Film Constellation Boards Man Ray’s Cannes-Bound ‘Return to Reason,’ With Soundtrack by Jim Jarmusch, Carter Logan’s SQÜRL (EXCLUSIVE)

Leo Barraclough International Features Editor The 37 national film institutes that are members of European Film Promotion have elected a new EFP board of directors at the general assembly on May 23 during the Cannes Film Festival. The board consists of seven members, with their term of office lasting for two years. Five of the current members remain on the board, including Simone Baumann, managing director of German Films, as new vice president, Daniela Elstner, executive director UniFrance, Eda Koppel, head of marketing at Estonian Film Institute, Stine Oppegaard, manager, international relations, feature films, Norwegian Film Institute, and Markéta Santrochová, head of Czech Film Center, who has been re-elected as EFP president.

The dignity of labor is explored with gentle humor and a very melancholy sense of joie de vivre in Wim Wenders’ second 2023 Cannes entry after his 3D documentary Anselm. Shot entirely in Japan, with very little English spoken, Perfect Days is an unusual film from a westerner since it does nothing to “other” a country that is often romanticized as a series of specific cultural signifiers (as in the well-meaning Lost in Translation, for example). It’s a compliment to say that Jim Jarmusch could have made it.

Leo Barraclough International Features Editor Leonardo Di Caprio, Tobey Maguire, Michael Douglas, Catherine Zeta-Jones and Queen Latifah were among the guests at Aston Martin’s 110th anniversary party Wednesday at Hotel du Cap-Eden-Roc, on the French Riviera. The luxury car company also unveiled the first in a new generation of sportscars, the DB12. Other actors in attendance included Kate Beckinsale, James Marsden and James Bond actor Jeffrey Wright. They were joined by singer-songwriter Adam Lambert. The world of fashion was represented by leading models Winnie Harlow, Lais Ribeiro, Alessandra Ambrosio and Poppy Delevingne.

The first time Jim Jarmusch came to Cannes was with his sophomore film Stranger Than Paradise, which played the Quinzaine in 1984. “We all shared one apartment that had no hot water, that was up the hill,” he recalls. “One day I had to be on TV and there was no water, so I had to shave with leftover tea.” Those days are long gone; Jarmusch is a fixture on the Croisette these days, and even had the dubious pleasure of opening it in 2019 with his Bill Murray-starring zombie comedy The Dead Don’t Die.

Leo Barraclough International Features Editor Flawless, XYZ Films and Tea Shop Productions have acquired the Cannes Critics’ Week selection “Vincent Must Die” for all English-speaking territories from Goodfellas. Flawless, the pioneering film technology company and a leader in the field of visual translation, recently announced it has launched a partnership with XYZ Films and Tea Shop Productions to acquire rights to foreign-language films, converting them to English for distribution in relevant markets. Directed by Stéphan Castang, “Vincent Must Die” is written by Mathieu Naert, produced by Thierry Lounas and Claire Bonnefoy, and stars Karim Leklou and Vimala Pons. In the film, an ordinary man finds himself fighting for his life after he goes out one day and is mysteriously attacked by random strangers in the street with the intent to kill him.

Leo Barraclough International Features Editor London- and Paris-based production, finance and sales company Film Constellation is launching sales on the remake rights of Spanish thriller “Fatum.” Directed by Juan Gualinanes and produced by Vaca Films, the outfit behind box office successes “Sky High” and “Cell 211,” “Fatum” was released in Spain by Universal Studios on April 28. Film Constellation has already reported sales to 50 territories on the original Spanish version. A compulsive gambler and an elite sniper’s destinies meet on a fateful day when the local betting house gets robbed. When a single gunshot is fired, the next 24 hours will set them on a race against time that will define their lives forever.

Leo Barraclough International Features Editor Warsaw-based sales outlet New Europe Film Sales has signed an international sales deal for the upcoming Belgian debut “Julie Keeps Quiet” by Leonardo Van Dijl, whose short film “Stephanie,” also repped by New Europe, played in Cannes competition in 2020. Both films are set in the world of competitive youth sports: the short explored the world of gymnastics, while the feature film takes on tennis. The feature is to be shot in the second half of this year with delivery planned for mid-2024. In “Julie Keeps Quiet,” when the practices of a prominent tennis coach are investigated, attention quickly shifts to Julie, a young and promising player who is always around him. As pressure mounts for her to share her experiences, Julie chooses to keep quiet and focus on her game, leaving the investigation and the coach’s future in doubt.

Leo Barraclough International Features Editor Paris-based company Indie Sales has closed further sales on “Richard the Stork 2,” and expects to sell the last remaining territories during the Cannes Film Market. The film, also known as “Richard the Stork and the Mystery of the Great Jewel,” is a follow up to “Richard the Stork” (released in North America as “A Stork’s Journey”), which was widely distributed in 155 countries and grossed more than $20 million worldwide. Indie Sales, which sold Oscar nominee “My Life as a Zucchini” to more than 80 territories, is increasingly focusing on acquiring big budget animation.

Leo Barraclough International Features Editor Vanessa Hudgens will join Mads Mikkelsen to headline the action spy thriller “The Black Kaiser,” directed by Derrick Borte (“Unhinged”). Borte has replaced Jonas Akerlund, who was previously announced as director. The film is written by Jayson Rothwell, based on the Dark Horse graphic novel “Polar” by Victor Santos. It is set to shoot this fall. In the film, the Black Kaiser (Mikkelsen), the world’s most lethal hitman, uncovers a deadly conspiracy protecting a powerful syndicate of killers, and becomes their No. 1 target. “The Black Kaiser” is a Constantin Film, JB Pictures and Dark Horse Entertainment production, and will be produced by Jeremy Bolt and Robert Kulzer, two of the producers behind the “Resident Evil” franchise. Mike Richardson and Keith Goldberg of Dark Horse Entertainment are also producing, and Martin Moszkowicz and Mikkelsen are executive producing. XYZ Films will executive produce and will continue to sell worldwide rights at the Marché du Film in Cannes.

Leo Barraclough International Features Editor K5 Media Group has rebooted its international sales arm, K5 Intl., recruiting five industry veterans. It will sell and distribute eight to 10 new titles a year, across both film and TV. In its former incarnation, K5 Intl., which was founded by Oliver Simon and Daniel Baur, represented premium film titles like “ANON,” directed by Andrew Niccol and starring Amanda Seyfried and Clive Owen; Cannes competition title “Paterson,” directed by Jim Jarmusch and starring Adam Driver; and Academy Award nominee “Land of Mine,” directed by Martin Zandvliet. K5 Intl. will be represented by its partners in Paris, London, Los Angeles, Munich, Berlin and Cologne.

Leo Barraclough International Features Editor Shellac has boarded “La Mer et ses vagues” as both the international sales agency and the French distributor, ahead of its world premiere on Friday in the ACID sidebar in Cannes. The Lebanese film, directed by Liana and Renaud, follows the young Najwa and the musician Mansour as they cross the Lebanese border and reach Beirut on a full moon night. They follow the trail of smugglers hoping to join a woman, Haifa, on the other side of the sea. A few streets away, Selim, the old lighthouse keeper, tries to repair the electricity in his neighborhood. The cast is led by Mays Mustafa, Roger Assaf, Mohammed Al Ammari and Hanane Hajj-Ali. The producer is Mathieu Mullier-Griffiths for Kafard Films. The co-producer is Monkey Business Virals.

Leo Barraclough International Features Editor Sabina Smitham has joined Graham Broadbent and Pete Czernin’s Blueprint Pictures, the producer of “Banshees of Inisherin,” as head of development. Reporting to head of film, Ben Knight, the new role will see Smitham manage the company’s development team and take the lead on expanding the company’s development slate. Smitham, an alumnus of the U.K.’s prestigious National Film and Television School’s master in producing program, joins from Disney+, where she oversaw the development of a range of projects for the Europe, Middle East and Africa Original Productions team. Prior to Disney she was a development producer at Faye Ward’s Fable Pictures.

Leo Barraclough International Features Editor 101 Films Intl. has acquired international rights to psychological thriller “Angel Baby,” and will launch sales at Cannes. The film stars Isabel Cueva (“Aztec Warrior,” “The Lady Killers”), Daniel Roebuck (“The Fugitive,” “U.S Marshalls”) and Rebecca de Mornay (“The Hand That Rocks the Cradle”). Quiver Distribution has taken North American sales rights. Actor Douglas Tait (“Hellboy,” “Teen Wolf”) makes his directorial debut, and also stars in the film. The screenplay is written by Elisa Manzini (“I’ll Be Waiting”) and Rebecca Stahl (“Everything in Between”). Dan Thiel, Whitney Anderson and Chris Browning round out the cast.

Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the trailer (below) for Swiss director Maxime Rappaz’s debut feature “Let Me Go,” which will open the Cannes ACID sidebar on Wednesday. Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.

Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the first-look trailer (below) for the suspense filled drama “Power Alley,” from Brazilian director Lillah Halla, ahead of its world premiere in Cannes’ Critics’ Week sidebar. The gripping drama is set in Brazil, where abortion is illegal. Talented volleyball player Sofia (Ayomi Domenica Dias) discovers she is pregnant at a crucial moment, jeopardizing her career plans. Intent on deciding her own fate, Sophia tries everything possible to get an illegal abortion, but has to contend with an increasingly sinister fundamentalist group determined to stop her — but Sophia, her team and all those who love her, refuse to give up.

Leo Barraclough International Features Editor Variety has been given access to an exclusive clip from “Anselm,” the 3D documentary from the three-time Academy Award nominated director Wim Wenders. The film will have its world premiere at the Cannes Film Festival as a Special Screening. HanWay Films is handling world sales. It will be released by Les Films du Losange in France and DCM in Germany, Austria and Switzerland.

Leo Barraclough International Features Editor Picture Tree Intl. has picked up global sales rights to “Gina” (working title), by Ulrike Kofler, which follows her Netflix debut “What We Wanted.” “Gina” tells the story of a 9-year-old girl longing for a home and family while having to take care of her younger siblings and mother, who is too overwhelmed to take care of herself, let alone her children. The film, produced by Film AG, is the second feature by Kofler, who is a long-time editor for Austrian director Marie Kreutzer. Kofler’s editing work includes “Corsage,” which won best film at the London Film Festival and three nominations for the European Film Awards in 2022, “The Ground Beneath My Feet” (Berlinale Competition, 2019), and Josef Hader’s “Wild Mouse” (Berlinale Competition, 2019).

Leo Barraclough International Features Editor Sales agency The Match Factory is launching the trailer (below) of Finnish director Aki Kaurismäki’s “Fallen Leaves,” which will premiere at the Cannes Film Festival in Competition. This gentle tragicomedy is the fourth part of Kaurismäki’s working-class quartet, following “Shadows in Paradise,” “Ariel” and “The Match Factory Girl,” which The Match Factory, the company, is named after. The film tells the story of two lonely people (played by Alma Pöysti and Jussi Vatanen) who meet each other by chance in the Helsinki night. They then try to re-find each other: the first, only, and ultimate love of their lives. Their path toward this goal is clouded by the man’s alcoholism, lost phone numbers, not knowing each other’s names or addresses, and life’s tendency to place obstacles in the way of those seeking their happiness.

Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has closed a deal for German distribution rights for “Let Me Go” with Alamode Film, ahead of the film’s world premiere as the opening film of Cannes ACID sidebar next week. “Let Me Go” (Laissez-Moi), the debut feature by Swiss director Maxime Rappaz, is set in a remote Swiss mountain village, where Claudine (Jeanne Balibar) lives a life dedicated to taking care of her son. Every Tuesday, however, she has an afternoon to herself and goes to a nearby hotel to meet men passing through. She pursues her desires in a carefully controlled way, so as not to interfere with her life, but when she meets Michael (Thomas Sarbacher) everything changes.

Leo Barraclough International Features Editor DR Sales has sold Canadian distribution rights for Norwegian director Tonje Hessen Schei’s “Praying for Armageddon” to LevelFilm. The deal was revealed follows the film’s North American premiere at Hot Docs Film Festival. The film made its world premiere in CPH:DOX. The film explores the power and influence of powerful U.S. fundamentalist evangelicals as they aim to fulfil the biblical prophecy of Armageddon. With close quarters journalism, the feature documentary embeds with American believers who prepare for the Holy War and exposes how powerful megachurch pastors call for the “final battle” that they believe will trigger the Second Coming of Christ. A deep dive into power and policy, the film unveils how politicians driven by faith embrace Israel as the key to their prophetic vision for the end of days. At any cost.