Alamode Picks Up German Distribution Rights for Cannes ACID Title ‘Let Me Go,’ Starring Jeanne Balibar (EXCLUSIVE)

Leo Barraclough International Features Editor In “The Old Oak,” which played in Competition in Cannes, Ken Loach portrays a village in the North-East of England where the indigenous white community comes into conflict with Syrian refugees – a conflict fuelled by the despair, deprivation and decline of the rust-belt region. Such conditions can be a seed-bed for far right groups, the director tells Variety. Such issues have not been explored sufficiently in film and television, Loach says, and he draws a parallel with the portrayal of the rise of Nazism in Germany in the mass media. “We have endless programs about the Second World War, about the horrors of Nazism and fascism, about the racism, about the Holocaust. Quite properly, we have endless programs about that, but what they refuse to point out is that that arose from alienation, anger, feeling cheated, and finding scapegoats. And that’s how we ended up with Hitler, and that’s the ground in which the far right flourishes. One of the points of the film is to say: This is the cause of fascism. This is where it comes from. This is its seed-bed, and it comes as an inevitable consequence of our economic system. Because if the neoliberal agenda was an essential development for capitalism, to use the old-fashioned word, then that’s where fascism comes from. Implicit in that is that the far right will rise because that’s how people will be heading. And they know that and yet the mass media, the press, just turn their backs on that. They’ll tell us all about the horrors of Hitler. Sure. But they won’t tell us how he came to power. And that’s the huge lesson. And we see it in essence now all the time.”

The official synopsis for Wim Wenders’ “Perfect Days” is one of those rare occasions when a tightly-described premise encapsulates the immensity of a film: a janitor in Japan drives between jobs listening to rock music. In this case, the janitor is Hirayama (Koji Yakusho), an older man whose job is cleaning Tokyo’s elegantly designed public toilets.

Leo Barraclough International Features Editor The 37 national film institutes that are members of European Film Promotion have elected a new EFP board of directors at the general assembly on May 23 during the Cannes Film Festival. The board consists of seven members, with their term of office lasting for two years. Five of the current members remain on the board, including Simone Baumann, managing director of German Films, as new vice president, Daniela Elstner, executive director UniFrance, Eda Koppel, head of marketing at Estonian Film Institute, Stine Oppegaard, manager, international relations, feature films, Norwegian Film Institute, and Markéta Santrochová, head of Czech Film Center, who has been re-elected as EFP president.

A24 has unveiled a raft of key territory deals for Jonathan Glazer’s hotly tipped Cannes Film Festival Palme d’Or frontrunner The Zone Of Interest ahead of the awards ceremony on Saturday.

Ed Meza @edmezavar Paris-based sales boutique Alpha Violet has acquired Spanish filmmaker Victor Iriarte’s directorial debut, “Foremost by Night” (“Sobre Todo de Noche”). Described as a noir story with a political background, “Foremost by Night” revolves around two women who meet for the first time, one who was forced to give up her newborn child for adoption when she was young, the other who, unable to bare children of her own, adopted a child she raised as her own. The film, which stars Ana Torrent (“There Be Dragons,” “The Other Boleyn Girl”), Lola Dueñas (“Me Too,” “Volver”) and Manuel Egozkue, was among this year’s winners at the Malaga Film Festival’s Work in Progress awards, where it secured the Latido Films distribution prize and the Aracne Digital Cinema award for post production services.

Leo Barraclough International Features Editor Maxime Rappaz’s debut film “Let Me Go,” which plays in the Cannes ACID sidebar, has been sold to Brazil and Taiwan. The film stars Cannes regular Jeanne Balibar in the lead role as a fiftysomething woman torn between her family commitments and pursuing her own desires. Every Tuesday, a neighbor takes care of Claudine’s son while she goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life. Imovision has acquired all rights for Brazil, and will release the film in cinemas after a Brazilian festival premiere. “The mise en scène is excellent and Jeanne Balibar is extraordinary,” Jean-Thomas Bernardini, president of Imovision, commented.

Leo Barraclough International Features Editor Paris-based company Indie Sales has closed further sales on “Richard the Stork 2,” and expects to sell the last remaining territories during the Cannes Film Market. The film, also known as “Richard the Stork and the Mystery of the Great Jewel,” is a follow up to “Richard the Stork” (released in North America as “A Stork’s Journey”), which was widely distributed in 155 countries and grossed more than $20 million worldwide. Indie Sales, which sold Oscar nominee “My Life as a Zucchini” to more than 80 territories, is increasingly focusing on acquiring big budget animation.

Leo Barraclough International Features Editor Beta Cinema has closed further presales for “The Offing,” which will star Helena Bonham Carter, and will be directed by Jessica Hobbs, an Emmy Award-winner for “The Crown.” New deals include Spain (Beta Fiction), Portugal (Nos Lusomundo), Switzerland (Pathé Films), former Yugoslavia (Discovery) and the Middle East (Front Row). CineSky Pictures has picked up worldwide airline rights. A multi-territory deal with Curzon, Cineart and Madman for U.K./Ireland, Benelux and Australia/New Zealand was revealed in April. “The Offing,” which is based on the novel by Benjamin Myers, is set on the northeast English coast shortly after World War II. It tells the story of shy, 16-year-old Robert, and the hard-drinking, foul-mouthed, bohemian recluse Dulcie Piper, played by Bonham Carter, and their unlikely friendship.

Leo Barraclough International Features Editor Zachary Levi will star in the Christmas film “Teddy’s Christmas” as the voice of the main character Teddy. The film about a Teddy Bear and a little girl will have its U.S. theatrical release in time for this year’s holiday season, following its release in several European countries. Levi is best known for his portrayal of the superhero Shazam in “Shazam!” and “Shazam! Fury of the Gods,” and for his voice actor role in Disney’s “Tangled.” “Teddy’s Christmas” will be released by Capelight Pictures and Blue Fox Entertainment in the U.S.

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has closed two multi-territory deals for Bulgarian gay summer-romance film “Liuben,” directed by Venci Kostov. The film has been acquired by TLA Entertainment for North America, France, U.K. and Ireland, and Cinemien for Germany, Austria, German-speaking Switzerland, Belgium, The Netherlands, Luxembourg, Spain, Italy and Sweden. “Liuben,” which has its world premiere at Guadalajara Intl. Film Festival in June, is the first openly gay film from Bulgaria. Roma actors, who are usually absent from Bulgarian cinema, play lead roles in the film.

Leo Barraclough International Features Editor Global Screen has closed further presales for “Lassie — A New Adventure,” the sequel featuring the most famous dog in the history of cinema. The film, directed by Hanno Olderdissen, has sold to A Contracorriente for Spain; ADS Service for Hungary, Romania, Slovakia, the Czech Republic and Moldavia; Turkey’s Bir Film; GPI for the Baltic states; Bulgaria’s Pro Films; Karantanija for ex-Yugoslavia; and Greece’s Zinos Panagiotidis. Poland and Benelux are in negotiation. Sales were previously concluded with Lucky Red (Italy), AB Svensk Filmindustri (Scandinavia) and Film House (Israel).

Leo Barraclough International Features Editor Germany’s leading independent film distributor Leonine Studios and A24 are partnering to set up joint label A24 | Leonine Studios, which will distribute films in Germany and Austria. The first films to be released under the new banner are the newly acquired titles “Wizards!” by David Michôd, starring Orlando Bloom, Naomi Scott and Pete Davidson, and Sean Durkin’s “The Iron Claw,” with Lily James, Harris Dickinson, Zac Efron and Jeremy Allen White. The new label builds on the companies’ collaboration on multi-Oscar winner “Everything Everywhere All at Once,” which was released by Leonine on April 28, 2022, and garnered more than 380,000 admissions in Germany and Austria.

Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the trailer (below) for Swiss director Maxime Rappaz’s debut feature “Let Me Go,” which will open the Cannes ACID sidebar on Wednesday. Set in a remote town in the Swiss mountains, the film features French actress Jeanne Balibar in the lead role. She plays the character of Claudine, a mother who has devoted her life to taking care of her son, sacrificing her own needs and desires. An unexpected love affair causes Claudine’s carefully controlled world to unravel, “reviving in her an intense thirst for freedom and, at the same time, a painful questioning about her future,” Rappaz says.

Leo Barraclough International Features Editor Global Screen has racked up presales to multiple territories for the animated family adventure movie “Niko — Beyond the Northern Lights,” the third in the box office hit franchise about a flying reindeer. The sales agency will be showing a first scene to buyers at Cannes Film Market. The animated movie has been picked up Kino Swiat for Poland, Bluelabel for South Korea, Just4Kids for the Benelux, GPI for the Baltic states, Karantanija for ex-Yugoslavia, Zinos Panagiotidis for Greece, Bad Unicorn for Romania, Bohemia Motion Pictures for Slovakia and the Czech Republic, Pro Film for Bulgaria and Bir Film for Turkey.

Leo Barraclough International Features Editor Berlin-based sales agency M-Appeal has released the first-look trailer (below) for the suspense filled drama “Power Alley,” from Brazilian director Lillah Halla, ahead of its world premiere in Cannes’ Critics’ Week sidebar. The gripping drama is set in Brazil, where abortion is illegal. Talented volleyball player Sofia (Ayomi Domenica Dias) discovers she is pregnant at a crucial moment, jeopardizing her career plans. Intent on deciding her own fate, Sophia tries everything possible to get an illegal abortion, but has to contend with an increasingly sinister fundamentalist group determined to stop her — but Sophia, her team and all those who love her, refuse to give up.

Naman Ramachandran German writer-director Anna Roller’s feature debut “Dead Girls Dancing” is set to launch at the Cannes film market. Totem Films is handling international sales while WME Independent is looking after U.S. sales. The film will have a premiere co-hosted by the Tribeca Film Festival and the Munich International Film Festival in June. The film follows recent high school graduates Ira, Malin and Ka on a road trip across Italy who pick up the intriguing backpacker Zoe. As the four girls stumble across an abandoned village, they start to experiment with the limits of their newly found freedom, away from the expectations of their parents and teachers.

Leo Barraclough International Features Editor Variety has been given access to an exclusive clip from “Anselm,” the 3D documentary from the three-time Academy Award nominated director Wim Wenders. The film will have its world premiere at the Cannes Film Festival as a Special Screening. HanWay Films is handling world sales. It will be released by Les Films du Losange in France and DCM in Germany, Austria and Switzerland.

Leo Barraclough International Features Editor Picture Tree Intl. has picked up global sales rights to “Gina” (working title), by Ulrike Kofler, which follows her Netflix debut “What We Wanted.” “Gina” tells the story of a 9-year-old girl longing for a home and family while having to take care of her younger siblings and mother, who is too overwhelmed to take care of herself, let alone her children. The film, produced by Film AG, is the second feature by Kofler, who is a long-time editor for Austrian director Marie Kreutzer. Kofler’s editing work includes “Corsage,” which won best film at the London Film Festival and three nominations for the European Film Awards in 2022, “The Ground Beneath My Feet” (Berlinale Competition, 2019), and Josef Hader’s “Wild Mouse” (Berlinale Competition, 2019).

Leo Barraclough International Features Editor Sales agency The Match Factory is launching the trailer (below) of Finnish director Aki Kaurismäki’s “Fallen Leaves,” which will premiere at the Cannes Film Festival in Competition. This gentle tragicomedy is the fourth part of Kaurismäki’s working-class quartet, following “Shadows in Paradise,” “Ariel” and “The Match Factory Girl,” which The Match Factory, the company, is named after. The film tells the story of two lonely people (played by Alma Pöysti and Jussi Vatanen) who meet each other by chance in the Helsinki night. They then try to re-find each other: the first, only, and ultimate love of their lives. Their path toward this goal is clouded by the man’s alcoholism, lost phone numbers, not knowing each other’s names or addresses, and life’s tendency to place obstacles in the way of those seeking their happiness.

Elsa Keslassy International Correspondent Memento International has closed major deals on Martin Provost’s “Bonnard, Pierre And Marthe” ahead of the film’s world premiere at the Cannes Film Festival. Slated for Cannes Premiere, the period film revolves around the colorful relationship and epic love between renowned French painters Pierre and Marthe Bonnard who are played by Vincent Macaigne (“Irma Vep”) and Cecile de France (“Lost Illusions”). The film has been pre-sold by Memento International to key distributors in Italy (I Wonder), Canada (Sphère Films), Latin America (California Filmes), South Korea (AUD), Taiwan (Flash Forward), Airlines (Skeye), Poland (Hagi), Hungary (Vertigo), Portugal (Nos Lusomundo), Czech Republic (Cinemart), Bulgaria (Beta Film), Ex-Yugoslavia (Demiurg).