Disney to Close Remaining Linear TV Channels in Southeast Asia and Korea

Patrick Frater Asia Bureau Chief The Bucheon film festival’s Network of Asian Fantastic Films project market wrapped up three days of meetings and pitching sessions on Monday with a prize ceremony that disbursed cash, post-production support and invitations to related genre film events. “The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other NAFF participants and the unanimous decision of the jury. The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star. A clearly-surprised Serrano used her second visit to the stage to explain the film’s origins as a deep frustration with seeing Filipina women stuck at the bottom of society and yet apologizing for their ambitions.

Patrick Frater Asia Bureau Chief Chinese mystery drama “Lost in the Stars” expanded in its second week on release and gave China its third biggest box office weekend of the year. The film earned $117 million, according to data from consultancy Artisan Gateway. That was significantly up from its opening weekend of $70.7 million (RMB502 million) a week earlier and enough to make it the second biggest film on the planet, behind “Indiana Jones,” according to Comscore. After two weekends on release, it has accumulated $320 million. “Lost in the Stars” is a Chinese adaptation of a 1990 Russian movie “A Trap for the Lonely Man,” which itself was adapted from a Robert Thomas stage play. It sees a woman disappear while on an overseas trip with her husband. Just as mysteriously, she reappears at the moment that the search for her is running out of steam. But the man refuses to accept that she is the same woman and believes that she is an imposter.

Patrick Frater Asia Bureau Chief Production is under way on a second season of lesbian drama “Fragrance of the First Flower,” an Asian drama series from Taiwan’s GagaOOLala. The first season, comprising six episodes that debuted in 2021, follows the life of Yi-Ming (portrayed by Lin ZaiZai), a married woman with a son, who finds herself reunited with Ting-Ting (played by Cheng Lyan), a girl from her past. Their encounter sparks a connection that opens the door to the possibility of escaping Yi-Ming’s monotonous married life. In season two, expanded to 12 episodes, Yi-Ming embarks on a new chapter as a newly divorced single mother and a career woman. This fresh start brings challenges as she navigates the hardships of single parenthood and societal pressures. Even though Taiwan has legalized same-sex marriage in 2019, this does not mean that LGBTQ+ relationships have been fully accepted in mainstream society. Yi-Ming grapples with whether she can truly follow her heart and pursue a life with Ting-Ting. The original cast will return and new characters will be introduced.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery will rebrand its kids’ TV channel Boomerang to Cartoonito in Southeast Asia, Taiwan and Hong Kong, with effect from July 28. The company said that the “switch is a result of positive feedback to the Cartoonito-branded block on Boomerang and Cartoon Network launched in 2022, and is focused on being more inclusive to pre-school aged viewers.” Sources close to the company explained that the move is “part of a big regional and global commitment by WBD to preschool content.” It follows Cartoonito rebrands and launches in other international territories including EMEA and LatAm.

Patrick Frater Asia Bureau Chief Pixar animation “Elemental” rose to the top of the South Korean box office over the latest weekend. It overtook “The Roundup: No Way Out” and kept new release “Spider-Man: Across the Spider-Verse” at bay, in third place. Released a week earlier, “Elemental” rose from second place to first and grew its revenue by 19% in its second frame. According to data from Kobis, the tracking service operated by the Korean Film Council, “Elemental” earned $3.86 million between Friday and Sunday for a 12-day cumulative of $9.47 million. “The Roundup: No Way Out,” which had dominated the sector for the previous three weekends, slipped to second position. It earned $3.34 million over the weekend, a 34% week-on-week decline. Since releasing on May 31, it has amassed $73.2 million, from 9.67 million ticket sales, by far the biggest haul of any film released this calendar year.

Patrick Frater Asia Bureau Chief KC Global Media, a leading multi-territory operator of linear TV channels in Asia, has sold Animax Korea to Aniplus, an Asian multinational television channel and anime distributor based in Singapore and South Korea. The deal “aims to elevate Animax Korea’s offerings while focusing on horizontally integrating its content across Aniplus’ platform and reach,” the companies said. The deal was agreed in April, but was subject to regulatory approvals. These have now been obtained. Deal terms were not disclosed. But sources close to the transaction suggest that it was valued at some KRW46 billion ($35.5 million).

Patrick Frater Asia Bureau Chief “The Twelve,” an award-winning Australian crime drama series, has been greenlighted for a second season. It is backed by the Foxtel group and its streaming brand Binge. The show follows a controversial murder trial seen through the lens of the jurors, twelve ordinary Australians who are facing their own realities and struggles. The first season received ten nominations, and won three AACTA Awards in 2022 including best miniseries. In recent days, it became the most nominated drama series at the 63rd TV Week Logie Awards. Season two of “The Twelve” will be eight 1-hour episodes written by Sarah Walker, Anchuli Felicia King, Anya Beyersdorf and Anna Barnes. Local authorities in Western Australia described it as the state’s “biggest-ever screen production,” but divulged no specifics on budget. Filming will take place in the Wheatbelt and Metropolitan regions and create over 100 local jobs, the state government said.

Patrick Frater Asia Bureau Chief Hong Kong action film “The White Storm: Heaven or Hell” will have its North American premiere at the New York Asian Film Festival, where it is a late addition to the line-up. The festival runs July 14–30, 2023 at Film at Lincoln Center (FLC). Directed by Herman Yau, the film sees Louis Koo, Aaron Kwok and Sean Lau (aka Lau Ching-wan) appear together for the first time. It is set in the ‘Golden Triangle’ region famous for drugs production and trafficking. Kwok plays an undercover cop who infiltrates a drug cartel led by a notorious Thai drug lord (Lau). In classic heroic bloodshed fashion, the two develop a bond of brotherhood. The cop’s only hope of escaping the treacherous jungle region and his ambiguous morality is to somehow contact the superintendent of the Hong Kong Narcotics Bureau, who has solemnly sworn to demolish the cartel once and for all.

Patrick Frater Asia Bureau Chief French pay-TV giant Canal+ is to take a significant minority stake in successful Asian streaming firm Viu. It could end up becoming its majority owner.

Patrick Frater Asia Bureau Chief NBCUniversal is to expand its One Platform advertising, technology, data and measurement system further into global markets through an alliance with international broadcast and tech partners. The move was announced on Tuesday at the Cannes Lions advertising convention in Cannes, France.International partners include Atresmedia from Spain, Bell Media from Canada, Channel 4 from the U.K., Mediaset from Italy, Seven West Media from Australia, Sky Media from the U.K., Italy and Germany, and Talpa from the Netherlands, TF1 Pub of France, Japan’s Tokyo Broadcasting Systems and Omnicom Media Group. “By bringing together leading local broadcasters and publishers across the world, NBCUniversal seeks to enhance the premium video ecosystem and build the foundation for greater industry advancement and collaboration at an international level, across data and identity, activation and automation, ad innovation, and measurement,” NBCUniversal explained in a statement.

Patrick Frater Asia Bureau Chief C CGV, a company that is one of the world’s top ten cinema exhibitors and is also a major cinema technology developer, is to raise close to $800 million in order to shore up its finances after a devastating COVID era. The company operates the largest cinema chain in its native South Korea and has significant numbers of screens in Vietnam, Indonesia, Turkey and mainland China, with smaller operations in Myanmar and the U.S. It also owns CJ 4DPlex, which developed the technology for films to be augmented with practical effects, including motion-seats, wind, strobe-lights, simulated-snow, and scents. In addition, its ScreenX system provides screenings that use the side walls of an auditorium to create a 270-degree sensory experience.

Patrick Frater Asia Bureau Chief Asia Satellite Telecommunications (AsiaSat), a leading operator of satellites, has moved into content distribution with the acquisition of Hong Kong- and U.K.-based TV distributor Lightning International. The diversification was described by AsiaSat as “a strategic move to expand the company’s services and extend its clients’ reach to global audiences through traditional and new distribution platforms including OTT and FAST.” AsiaSat is known to be acquiring 100% of Lightning International, but other deal terms were not disclosed.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery has announced three new Thai HBO Asia Originals: action-fantasy blockbuster “Khun Pan 3”; fun-filled cooking series “MarkKim + Chef” and reality series “Deane’s Dynasty.” The shows will be available exclusively to HBO and HBO GO in Southeast Asia, Hong Kong and Taiwan. Thai TV content is currently growing in popularity among Asian TV audiences and has recently been seen pioneering soft homo-erotic series known as the ‘Boys Love’ genre, that has appeal to mature female audiences. BL is conspicuously absent from the new additions to the HBO Go slate.  “Khun Pan 3” is the final instalment of the “Khun Pan” franchise and represents a journey from 1950 after World War ll, as sorcerer cop Khun Pan is persuaded to take on another dangerous mission. This time he is hunting down two bandits and uncovering a conspiracy that challenges everything, he believes in. 

Patrick Frater Asia Bureau Chief Korean blockbuster “The Roundup: No Way Out” suffered a 50% week-on-week decline, but it was still strong enough to see a pair of Hollywood newcomers. The third part of the Don Lee-starring Roundup franchise, “No Way Out” earned $5.16 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council. It accounted for a 42% share of the market and attracted 650,000 additional spectators.

Patrick Frater Asia Bureau Chief Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It deposed “Transformers: Rise of the Beasts” which opened a week earlier and which slipped to second place in its sophomore frame. “Transformers” took a 69% fall and recorded $12.4 million between Friday and Sunday in China. That produces a $61.7 million cumulative after ten days in Chinese theaters.

Patrick Frater Asia Bureau Chief “Sunday,” by Uzbekistan-based director Shokir Kholikov, was Thursday named best film in the Asian New Talent section of the 25th Shanghai International Film Festival. The Asian New Talent Awards are called Golden Goblet Awards, but are separate from the festival’s official competition section, and favor new and emerging talent. The main competition jury will hand out its Golden Goblets on Sunday. The best director prize in the Asian New Talent section was shared by two helmers: China’s Luo Dong won for “May.” So too did Kazakhstan’s Aisultan Seit for “Qash.” Luo previously attended the Shanghai festival’s project market ten years ago and has since completed one other film.

Patrick Frater Asia Bureau Chief “Killing Romance,” one of the most creative Korean films of the past year, has been set as the opening night title for the upcoming New York Asian Film Festival. The deliberately multi-genre picture tells the tale of a beautiful movie star with dubious acting skills (portrayed by Le Ha-nee) who suddenly quits the industry and retires to newly-married life that turns out to be anything but bliss. When she decides to return to acting she teams up with a fan and an absurd plot to kill her absurdly rich husband. The film is directed by Lee Won-suk who previously attended the NYAFF with his first film, “How to Use Guys With Secret Tips,” in 2013 and returned with his second feature, the big-budget period drama The Royal Tailor, which earned the audience award at NYAFF in 2015.

Patrick Frater Asia Bureau Chief Leading K-pop acts including Ateez, Cravity and (G)-Idle are set to perform at this year’s K-CON convention and concert series in Los Angeles. The convention returned as a live event in 2022 and attracted some 90,000 attendees to the Los Angeles Convention Center with two nights of concerts held at the adjacent Crypto.com Arena. The convention will again run for three days (Aug. 18-20), but the concert series will be expanded to run multi-act performances on all three nights. The performer full line-up will include: Ateez, Cravity, Everglow, (G) Idle, INI, Itzy, Ive, J01, Kep1er, Lapillus, Nmixx, Shownu x Hyungwon (Monsta X), Stray Kids, Taemin, Taemin, Taeyong, The Boyz, WayV, xikers, and Zerobaseone.

Patrick Frater Asia Bureau Chief Hungarian director and screenwriter Ildikó Enyedi brought some art-house royalty to the Shanghai International Film Festival this week with a masterclass that focused on her process and the struggle to maintain a unique voice. At one point in her on-stage discussion with Chinese director Zheng Dasheng, she called filmmaking “essentially a sole desperate cry, hoping to be heard by others.” Enyedi’s voice has certainly registered and been heard at Europe’s major film festivals. She won the Camera d’Or in Cannes in 1989 for best debut feature “My 20th Century,” saw her 1994 film “Magic Hunter” play in competition in Venice and she won the top prize Golden Bear in Berlin in 2017 with “On Body and Soul.”

Patrick Frater Asia Bureau Chief The Skip City International D-Cinema Festival, in Saitama, on the outskirts of Tokyo, will hold its 2023 edition with both in-person and online components, long after COVID, which necessitated such hybrid formats, has retreated. The festival, which sees itself as a gateway for emerging talent, and has operated since 2004, will hold its physical edition July 15-23 and its online from July 22- 26, organizers said on Wednesday. This year, the festival will begin with the world premiere of “Confetti,” which was produced to commemorate the 20th anniversary of the festival as well as the 90th anniversary of its Kawaguchi City base.