EXCLUSIVE: Jordana Brewster and Devon Sawa are boarding Spyglass‘ original horror rom-com, Heart Eyes, which is currently in production in New Zealand.
08.06.2024 - 09:39 / variety.com
Siddhant Adlakha “Diane von Furstenberg: Woman in Charge” makes the case for artistic simplicity, for better or worse. The story of an iconic 20th-century fashionista, it takes the form of a traditional talking-head documentary while exploring its eponymous subject: the Belgian designer and princess best known for bringing the wrap dress to prominence in the early 1970s.
However, the distinction between von Furstenberg’s sleek, form-fitting design and the movie’s run-of-the-mill aesthetic is that while both approaches are in wider conversation with their respective art forms, von Fustenberg’s (re)invention went against society’s grain in its reclamation of femininity, while the visual approach from directors Sharmeen Obaid-Chinoy and Trish Dalton remains shackled to age-old ideas of what a documentary ought to be. The film is often informative, but makes for a passively entertaining watch despite the sheer of breadth of life von Furstenberg has lived.
She speaks, softly but with conviction, about the value of every kind of experience she’s had, and how grateful she is for having aged — a simple notion that feels practically punk when it comes to how Hollywood’s cameras tend to treat older women. In this regard, Obaid-Chinoy and Dalton meet her on her wavelength, and refuse to avert their gaze from her wrinkled complexion; they make the 77-year-old grandmother look as gorgeous and radiant as she feels.
However, as von Fustenberg narrates her story, from her mother’s survival at Auschwitz, to her various marriages and flings, a sense of narrative lethargy sets in, thanks to the movie’s standardized MO. It’s quick to employ old photographs, which shimmy into frame backed by colorful designs until the screen resembles a
.EXCLUSIVE: Jordana Brewster and Devon Sawa are boarding Spyglass‘ original horror rom-com, Heart Eyes, which is currently in production in New Zealand.
Katy Perry is enjoying some downtime with her celeb pals while in Paris for fashion week!
Some very fashionable celebrities stepped out for the Christian Dior Haute-Couture autumn/winter 2024/2025 fashion show during Paris Fashion Week on Monday (June 24).
Danish film and TV company Zentropa, the more recent credits of which includeNikolaj Arcel’s historical drama The Promised Land and Lars Von Trier’s drama The Kingdom, is moving into documentary.
Elon Musk welcomed a third child with Neuralink executive Shivon Zilis, and he just confirmed the news amid reports that they kept the baby’s identity a secret from the world.
So many stars were in the audience for the Loewe Menswear Spring/Summer 2025 show during Paris Fashion Week on Saturday (June 22).
When veteran documentary filmmaker Irene Taylor met Celine Dion via zoom in Winter 2021 about the prospect of doing a docu chronicling her life and career she had no idea where this would ultimately take both the subject and the director. In fact she confessed she wasn’t really a fan, not familiar with Dion’s personal story or celebrated career selling over 250 million albums or anything else about her. She only knew a few of the hit songs she had. But they bonded anyway. The director had done many Emmy winning and Oscar nominated movies about Boy Scouts to trees to deafness to Polio, but nothing in this realm, and it certainly has turned into a film it did not start out to be, that neither expected, but now will be shared with the world when it premieres on Prime Video June 25.
Diane von Furstenberg climbs atop the bathroom counter, plants her bare feet in the washbasin and assesses herself in the mirror. She runs her hands through her tangle of curls, then uncaps some foundation and applies it to her face. Her uniform: a simple white nightshirt.
Owen Gleiberman Chief Film Critic Overflowing with insight; stuffed with bracing interviews and anecdotes and archival footage; as bursting with flavor as a baked ziti; and as immersive, in its way, as the show itself, “Wise Guy: David Chase and the Sopranos” is Alex Gibney’s sensationally artful and engrossing two-hour-and-40-minute documentary about the greatest show in the history of television. If you’re a fanatic for “The Sopranos” (and who isn’t?), you probably already know a fair amount about how the show came to be, and “Wise Guy,” for a while, treads familiar ground.
K.J. Yossman Diana Kruger and Jo Joyner are set to lead a new psychological thriller titled “Little Disasters” at Paramount+ U.K. and Ireland.
Diane Kruger (Troy, Inglourious Basterds) and Jo Joyner (The Wives, For Her Sins) will lead Paramount+ UK & Ireland’s latest drama series, Little Disasters.
Ariana Madix and Katie Maloney had a very special visitor at Something About Her!
“I was having a man’s life in a woman’s body,” Diane von Furstenberg, famous Belgian fashion designer and businesswoman, says more than once in the new Hulu documentary. It’s a weird sentiment to say in a doc about female trailblazing empowerment, agency, and freedom, but one supposes it fits for the era when women’s lib was thriving, but perhaps not every woman was reaping its benefits.
The Hollywood Reporter, she considered it, thinking: “‘Well this is something I can tell my grandchildren about.'”“Obviously she told them anyway.”Per the review, the documentary then cuts to von Furstenberg’s “grown granddaughter saying that turning those two down at the height of their fame was a ‘really epic’ move.”Von Furstenberg’s documentary premiered at the Tribeca Film Festival on June 5. It debuts on Hulu June 25.In it, the Belgian fashion designer talks about splitting from husband Prince Egon von Furstenberg of Germany in 1983 after 14 years of marriage.“Divorce for me was freedom,” she says in the doc, per THR.Von Furstenberg also looks back on partying at the iconic New York City nightclub Studio 54 when she became single.“I was with Warren Beatty and Ryan O’Neal on the same weekend,” she recalls.
Diane von Furstenberg, a name synonymous with elegance, reinvention, and resilience, finds herself once again in the spotlight with the Tribeca Festival premiering the documentary Diane von Furstenberg: Woman In Charge. Directed with a keen eye for the intricacies of an extraordinary life by Sharmeen Obaid-Chinoy and Trish Dalton, the film offers an intimate portrait of a woman who transformed not just fashion, but the concept of feminine power and independence.
Diane von Furstenberg is premiering her new documentary during the opening night of the 2024 Tribeca Film Festival!
The iconic creator of the wrap dress – which turns 50 this year — Diane von Furstenberg early on in a new doc about her tumultuous, inspiring life, loves and career, strokes her face insisting she loves her wrinkles. “Don’t ask me how old I am. Ask me how long I’ve lived.” In a Q&A with Gayle King after the world premiere of Diane von Furstenberg: Woman In Charge, she had a change of heart.
There have been plenty of documentaries about fashion designers in the past. Much like rock stars, fashion designers are creative types that always find themselves in interesting stories.
It is a sad state of affairs in Hollywood when you can have such talented actors as Diane Keaton, Kathy Bates and Alfre Woodard, but the best you can do is stick them in boomer-baiting forgettable comedic contrivances like Summer Camp, the latest in a long line of movies for Keaton, who also is a producer on it, in which she is cast with female peers of similar age to mix slapschtick with attempted pathos and senior romance. It is the kind of formula you can sell with a simple pitch: Take three beloved septuagenarian Oscar winning and nominated stars and send them back to the summer camp where they bonded as kids. Hilarity and hijinks ensue, along with giving each a later-in-life regret or dead husband to add a bit of drama to the proceedings. Bingo! The mid-week matinees will be sellouts!
Tomris Laffly It happens to many of us above a certain age. You wake up one day, and realize that your life involves neither your childhood besties, nor the carefree bliss you once took for granted. With that in mind, Castille Landon’s wearisome comedy “Summer Camp” ponders, what if there was a way to awaken our inner child and reestablish our priorities later in life through some fun and play? It’s surely a worthy enough premise for a good time, but one “Summer Camp” squanders through dull jokes, an uninspiring story without any real stakes and an overall phony feeling that the film can’t shake.