‘Emma.’ Review: Dir. Autumn de Wilde [2020]

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Sitting at the outdoor bar at the Chateau Marmont, director Autumn De Wilde was being encased in a distractingly bright mint green. Replicas of the set from her moviewere being erected around the first floor of the famed hotel for the world premiere ofEmma.,the latest adaptation of the oft-adapted Jane Austen classic.

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All Jane Austen’s heroines are clever, but Anya Taylor-Joy brings an unusually sharp edge to her rendition of Emma Woodhouse in “Emma.” Maybe it’s the lingering influence of Taylor-Joy’s sociopathic character in 2017’s underrated “Thoroughbreds.” At any rate, she’s the standout in this likable adaptation. It’s notable that this version’s title is adorned with a period; I’m not sure the definitive gesture is entirely warranted, but I admire its confidence.

To coincide with the release of the new period drama Emma we have a fantastic movie merchandise pack to give away to one lucky reader. The film boasts an impressive cast that includes Anya Taylor-Joy, Johnny Flynn, Bill Nighy, Mia Goth, Miranda Hart, Josh O’Connor, Callum Turner, Rupert Graves, Gemma Whelan, Amber Anderson, Tanya Reynolds, and Connor Swindells.