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24.04.2024 - 16:45 / variety.com
Hunter Ingram While filming a stunt for her new FX spy series “The Veil,” Elisabeth Moss fractured a vertebrae in her back, hurting herself seriously enough that it left her lying on a roof in Istanbul for two hours. The Emmy-winning actor spoke about the serious injury during an interview with Variety promoting the new series from creator Steven Knight, which premieres on Hulu on April 30. In the ticking-clock series, Moss plays Imogen, an undercover MI6 agent trying to stop an ISIS terrorist attack planned for the United States.
In Episode 2, Imogen and a rumored ISIS commander named Adilah (Yumna Marwan) are passing through Istanbul when Imogen must fend off an attack from an assailant on a rooftop above the Grand Bazaar. “The [scene] you see in the show is actually the second time we shot it, about six weeks later,” Moss says. “The first time we shot it I hit a wall the wrong way, let’s just say, and ended up lying on the roof for a couple hours.” At Moss’ side while she lay on the roof was her producing partner Denise Di Novi, who waited with her while she was examined.
“I felt so bad for her,” Di Novi says. But Moss was adamant filming continued and even appeared in a scene the following day but with limited mobility. Given that Moss had “fractured a vertebra really badly,” Di Novi says, she can’t believe that she continued working: “She is underselling how hard a lot of the stunt was that she did.” “We actually shot the next day at the airport, those are the Paris airport scenes you see [in the episode], and I actually have, like, a broken back,” Moss says.
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Hunter Ingram SPOILER ALERT: This post contains spoilers from the first two episodes of “The Veil,” now streaming on Hulu. No cigarette goes unsmoked in the premiere of FX’s new series “The Veil” — and that was all part of Elisabeth Moss’ plan. In the new series from “Peaky Blinders” creator Steven Knight, Moss plays a woman named (for now) Imogen Salter, an undercover MI6 spy who is tasked with doing what the age of technological surveillance and espionage can’t do: use human intuition and skill to get information out of a target.
“Peaky Blinders”). It follows Imogen (Elisabeth Moss), a spy who gets tasked with the mission of going after Adilah El Idrissi (Yumna Marwan), a possible ISIS operative who may be the most wanted woman in the world. Imogen must also figure out what she knows about a rumored terrorist attack.
Aramide Tinubu In FX’s gripping new miniseries “The Veil,” right versus wrong isn’t a straightforward calculation, and truth is more confounding than it seems. The action series follows cunning MI6 agent Imogene Salter (a captivating Elisabeth Moss), whose ability to assume a new identity in the blink of an eye makes her a singular asset for the most challenging missions. When Imogene is tasked with extricating a woman named Adilah El Idrissi (an outstanding Yumna Marwan) from a Turkish/Syrian refugee camp and enticing her to disclose her secrets, the spy finds herself analyzing her own moral code and a past shrouded in riddles.
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Elisabeth Moss suffered a broken vertebrae while filming a stunt for the upcoming spy TV series The Veil, leaving her briefly unable to move.The actor disclosed the information during a new interview with Variety, where she confirmed that she was left lying on her back on a roof in Istanbul for two hours.In The Veil, which premieres on Hulu on April 30, Moss plays an MI6 agent trying to stop a terrorist attack. Episode two finds her character Imogen chasing a lead through the Turkish city, when she is attacked on a rooftop above the Grand Bazaar.“The [scene] you see in the show is actually the second time we shot it, about six weeks later,” Moss said.
When one thinks of auteur-driven Peak TV in the streaming age, the first shows that generally come to mind are “House Of Cards” (2013) with David Fincher at the helm (at least for the first few eps), “True Detective” (2014) by director Cary Fukunaga, and Steven Soderbergh’s “The Knick” (2014). Crucial to the mix, but sometimes missing in that conversation, is Jane Campion’s “Top Of The Lake” starring Elisabeth Moss, which debuted in 2013, right at the beginning of this new second golden age of TV.
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