in international markets by Le Pacte. “A Family for 1640 Days,” winner of the top prize at last year’s American French Film Festival, revolves around Simon, a six-year old adopted boy who is about to reunite with his biological father. The movie stars Melanie Thierry (“En therapie”) and Lyes Salem. Distrib Films is planning to release the film in early 2023 and have it play at festivals.

Rebecca Rubin Film and Media Reporter Despite 13 years passing since “Avatar” first hit theaters, moviegoers are apparently still dazzled by the striking world of Pandora. In anticipation of the sequel “The Way of Water,” which opens in December, Disney re-released James Cameron’s original science-fiction epic to promising returns. The film generated $10 million in North America and $20.5 million internationally over the weekend, a huge result for movie that opened more than a decade ago, even if that movie happens to be the highest-grossing global release in history. With this weekend’s returns, “Avatar” widens its lead as the biggest movie of all time with $2.85 billion worldwide.

Leonardo DiCaprio‘s most recent ex and his current flame were at the same fashion show during Milan Fashion Week.

Elsa Keslassy International Correspondent Rodolphe Belmer, the former CEO of Canal+ Group, is set to join TF1 and is on track to be appointed managing director of TF1, France’s leading commercial channel. Gilles Pélisson, who is currently the chairman and CEO of TF1 Group, will propose Belmer as CEO at an Oct. 27 board meeting. Belmer would then fully succeed Pélisson as chairman and CEO after the following board meeting on Feb. 13. Pélisson will remain at the company as chairman of the Board of Directors until Feb. 13 and will then join the Bouygues group as senior VP in charge of media and development.

Elsa Keslassy International Correspondent Canal+ Group, the Vivendi-owned French TV group, has won its court case against TF1 after being sued by latter following a dispute over carriage fees. The ruling was issued on Sept. 22 by the business court of Paris. Chaired by Maxime Saada (pictured), Canal+ was previously distributing TF1 and its channels TFX, TF1 Séries Films and LCI as part of its TNT Sat paybox platform which traditionally gives access to all French channels. But when their pact was about to expire on Aug. 31, TF1 tried to renegotiate the terms of the agreements and asked Canal+ for pay 50% more for the right to distribute its free-to-air channels. Canal+ refused and subsequently stopped distributing them, leading TF1 to sue the banner.

Jem Aswad Senior Music Editor Compton-based house-music producer-singer Channel Tres has inked a deal that sees him joining RCA Records in partnership with L.A. indie Godmode. The partnership kicks off tonight with the release of the new single “No Limit,” with his debut full-length album “Real Cultural Shit” arriving later this fall. The album will also feature his singles from earlier this year, “Acid in my Blood,” “Ganzfeld Experiment” and “Just Can’t Get Enough.” Channel Tres, who has toured with Robyn, Vince Staples, Disclosure and Toro y Moi and performed at Coachella and New York’s Gov Ball, calls his style of dance music “Compton house”; it meshes the rhythms of Chicago house and Detroit techno with the bite of West Coast rap.

Elsa Keslassy International Correspondent Music Box Films has acquired U.S. rights to “Full Time,” Eric Gravel’s visceral social thriller which is one of the five finalists for France’s official submission to the 95th Academy Awards. Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films. Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.

Elsa Keslassy International Correspondent After “Midnight in Paris,” Woody Allen will return to the French capital for his 50th movie which he’s described as a “poisonous romantic thriller” with a pair of French stars, Valerie Lemercier (“Aline”) and Niels Schneider (“Love Affair(s))”. The untitled film, the plot of which is being kept under wraps, will start filming next month and will be entirely in French with a budget in the $10-million range. Allen has described the film to be similar to “Match Point,” in that it would be “exciting, dramatic and also very sinister.”  Allen sparked headlines earlier this week after Spanish newspaper La Vanguardia ran a story reporting that the New York-based filmmaker had told them he was planning on retiring. Allen’s representative then issued a statement saying that the director had “no intention of retiring.”

Elsa Keslassy International Correspondent Ruben Östlund’s Palme d’Or winning film “Triangle of Sadness” has been sold by Coproduction Office to major distributors around the world. “Triangle of Sadness,” which was acquired by Neon for North America at the Cannes Film Festival, just had its North American premiere at Toronto and is playing at the San Sebastian Film Festival. Coproduction Office has now sold the movie worldwide to major distributors. Recent deals have been closed with Stay Golden (China), Edko (Hong Kong), Impact (India), Gaga (Japan), Green Narae (South Korea), Catchplay (Taiwan), TBA Studios (Philippines), Sun (Latin America), Frontrow (Middle East), Forefont (South Africa) and Les Films 26 (French-speaking Africa). 

Elsa Keslassy International Correspondent Antonin Baudry, who made his feature debut with Netflix’s submarine thriller “The Wolf’s Call,” is set to adapt Homer’s epic war tales of “The Iliad and The Odyssey” into a science fiction series titled “Ulysse.” Pathé has recently boarded the series project which is being co-developed by Axelle Boucai (The Mad’s Women Ball”) and Alain Goldman (“La Vie en Rose,” “The Mad’s Women Ball”) at Paris-based Ness Films. “Antonin Baudry is writing the adaptation and had the idea of transposing these mythological tales in space and in the future,” said Boucai, who cited “Dune” as inspiration.

Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.  But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.

Elsa Keslassy International Correspondent Loco Films has boarded international sales rights to actor-turned-helmer Dinara Droukarova’s feature debut “Woman at Sea” which will world premiere in the New Directors section at the San Sebastian Film Festival. Produced by Marianne Slot and Carine LeBlanc at Paris-based Slot Machine (“Melancholia”), “Woman at Sea” stars Droukarova as Lili, who has left everything behind to travel to the end of the earth to fulfil her dream of fishing in the northern seas, in Iceland. She convinces Ian, a fishing boat skipper, to give her a chance and embarks on the Rebel. She is the only woman in the crew but she will win everybody’s respect thanks to her determination and courage. “We are proud of this first film, shot on the harsh northern seas about a young woman seeking the fresh air of freedom. A beautiful and free film and the birth of a new director,” said Laurent Danielou, founder and president of Loco Films.

Elsa Keslassy International Correspondent Franco-Swiss director and New Wave linchpin Jean-Luc Godard, who revolutionized world cinema with his ground-breaking debut, “Breathless,” and never stopped pushing the envelope of his creativity, has died. He was 91. The news was first reported in Liberation.

Elsa Keslassy International Correspondent Charlotte Wells’ “Aftersun” won the Grand Prize of the Deauville American Film Festival on Saturday evening during a ceremony which was followed by the French premiere of Olivia Wilde’s “Don’t Worry Darling.” “Aftersun” had world premiered at Critics Week in Cannes where it won a prize. The movie marks the feature debut of Wells, a New York-based Scottish filmmaker. Headlined by “Normal People” actor Paul Mescal, the bittersweet drama follows a father and his daughter who take a holiday at a Turkish resort in the late 1990s. The movie is being represented in international markets by Charades and will be distributed in North America by A24.

Right now, there are only a couple of safe bets in the film industry. One is, as always, superhero films and other tentpole blockbusters are most likely going to do big business.

Elsa Keslassy International Correspondent   Eight years after delivering his Oscar-nominated film “Timbuktu,” Abderrahmane Sissako is set to make his anticipated directorial comeback with “The Perfumed Hill.” Gaumont is representing in international markets and will introduce it to buyers at at Toronto. The French studio will also distribute the film in France, while Cohen Media Group will release it in the U.S. Re-teaming Sissako with his “Timbuktu” co-writer Kessen Tall, “The Perfumed Hill” is a romance drama set between China’s tea hills, the Ivory Coast and Cape Verde. It stars Nina Melo (“Girlhood”), Han Chang (“Little Big Women”) and Ke-Xi Wu (“Nina Wu”).

Elsa Keslassy International Correspondent Les Films Pelleas, the Paris-based banner behind Mia Hansen-Love’s “One Fine Morning” (pictured), is set to produce Guillaume Senez (“Our Struggles”)’s next project, as well as the feature debut of Anne-Sophie Bailly whose short “The Midwife” is currently playing at Telluride. The Paris-based banner’s roster of completed roster includes Karim Moussaoui’s “L’Effacement,” and Annie Ernaux’s documentary “Les annes Super-8.” “Mona” revolves around around a woman in her 60’s who raised alone her disabled son and is at a point in her life where she aspires to start caring for herself. But when her son is unexpectedly having a baby, Mona finds herself with another heavy responsibility to bear.