Documentary Field In Need Of A Jolt Looks To Upcoming Sunny Side Of The Doc Event In France For Inspiration, Ideas

Manchester United forward Marcus Rashford has been omitted from the England squad for the Euro 2024 tournament in Germany following a hugely disappointing season.

International documentary filmmakers and industry reps are gathering at Sheffield DocFest in the U.K. at a moment of political tumult in Europe. British voters head to the polls for a general election on July 4; in France, President Macron dissolved the National Assembly and called snap legislative elections after a French ultranationalist party surged in voting for the European Parliament. Germany’s far-right AfD party also scored substantial gains in that European Parliament vote. Overall, the center held — more or less.

Elsa Keslassy International Correspondent Trialed for alleged sexual assault on June 14, Dominique Boutonnat, the president of the National Film Board, France’s most powerful film institution, is facing a three-year suspended prison sentence. Boutonnat was indicted in February 2021 for the alleged sexual assault of his then 19-year-old godson in August 2020, during a vacation in Greece.

Elsa Keslassy International Correspondent The historic gains of the French far-right party Rassemblement National (National Rally, or RN) during the European elections on June 9 and French President Emmanuel Macron‘s shock decision to dissolve the National Assembly have not only propelled the country’s film and TV industry into a state of panic but are causing ripples across the economy. Boasting the second-biggest economy in Europe, France saw its stock exchange take a hit this week amid talks that Marine Le Pen‘s far-right party had a solid chance of performing strongly in the parliamentary elections set for June 30 and July 7.

Inside Out 2” just scored the biggest box office previews of 2024. Disney and Pixar‘s latest animated outing grossed $13 million in Thursday previews domestically, with $22.3 million worldwide. The family-friendly sequel is projected to launch between $80 million and $90 million this weekend.

Crunchyroll Senior Vice President of Global Commerce Mitchel Berger was in ebullient mood as he gave a talk on the growing global reach of anime at the Annecy International Animation Film Festival this week.

EXCLUSIVE: The Munich International Film Festival has set an eclectic trio of world premieres for its upcoming 41st edition. Harley Chamandy’s Allen Sunshine, Jamie Kastner feature doc The Spoils and Davi Pretto’s Continente will each premiere, Deadline can reveal.

Refresh for latest…: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.

William Earl administrator Period vampire thriller “The Vourdalak” is set to stalk American audiences. Oscilloscope Laboratories has acquired the U.S.

Refresh for latest…: It may be a stretch, but we could coin a new phrase and call this the cat days of spring. To wit: Sony/Alcon’s The Garfield Movie, which began early overseas release last month, took the No. 1 spot for Hollywood on the domestic, international, and global charts this frame.

Gabby Douglas will officially not be competing at the 2024 Olympic Games after pulling out of the U.S. gymnastics championships.

It’s not all doom and gloom at the global box office as a handful of films reached milestones this week. 20th Century Studios/Disney’s Kingdom of the Planet of the Apes has topped $300M worldwide, while Paramount’s IF and Sony/Alcon’s The Garfield Movie crossed the $100M mark.

Elsa Keslassy International Correspondent Rolling off the Cannes Film Festival where it won several awards, Mohammad Rasoulof‘s “The Seed of The Sacred Fig” has been acquired by a flurry of high profile distributors in major international territories. Films Boutique, which represents the critically acclaimed political drama globally, has sold it to Lionsgate for the U.K.

Rebecca Rubin Senior Film and Media Reporter “Furiosa: A Mad Max Saga” is stalling at the international box office with $33.3 million from 75 territories. The fifth entry in director George Miller’s post-apocalyptic series has generated $58.9 million globally in its first weekend of release, a rough start given its $168 million production budget. Domestically, the Warner Bros.

French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

The Splendour of Life” (“Une splendeur de vivre”) is set to start principal photography at locations across Canada and the Philippines, the producers revealed at the Cannes Film Festival. The ensemble cast includes Camille Rutherford (“Anatomy of a Fall”), Garance Marillier (“Raw”), Sue Prado (“Your Mother’s Son”), Kyrie Samodio (“Hito”) and Amaryllis Tremblay (“Genesis”). Set against a lush countryside backdrop, Marie (Rutherford) questions her relationship, while Noée (Marillier) grieves her father.

Elsa Keslassy International Correspondent Rolling off its buzzy world premiere at Cannes’ Un Certain Regard, Oscar-nominated Icelandic filmmaker Rúnar Rúnarsson’s poignant drama “When The Light Breaks” has sold to a raft of territories. Represented in international markets by The Party Film Sales, the movie has been picked up for Italy (Movies Inspired), Switzerland (Xenix), Norway (Arthaus), Denmark (Ost for Paradis), Finland (Cinemanse), Hungary (Vertigo), Greece (Cinobo), Israel (New Cinema), Poland (Aurora), Turkey (Bir Film) and Baltics (Estofilm).

Leo Barraclough International Features Editor Atoms & Void, the Netherlands-based production and sales company run by Sergei Loznitsa and Maria Choustova, has closed a French sale on Loznitsa’s most recent feature documentary “The Invasion,” which premiered on Thursday as a Special Screening in Cannes. Potemkine Films has taken all rights for France, while the film’s French co-producer ARTE France maintains its exclusive TV/VOD window.

Fundamental Films chairman Mark Gao and his CEO Ivy Hua are in Cannes to reconnect with the international industry as part of the Shanghai-based company’s return to international acquisitions and production.