Disney Pixar’s ‘Inside Out 2’ Poised To Be Highest Opening Of 2024 YTD With $80M-$85M – Box Office Early Look

After the overperformance of Sony’s Bad Boys: Ride or Die, summer’s big wheels keep on turnin’ as Disney/Pixar‘s Inside Out 2 is looking at what could be the biggest stateside opening of the year to date with $85M, and another $50M abroad for a $135M global launch.

The stars of the new Disney and Pixar movie Inside Out 2 stepped out for the L.A. premiere!

Rebecca Rubin Senior Film and Media Reporter “Inside Out 2” should evoke an emotion that Pixar hasn’t felt about the box office in years: Joy. The follow-up film to 2015’s cerebral hit “Inside Out” is estimated to score a stellar $80 million to $90 million in its box office debut. If projections hold, it’ll overtake “Dune: Part Two” ($82.5 million) and “Godzilla x Kong: The New Empire” ($80 million) as the biggest opening of the year.

Patrick Frater Asia Bureau Chief “Bad Boys: Ride or Die,” a hit in multiple other markets worldwide, crashed on its first lap at the South Korean box office. It failed to make even $1 million in on its opening weekend. Instead, “Wonderland,” a sci-fi fantasy about Artificial Intelligence, took the top spot over the weekend.

opened with an estimated $56 million in theaters over the weekend, handing Hollywood a much-needed summer hit and Smith his biggest success since he slapped Chris Rock at the Academy Awards.Expectations were all over the map for “Ride or Die” given the dismal moviegoing market thus far this summer and Smith’s less certain box-office clout. In the end, though, the Sony Pictures release came in very close to, or slightly above, its tracking forecast.“Ride or Die,” produced by Jerry Bruckheimer and directed by Adil El Arbi and Bilall Fallah, is Smith’s first theatrical test since his 2022 slap of Rock earned him a 10-year Oscar ban.

In a global box office that’s still licking its wounds from the strike, here’s something to scream about: Godzilla x Kong: The New Empire is the highest grossing movie in the Legendary and Warner Bros Monsterverse franchise at $570M around the world.

Refresh for latest…: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.

With the unofficial beginning of summer — Memorial Day — come and gone, the season has entered full swing. Several of the summer weekends will be crowded at the box office with sometimes three releases competing on similar dates. With action films like Bad Boys: Ride Or Die, A Quiet Place: Day One and Twisters taking us through July, some animated adventures like Inside Out 2 and Despicable Me 4 will provide fun for whole families.

While June — and the summer as a whole — is slightly light on major blockbuster events, plenty of independent and arthouse features are making their way to theaters. “Inside Out 2” is likely the most significant release based on Pixar‘s tried and true strength at the box office, with “A Quiet Place: Day One” being another contender.

John Hopewell Chief International Correspondent Seriesmakers, twinning Series Mania, Europe’s biggest TV fest, and European film-TV powerhouse Beta Group, is opening up its selection criteria to embrace directors of box office smashes or hits at festivals beyond “A” list events. Launching 2022 as a project-based mentorship program for film directors aiming to become TV series creators, Seriesmakers has fast consolidated as one of Europe’s top-notch training facilities. “Game of Thrones” producer-director Frank Doelger, “Babylon Berlin” producer Stefan Arndt, Ron Leshem (“Euphoria,” “No Man’s Land”) and “Narcos” creator Chris Brancato featured as speakers at its 2023-24 edition.

Lately, the news over at Pixar has been more about cost-cutting and focusing on established brands. Not necessarily the stuff you’d hope to see from one of the most creative studios on the planet.

Patrick Frater Asia Bureau Chief “Furiosa: A Mad Max Saga” maintained a narrow win at the South Korea weekend box office in its second week of release. The highest new release was local crime drama “The Plot.” Total weekend revenues in Korean cinemas were a modest $8.91 million. That figure keeps a post-COVID recovery on course, but progress is slow and incomplete.

dominated once again by Sony’s “The Garfield Movie,” Warner Bros.’ “Furiosa: A Mad Max Saga” and a slew of holdovers.Flipping the script from their Memorial weekend openings, the animated orange cat crept ahead of the wasteland warrior in their second outing.“The Garfield Movie” earned a chart-topping $14 million in ticket sales while “Furiosa” settled into third place in a close race with “IF,” according to studio estimates on Sunday.Both “IF” and “Furiosa” are estimated to have earned $10.8 million, with “IF” getting the slight edge.“Garfield” fell only 42% in its second weekend in North America. It also topped the global box office adding $27 million from international territories, bringing its running worldwide to $152.2 million.The animated pic featuring the voice of Chris Pratt will essentially have the market to itself until “Inside Out 2” arrives on June 14.“Furiosa,” meanwhile, fell 59% from its first weekend, adding just under $10.8 million from 3,864 locations in the U.S.

Joey King is reuniting with her co-star Patricia Arquette!

Coming on to direct the sequel of an Oscar-winning animated feature is a daunting prospect, but luckily Kelsey Mann had producer Mark Nielsen to help with Inside Out 2. Having worked as an associate producer on the original Inside Out, Nielsen was thrilled when Pete Docter, who directed the original, suggested he work with Mann on the sequel.

Patrick Frater Asia Bureau Chief Having received a rapturous reception a week earlier in Cannes George Miller’s “Furiosa: A Mad Max Saga” grabbed a more muted win at the South Korean box office. “Furiosa” opened with $3.35 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a 39.5% share of the weekend’s total cinema-going market.

according to The Numbers.The Post called the movie, which is both a spin-off and prequel to 2015’s “Mad Max: Fury Road” and stars Anya Taylor-Joy and Chris Hemsworth, “a brutal, exhilarating quest for revenge.”Since it is expected to earn between $31 and $33 million over the four-day holiday weekend, it appears that “Furiosa” will take the title of lowest Memorial Day opening in 41 years, according to Deadline.“The Garfield Movie,” which also opened on Friday, landed in second place with $8.4 million in sales.The New York Times called the animated adventure comedy “an inert adaptation that mostly tries to skate by on its namesake.”The character of Garfield is voiced by Chris Pratt, which the New York Times also bashed as “an overly spunky casting choice that was doomed from the start.”The live-action fantasy comedy “If,” which was in first place last Friday, its first day in theaters, took third place, with earnings of $4.3 million.The movie, which centers around a young girl who sees others’ imaginary friends, marks the first time real-life husband and wife Blake Lively and Ryan Reynolds starred in the same movie since 2011’s “Green Lantern.”Disney’s “Kingdom of the Planet of the Apes,” which was in second place last week, slid down to fourth, with a $3.4 million take.The action comedy “Fall Guy,” which was in fourth place last week, moved down a notch to fifth, taking in $1.6 million.

Patrick Frater Asia Bureau Chief Fresh from its Cannes premiere George Miller’s “Furiosa: A Mad Max Saga” dashed into the lead at the South Korea cinema box office. In doing so, it deposed “The Roundup: Punishment,” the local crime actioner that has dominated Korean cinemagoing for the past month. “Furiosa” earned $575,000 from 75,400 ticket sales on Wednesday, giving it a Korean total of $597,000, including a sprinkling of preview showings, according to data from the Kobis tracking service that is operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Local blockbuster, “The Roundup: Punishment” extended its dominance of the South Korea theatrical box office for a fourth weekend. That lifted its cumulative total to a powerful $75 million. “Punishment,” the fourth part of a brutal action comedy film franchise produced by and starring Don Lee (aka Ma Dong-seok), earned $3.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (KOFIC).

according to The Numbers.The Post called the movie, which has Ryan Reynolds as its leading man, “a schmaltzy family flick that makes less sense the more you think about it.”It is slated to earn $31.5 million this weekend, which is a staggering $10 million less than was originally predicted, according to Screen Rant.Disney’s “Kingdom of the Planet of the Apes” came in second, with $6.8 million in sales. This is a 70% departure from its earnings on May 10, its opening day, Variety reported.The sci-fi flick, a sequel to 2017’s “War for the Planet of the Apes,” “continues this damn dirty science-fiction franchise’s reign as one of the best out there,” according to The Post.Landing in third was “The Strangers: Chapter 1” with a $5.1 million take.The horror film is centered around a young couple stranded in a remote town and forced to stay in an Airbnb where they are terrorized by three masked strangers.Its director, Renny Harlin, who was at the helm of “Die Hard 2,” “Deep Blue Sea” and “A Nightmare on Elm Street 4,” already completed parts two and three of the trilogy.