Disney+ Readies 20 Asia Titles for 2023-24 – Global Bulletin

Patrick Frater Asia Bureau Chief Tom Cruise has become a regular visitor to South Korea and, while his latest visit was more than a week ago, the impact of his efforts appeared to endure. His ‘Mission: Impossible – Dead Reckoning’ got off to the second strongest start at the Korean box office of any Hollywood movie released this year. The film grossed $9.75 million between Friday and Sunday, according to Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 60% market share, earned from some 2,400 screens. In its full opening five days (plus previews), it earned $14.2 million.

Patrick Frater Asia Bureau Chief Screen Producers Australia, an Australian guild, moved quickly on Friday to explain that wholly local film and TV productions, even if they involve Screen Actors Guild members, can continue to roll despite the SAG-AFTRA strike notice and order, which has been in place since midnight Pacific time. The English-speaking country has an oversize production and post-production sector, with much of it set up to service inbound foreign productions, sometimes known as “runaway productions.” Strike orders “will apply to some scripted TV and feature films produced in Australia. SPA anticipates that a limited number of scripted ‘offshore’ (i.e. non-Australian) productions will be affected by the strike, with cast and crew stood down while the strike continues,” the SPA notice says.

Patrick Frater Asia Bureau Chief Specialty distributor, Trinity CineAsia is releasing China’s summer blockbuster “Lost in the Stars” in the U.K and Ireland on some 30 screens from Friday. “I was fortunate to watch the film when it opened in China and once I saw it I just knew we had to have it,” said Cedric Behrel “‘Lost In The Stars’ is a very clever, uncanny thrill of a ride that harks back to classic Hitchcock and any noteworthy thriller since – the master himself had in fact once optioned the rights to the same story. We organized the fastest turnaround premiere known to man and we’ve been delighted by the reactions to the early previews. It epitomizes the best of what new Chinese cinema can bring to audiences.”

Patrick Frater Asia Bureau Chief Major Japanese studio Toho Co. has announced “Godzilla Minus One” as the title of the latest instalment in its “Godzilla” film franchise. The film will premiere in Japanese theaters on Nov. 4. A U.S. release is set a few weeks later, on Dec. 1. The company revealed an understated poster and a short but punchy teaser trailer. It suggests that an already-devastated postwar Japan faces a new threat in the form of Godzilla, an enormous, mutated kaiju. Directed by sci-fi and fantasy specialist Yamazaki Takashi, the picture is the first Japanese-produced “Godzilla” movie since 2016’s “Shin Godzilla.” The previous picture topped the Japanese box office, earning JPY25 billion ($181 million at current exchange rates).

Patrick Frater Asia Bureau Chief Sakamoto Ryuichi, the Japanese film composer and music supervisor who died in March, has been posthumously named as the recipient of the Jecheon Film Music Award at the 19th Jecheon International Music & Film Festival (Aug. 10-15). Sakamoto won Academy Awards and Golden Globes for his score for “The Last Emperor” and has other credits including “The Sheltering Sky,” “Railroad Man,” “The Revenant,” “Call Me By Your Name” and “The Fortress.”Abrai Joji from Commons the music label established jointly with Sakamoto, and Yutaka Toyama from Promax, which had produced Sakamoto’s concerts since 1986, will visit the festival. Additionally, a tribute concert will be held on Aug. 12 at the Jecheon Stadium.

Patrick Frater Asia Bureau Chief Wanda Investment, a subsidiary of the privately-owned Chinese property giant Dalian Wanda, has sold an 8.3% stake in Wanda Film Holding for RMB2.2 billion ($306 million). Wanda Film, which is listed on the Shenzhen stock exchange, operates China’s largest circuit of multiplexes and retains a stake in Hollywood producer Legendary Entertainment (“Dune”). The buyer is Lu Lili, the wife of Shen Jun, the controller of East Money Information, a financial data platform, Wanda Film said in a regulatory filing this week. The share sale appears to be a move to raise finance for Dalian Wanda and Wang Jianlin, the politically-connected former army officer who built one of China’s largest property empires and from 2012 mounted a seven-year campaign to own a large chunk of Hollywood.

Patrick Frater Asia Bureau Chief Korean star Park Eun-bin is confirmed to lead Netflix’s upcoming series “Castaway Diva,” set to premiere in late 2023. Park previously starred in “Extraordinary Attorney Woo,” the hit series that featured in Netflix’s non-English global top ten chart for 21 weeks and reached the top ten titles in 57 countries. In the new series, Park brings to life the character of Seo Mok-ha, an aspiring singer turned castaway who, after being stranded on a deserted island for 15 years, commences her journey to become a diva. Joining her are renowned actors Kim Hyo-jin, Chae Jong-hyeop, Cha Hak-yeon, and Kim Joo-hun. Kim Hyo-jin portrays a once-popular singer who is the idol of Seo and who seeks a new lease of life after encountering her fan from the island.

Patrick Frater Asia Bureau Chief ITN Distribution has picked up distribution rights in North and Latin America for the live action fantasy epic, “Fight For Freedom” from Incredible Film. The completed film, which is also available as a 5×30 mins. mini-series, is a live action fantasy epic about Friesland’s greatest hero known as Grutte Pier. Fabled Frisian freedom fighter, Peer Gerlofs Donia, is a gentle giant who turns into a blood-thirsty, revenge-driven killer when his family is brutally murdered. His quest for revenge forges him into a beacon for his people as he becomes their leader in a fight for independence. The film is directed by Steven de Jong.

Patrick Frater Asia Bureau Chief

Patrick Frater Asia Bureau Chief Smash hit Japanese animation feature “The First Slam Dunk” is set to be the first film theatrically released by newly-launched Australian distribution and New Zealand licensing firm Sugoi Co. The company is headed by Tim Anderson, founder and former CEO of Madman Entertainment, the Australian indie with a strong leaning for Japanese content, and Sylvester “Sly” Ip. The pair made an announcement on Twitter and conducted a soft launch at the recent Anime Expo in Los Angeles. “The First Slam Dunk. Coming soon to cinemas across Australia. Follow us for full release and ticket info,” said Sugoi Co on Twitter.

Patrick Frater Asia Bureau Chief Netflix has acquired Nippon TV’s upcoming already completed rom-com drama “Turn to me Mukai-kun.” The series explores the story of a man who has lost touch with the intricacies of a relationship, a universal theme for anyone unlucky in love, or in search of that special someone. The series will stream on Netflix Japan starting Wednesday, immediately after Nippon TV’s Wednesday primetime air slot, with global streaming of the series to follow on all Netflix outlets. Hulu Japan, which is owned by Nippon TV, will also stream the series immediately after the Japan terrestrial and cable broadcast.

Patrick Frater Asia Bureau Chief Pixar animation film “Elemental” expanded further at the South Korean box office in its fourth weekend of release, giving the film its third weekend triumph in four weeks of release. “Mission: Impossible – Dead Reckoning Part One” took third place from preview screening ahead of its official release on Wednesday. “Elemental” earned $6.11 million between Friday and Sunday, according to data from Kobis, the box office tracking service operated by the Korean Film Council (Kofic). That represented a 14% increase on its previous weekend performance and was the best of its four weekends so far. It also increased its market share to 49%, also its strongest market position, despite only adding a handful of additional screens.

Patrick Frater Asia Bureau Chief Toho International, an offshoot of the storied Japanese film and TV giant Toho, is to launch twin e-commerce sites serving the growing legion of North American fans of Japanese pop culture. One platform is specific to the Godzilla brand. The other, iiZO, will cater to a wider range of anime fans who will be served with original Japanese merchandize. The moves are being headed by Kristin Parcell GM at Toho International, and her U.S.-based team who joined the firm from Crunchyroll at the end of last year. They foresee the twin initiatives as a business with $100 million of revenue within a few years. Their in-house operation comprises anime and “Godzilla” brand experts, and also includes specialist in merchandizing, buying and fashion. The sites go live at unspecified dates this summer.

Patrick Frater Asia Bureau Chief The great Choi Min-sik was on hand to take early headlines at the Bucheon International Fantastic Film Festival (BiFan). Described somewhat blandly as “a highly reliable performer” by the Korean Film Council (KOFIC), Choi is not only the star of Korea’s top grossing film of all time “The Admiral: Roaring Currents,” he continues to be available for work of all different levels. He appears in no less than ten titles that played at the festival this week. The festival also does reliable — in its own way – as it plays up to its “stay strange” mantra, cooperates with other festivals of a similar fantasy leaning and sidesteps the political infighting that currently bedevil Korea’s best-known festivals.

Patrick Frater Asia Bureau Chief Sky and Warner Bros. Discovery have announced a renewal of their multi-year content and platform agreement in New Zealand, securing Sky as the continuing home of HBO, Max Originals, Warner Bros. and Discovery. WBD says that the deal keeps open its options on how and when to launch the HBO Max streaming service in the country. The agreement includes a continuation of Warner Bros. Discovery’s eight channel portfolio (Discovery, Discovery Turbo, Living Channel, TLC, ID, Animal Planet, Cartoon Network and CNN International); current and future seasons of HBO series such as “House of The Dragon,” “The Last of Us” and The White Lotus; returning series “True Detective: Night Country,” “Euphoria” “Game of Thrones,” “Sex & The City,” “Chernobyl”; Max Original series including “Peacemaker” and “The Flight Attendant,” future Warner Bros. blockbuster movies and a library titles including the “Harry Potter,” “Lord of the Rings” and “DC Universe” movies.

Patrick Frater Asia Bureau Chief Manta, one of the leading platforms for subscription-based digital comics, has unveiled plans to launch more than ten original cartoon series through the third quarter of 2023. The company, which is owned by Korea’s RIDI Corporation, launched in 2020 and has become the number one comics app on Google Play in certain territories including the U.S., Mexico and Spain.Webtoons are a made for mobile genre of comics, that have become yet another Asian entertainment category that is having fast-growing international success. Many webtoons offer vertical scrolling, opportunities for new creators and content that is immediately available in multiple languages.

Patrick Frater Asia Bureau Chief Korean production and distribution company SLL is riding high on the current box office success of “The Roundup: No Way Out,” the only local film this year to sell more than 10 million tickets. In the larger TV production division, it is breathing a sigh of relief with the successes of “Doctor Cha” and “The Good Bad Mother,” shows which have achieved huge local ratings and placed in Netflix’s Global non-English Top 10 charts. For the company, which rebranded last year from JTBC Studio, and which acquired U.S. producer wiip, the renewed popularity of its shows represents something of a rebound after “the underperformance of JTBC dramas in 2022.”

Patrick Frater Asia Bureau Chief The Bucheon film festival’s Network of Asian Fantastic Films project market wrapped up three days of meetings and pitching sessions on Monday with a prize ceremony that disbursed cash, post-production support and invitations to related genre film events. “The Passport,” a Tamil- and English-language Malaysian project about an Indian rockstar who is forced to confront cultural expectations and her interactions with an imaginary friend, won the headline Bucheon Award for director Ananth Subramanian and producer Bel Choo Mun. It was both a popular choice among other NAFF participants and the unanimous decision of the jury. The numerical winner was “Please Bear With Me,” which saw director Gabriela Serrano and producer Gale Osorio from the Philippines collect three prizes. The project is a sci-fi and social issues mash-up about a call center operative who gets paid in dream-time and uses it to relive her glory days as a pop star. A clearly-surprised Serrano used her second visit to the stage to explain the film’s origins as a deep frustration with seeing Filipina women stuck at the bottom of society and yet apologizing for their ambitions.

Patrick Frater Asia Bureau Chief Korean tech firm CJ 4DPLEX has struck a deal with Thailand’s Major Cineplex to add two ScreenX locations in Cambodia and Thailand. One will be located at the AEON Mall Mean Chey, have almost 500 seats and have a 75-foot-wide central screen, making it the largest ScreenX auditorium in Southeast Asia. The other will be at Bangkok’s ICONSiam Mall location, debuting on July 27. ScreenX is a multi-projection system with an immersive 270-degree field of view. That creates a virtual reality-like setting with cinema quality resolution. Major’s first ScreenX launched in 2022 at its Siam Paragon location in central Bangkok.

Patrick Frater Asia Bureau Chief Pixar animation film “Elemental” expanded at the South Korean box office in its third weekend of release and easily bested new release title “Indiana Jones and the Dial of Destiny.” “Elemental” earned $5.27 million between Friday and Sunday, according to data from Kobis, the box office tracking service operated by the Korean Film Council (Kofic). That represented a 38% increase on its previous weekend performance and was the best of its three weekends so far. It also increased its market share to 39%, also its strongest market position, despite only adding a handful of additional screens. After 19 days on release, “Elemental” has amassed $16.9 million from 2.25 million spectators.