Fans are obsessed with Timothée Chalamet’s look at the Venice Film Festival: ‘No one can forget him’

Michaela Zee editor The U.S. premiere of Jordan Peele and Henry Selick’s “Wendell & Wild” will kick off the fifth edition of Animation Is Film (AIF) on Oct. 21. The screening of the forthcoming Netflix feature will be followed by an in-person Q&A with Selick. “I’m delighted my new film ‘Wendell & Wild’ — co-written and produced with Jordan Peele — will have its U.S. premiere at Animation Is Film, a festival that celebrates the non-traditional and ground-breaking in animated movies,” Selick said in a statement. “Our made-in-the-USA stop-motion feature is many things: scary, funny, creepy, sad, and empowering, but most of all, it’s very very original so I can’t think of a better place for its U.S. premiere than Animation Is Film. Hope you enjoy the show.

Pat Saperstein Deputy Editor The American French Film Festival, formerly known as COLCOA, will kick off Oct. 10 with the North American premiere of docudrama “Notre-Dame on Fire,” from “Quest for Fire” director Jean-Jacques Annaud. The weeklong festival at the DGA Theater Complex in Los Angeles closes with Dominik Moll’s thriller “The Night of the 12th,” about a cold case where the only certainty is the night it occurred. Moll will also be the focus of the festival’s annual “Focus on a Filmmaker.” “Every year, The American French Film Festival presents the very best of French cinema and television, and this year is no exception. I am personally excited about the opening night selection of Jean-Jacques Annaud’s ‘Notre-Dame on Fire’ as I think it perfectly embodies the Franco-American Cultural Fund’s mission,” said Andrea Berloff, writer and board member of the Franco-American Cultural Fund.

The Santa Fe International Film Festival (SFiFF) has announced its first 15 feature titles. These films are part of the Special Presentation section and will be followed by a full schedule of competition films, short films, panels and events. SFiFF starts October 19 and will run through October 23.

The People’s Choice Award from the just wrapped 2022 Toronto International Film Festival has gone to Steven Spielberg’s The Fabelmans.  First Runner Up is Canada’s own Sarah Polley’s Women Talking. And Second Runner Up was Rian Johnson’s Glass Onion: A Knives Out Mystery. The Documentary Award went to Black Ice, and the Midnight Madness winner was Weird: The Al Yankovich Story             .

Leonardo DiCaprio.The actor, known for his breakout roles in Call Me By Your Name, Lady Bird and Dune, first met DiCaprio in 2018, where he shared some advice for his future career.As revealed in an interview with Vogue, DiCaprio told Chalamet: “No hard drugs and no superhero movies.”Speaking to Time in October last year, Chalamet previously said that he received the advice from “one of my heroes” without revealing his identity. “One of my heroes – I can’t say who or he’d kick my ass – he put his arm around me the first night we met and gave me some advice.“No hard drugs and no superhero movies,” he told the outlet.Chalamet has reunited with Call Me By Your Name director Luca Guadagnino for his next film, Bones And All, a coming-of-age romantic horror road film based on the novel of the same name.Alongside Chalamet, the film stars Taylor Russell, Mark Rylance, Michael Stuhlberg, Andre Holland, Chloe Sevigny, Jessica Harper and David Gordon Green.

EJ Panaligan editor NewFest, a New York-based LGBTQ+ film festival, has announced the full lineup for its 34th iteration. The 2022 edition will run from Oct. 13 to Oct. 25. With world, North American, U.S. and New York premieres for more than 130 films from 23 countries, the festival will be headlined by the world premiere of HBO documentary “Mama’s Boy” from Laurent Bouzereau as the opening night screening. Additionally, the festival will hold an advance screening for the Season 2 premiere of popular HBO series “The White Lotus.” Other high-profile screenings through the festival’s run include Michael Grandage’s love triangle film “My Policeman,” starring Harry Styles and Emma Corrin, and the stop-motion horror comedy “Wendell & Wild,” from writer-director Henry Selick. Jordan Peele co-writes, while also featuring in a lead voice role. Keegan-Michael Key inhabits the film’s other lead voice role, marking a “Key & Peele” reunion on the animated stage between the two longtime collaborators.

Carson Burton The 2022 edition of InFocus: Latinx & Hispanic Cinema Film Festival from NewFilmmakers LA (NFMLA) will be held from Sept. 23-24 in association with the Academy of Motion Picture Arts and Sciences. For the first time since 2019, the festival will be held in-person at the Academy’s Linwood Dunn Theater in Hollywood. The lineup consists of three short film programs showcasing a variety of genres. The festival, which is co-presented by The MBS Group, includes screenings, filmmaker Q&A sessions, industry development programs and educational panels. The festival features independent films from emerging talent hailing from Mexico, the Dominican Republic, Brazil, Cuba, Honduras, Jamaica, Colombia, Venezuela and the United States. Two world premieres will be held at the festival, and one film will see its North American premiere.

Paul Mescal suits up for the premiere of his new movie Aftersun during the 2022 Toronto International Film Festival on Monday (September 12) at the TIFF Bell Lightbox in Toronto, Canada.

Thandiwe Newton is being honored!

Harry Styles spit on his costar, Chris Pine. It all started at the Don’t Worry Darling premiere, which has proven to be one of the most dramatic releases in Hollywood.There were people on both sides of the theory arguing for hours with internet detectives finding different angles, and slowing down the footage.

Following the premiere of Olivia Wilde’s new film Don’t Worry Darling at the 2022 Venice International Film Festival, one piece of footage prompted fierce online debate. The clip in question, however, wasn’t from the film itself but from its screening’s aftermath, and it depicts what many are convinced is Harry Styles spitting on his co-star, American actor Chris Pine.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Timothee Chalamet finds it "tough to be alive" during the age of social media. The 26-year-old actor hates feeling "intensely judged" by the online platforms and even suggested that the sites could lead to a "societal collapse". Speaking at the Venice Film Festival, Timothee said: "To be young now, and to be young whenever - I can only speak for my generation - is to be intensely judged.

Timothee Chalamet had all of Venice seeing red on Friday night at the world premiere of “Bones & All.” The actor donned a sparkling red pantsuit (with no back above the waist) in the shade of blood, a cheeky wink to the drama’s central protagonists — two cannibals in love.The drama, which reteams Chalamet with his “Call Me By Your Name” director Luca Guadagnino, lives up to its title with gory attacks and scenes that involve limb chewing and eating. But despite the uncomfortable subject matter, the audience at the Venice premiere for the movie devoured “Bones & All.” The film received a 8.5-minute standing ovation, the longest and most enthusiastic of the festival so far. (It handily beat the previous record holder “Tar,” a drama starring Cate Blanchett as a tortured composer.)

The beginning of Bones and All is genuinely the stuff of nightmares and could easily stand alone as a short, tapping into the American tradition of the urban myth while at the same time laying down a deceptively sophisticated narrative. The rest of Luca Guadagnino’s latest doesn’t quite maintain this level of mastery and tension, which is in some ways a blessing, but that’s possibly because Bones and All isn’t really a horror movie. After the shocking opening salvo, the film sheds its genre skin to become an almost anthropological study of outsiderdom, using the false dawn of the American 1980s as a sort of petri dish for a new kind of conformity that has led us where we are today.

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Manori Ravindran International Editor It’s Timothée Chalamet Day in Venice. This isn’t a national holiday, but perhaps it should be. It’s just past 1:30 p.m. outside the Venice Film Festival’s Sala Casino, and a crowd of youth have set aside work and school commitments to travel into the Lido to catch a glimpse of the American superstar arriving for a press conference. Every generation has their movie star heartthrob — from Jonathan Taylor Thomas to Brad Pitt in the ’90s and Robert Pattison at the dawn of the Twilight movies. For many young women, Chalamet represents the pinnacle of Gen Z cool. The Chalamet stans arrived as early as 7 a.m. on Friday to catch a glance of Timothée. They are, not surprisingly, mostly female. They describe their favorite performances as “Call Me By Your Name” and “The King” but are mostly drawn to Chalamet because of his kind and friendly nature.