Box Office: ‘Inside Out 2’ Aims to Reverse Pixar’s Woes With $85 Million Debut

Naman Ramachandran Indian sci-fi epic “Kalki 2898 AD” made a third place debut at the worldwide box office in a weekend led by “Inside Out 2” and “A Quiet Place: Day One.” Disney’s “Inside Out 2” collected $165 million worldwide, including $57.4 million in North America, in its third weekend of release and now has crossed a $1 billion gross, according to numbers from Comscore. Paramount’s “A Quiet Place: Day One” debuted with $98.5 million, including $53 million in North America, releasing across 60 territories.

Patrick Frater Asia Bureau Chief “Inside Out 2” enjoyed another stellar second weekend at the South Korean box office, and again led from local thriller “Hijack 1971.” But unlike in the previous session, the pair of frontrunners did not have the field to themselves. Local title “Handsome Guys” opened in third place and “A Quiet Place Day One” fourth. with respectable numbers “Inside Out 2” recorded a week-on-week drop of 31% to score $7.09 million between Friday and Sunday, according to data from Kobis the box office tracking service operated by the Korean Film Council (Kofic).

Refresh for latest…: Paramount’s A Quiet Place: Day One not only set a domestic opening record for the franchise, it also did it at the international box office. Of the $98.5M global start, $45.5M is from 59 overseas markets, well exceeding expectations.

Patrick Frater Asia Bureau Chief “Inside Out 2” enjoyed a stellar second weekend at the South Korean box office, comfortably beating local thriller “Hijack 1971.” The Pixar animation recorded a week-on-week drop of only 15% to score $10.3 million between Friday and Sunday, according to data from Kobis the box office tracking service operated by the Korean Film Council (Kofic). Its market share through the weekend was a powerful 70%. Those performances give the film a $28 million cumulative after 12 days in Korean cinemas.

The Numbers reported.The story, a sequel to 2015’s “Inside Out,” centers around a 13-year-old dealing with her new emotions of Anxiety, Envy, Embarrassment and Ennui, which are all characters in the film.It already took home the title of highest earning film of 2024 so far, surpassing “Dune: Part Two,” which was released in March. “Inside Out 2’s” earnings domestically are already $285.7 million, which beat the sci-fi flick, which took in $282 million, according to Variety.It also has the potential to surpass “The Super Mario Bros.

Whoever wrote that the theatrical business is dead may want to run a correction as Disney/Pixar’s Inside Out 2 is potentially headed to a historic second weekend for an animated movie, topping Illumination/Universal’s Super Mario Bros Movie‘s $92.3M.

Sources tell us that Disney/Pixar‘s Inside Out 2 is heading for a near $30M Wednesday — as big, if not bigger than its $29.1M Tuesday, which was a record for an animated movie. Disney had no comment.

Patrick Frater Asia Bureau Chief Pixar’s “Inside Out 2” leaped to a crushing first place debut at the South Korean box office on its opening weekend. The American animation film earned $12.3 million from 1.75 million ticket sales between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over the five days since its Wednesday debut, it accumulated $14.7 million and 2.08 million ticket sales.

The Numbers reported.A sequel to 2015’s “Inside Out,” it chronicles a teenager’s journey with four new emotions — Anxiety, Envy, Ennui and Embarrassment, which are all also animated characters in the movie. The Post called the film “nice, but not as good as the original.”It is projected to enjoy an up to $100 million domestic opening weekend, which could make it the highest grossing movie of 2024 so far, according to Forbes.“Bad Boys: Ride or Die,” which was No.

Inside Out,” with a voice cast led by Amy Poehler, which returned it to the inventive glory days of “Toy Story” and “Ratatouille.” Almost a decade later, Pixar’s crisis is now existential. Its fortunes at the box office have plummeted, the movies often stink, it’s been forced to lay off staffers and is quickly losing its once-dictatorial grip on American childhoods.

“Hey, kids! Let’s go to the multiplex and check out that animated movie about a moderately talented teenage girl trying out for a place in a slightly older ice-hockey team,” said practically no American parent to the delight of their children ever. Yet this is the path that Pixar have chosen for the sequel to 2015’s Inside Out, a twee but nevertheless thoughtful film that sought to sort out the jumble of emotions inside an 11-year-old girl’s mind as she adapted to life in a strange new city. This time round, our heroine is settled in, facing another less seismic yet much more personal change when she is forced to choose between doing what might be best for her, long-term, and doing what (in the movies, at least) is right.

After the overperformance of Sony’s Bad Boys: Ride or Die, summer’s big wheels keep on turnin’ as Disney/Pixar‘s Inside Out 2 is looking at what could be the biggest stateside opening of the year to date with $85M, and another $50M abroad for a $135M global launch.

Will Smith’s latest movie Bad Boys: Ride Or Die has been a box office success in its opening weekend.The fourth instalment in the buddy cop action franchise Bad Boys, and sequel to 2020’s Bad Boys For Life, arrived in US theatres on June 6.Reuniting Smith and Martin Lawrence, and marking Smith’s second return to the silver screen following the infamous Oscars slap incident in 2022, the film was positively received.Alongside generally favourable reviews, the film amassed $56million at the domestic box office, and $104.6million globally. However, in a two-star review, NME criticised the film’s subplots, writing: “As the film’s title hints, Marcus also has a bizarre thing where he believes he can’t die … Needless to say, this irritating idea resurfaces time and again, to diminishing returns.”Compared with other major releases this summer, the film, which also stars Eric Dane and Vanessa Hudgens, was a close second to Kingdom Of The Planet Of The Apes in its domestic launch, which garnered an impressive $58million.Ride Or Die, which had a budget of $100million also had a successful opening weekend globally, collecting $19.3million in Europe, and reportedly setting franchise records in the Middle East and Latin America, according to The Hollywood Reporter.The first film in the Bad Boys franchise was released in 1995, and featured Lawrence and Smith as Miami narcotics detectives Mike Lowrey and Marcus Burnett.

opened with an estimated $56 million in theaters over the weekend, handing Hollywood a much-needed summer hit and Smith his biggest success since he slapped Chris Rock at the Academy Awards.Expectations were all over the map for “Ride or Die” given the dismal moviegoing market thus far this summer and Smith’s less certain box-office clout. In the end, though, the Sony Pictures release came in very close to, or slightly above, its tracking forecast.“Ride or Die,” produced by Jerry Bruckheimer and directed by Adil El Arbi and Bilall Fallah, is Smith’s first theatrical test since his 2022 slap of Rock earned him a 10-year Oscar ban.

Bad Boys: Ride or Die is riding high!

Rebecca Rubin Senior Film and Media Reporter Turns out, Bad Boys are good for ticket sales. Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut.

Rebecca Rubin Senior Film and Media Reporter “Bad Boys: Ride or Die” surpassed the $100 million mark globally in its first weekend of release. The fourth installment in Sony’s buddy cop comedy series, starring Will Smith and Martin Lawrence, has collected $104.6 million, including $48.6 million at the international box office. Moviegoers have embraced Smith’s first major film since he assaulted Chris Rock on stage at the 2022 Oscars, though it helped that he returned to theaters with a franchise that has endured over 30 years.

Refresh for latest…: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.

The Numbers reported.The action comedy, which The Post called “mediocre,” is slated to bring in a total of $53 million this weekend, according to Variety.The sum pales in comparison to its predecessor, 2020’s “Bad Boys for Life,”which enjoyed a $62.5 million opening domestically, as per The Hollywood Reporter. “Bad Boys: Ride or Die” marks Smith’s first film since he slapped Chris Rock at the 2002 Oscars, and The Post said the actor was “completely dead behind the eyes,” in the flick.The supernatural horror “The Watchers,” starring Dakota Fanning, landed in second, with earnings of $2.9 million.The film, which was adapted from a 2022 novel by A.M.

J. Kim Murphy The boys are back in town. Sony and Columbia’s “Bad Boys: Ride or Die” got off to a solid start at the box office with $21.6 millionfrom 3,885 locations across Friday and preview screenings.