Filmmaker Ulrike Ottinger to Receive Avant-Garde Achievements in Film Award at Camerimage
14.06.2022 - 10:33
/ variety.com
Peter Caranicas Deputy EditorEnergaCamerimage, the international art of cinematography film festival, will honor visual arts pioneer Ulrike Ottinger with its Avant-Garde Achievements in Film Award during its 30th edition, which will take place Nov. 12-19 in Torun, Poland.Ottinger, known for work that challenged audiences’ notions of visual arts, has stayed active for five decades across film, photography, theater, opera and exhibition.
Born in 1942, she created her first art projects in her hometown of Konstanz, Germany, then in Paris, where, from 1962 to 1969, she studied and worked as an independent artist in various media, eventually focusing on cinema. After returning to East Germany, she founded the Visuell Film Club, presenting independent productions from around the world and contributing to the New German Cinema.
Ottinger, shown above in a self portrait, made her film debut in 1973 with “Laocoön & Sons,” in which she laid out her aesthetic outlook. In her next movie, “Madame X: An Absolute Ruler” (1977), she challenged masculine tropes – gaining international success and helping to underpin the formation of the feminist movement.
It told the story of a group of women escaping the conveniences of bourgeois life to become part of all-female pirate crew. “The Berlin Trilogy,” Ottinger’s three subsequent films, with their references to the expressionist cinema of the 1920s, mirrored the dark side of city life: “Ticket of No Return” (1979), a tale of alcohol addiction and eccentric behavior; “Dorian Gray in the Mirror of the Yellow Press” (1984), starring feminist French actress Delphine Seyrig as the diabolical Frau Mabuse in a variation of the story previously told by Fritz Lang; and “Freak Orlando” (1981), in
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