'Diana told me the monarchy was too distant - William is intent on changing that'

Russian leader Vladimir Putin has seen his State TV channel experience a humiliating primetime hack, in which millions of his people were warned “the hour of reckoning has come.” 

Zack Sharf Digital News Director SPOILER ALERT: This story discusses the ending of “Mission: Impossible – Dead Reckoning Part One,” currently playing in theaters. “Dead Reckoning,” the seventh installment of the “Mission: Impossible” franchise, is the latest Hollywood blockbuster to be split into two movies, but Tom Cruise and writer-director Christopher McQuarrie tried their hardest to give “Part One” a non-cliffhanger conclusion. The filmmaker recently told Total Film magazine that thinking about how to conclude the first of two movies kept Cruise up at night during the filming of “Part One.” “Where we ended the movie was always where we were going to end it,” McQuarrie said of the train action sequence. “How we ended the movie was a big, big mystery for us. It kept Tom awake at night throughout production. He would come in all the time and say, ‘This can’t be a cliffhanger, it’s got to be satisfying.’ The audience has to feel a sense of completion.”

Todd Spangler NY Digital Editor The FTC is looking into whether OpenAI, the developer of the artificial-intelligence chatbot ChatGPT, “engaged in unfair or deceptive privacy or data security practices or engaged in unfair or deceptive practices relating to risks of harm to consumers, including reputational harm,” according to a letter the regulatory body sent to the company. The agency’s probe into OpenAI was first reported by the Washington Post, which shared a redacted copy of the letter to the company (at this link). The time period for the FTC’s information requests to San Francisco-based OpenAI date from June 1, 2020, “until the date of full and complete compliance” with the investigation, which is technically called a “civil investigative demand” (CID).

Timothée Chalamet was born to play Willy Wonka.

Prince George might only still be a kid, but his future within the Royal family has already been mapped out for him as second-in-line to the throne similar to his father, Prince William, who is set to become future King one day.

big #Megxit to Montecito, California shortly after, the Duke and Duchess of Sussex released a slew of projects where they disdainfully discussed their time in “The Firm.”Royal expert Tom Bower now claims the former actress, 38, and the Invictus Games founder, 41, “know they’ve probably gone too far” with combative content after their 2021 interview with Oprah Winfrey, the Netflix docuseries “Harry & Meghan,” and Harry’s bombshell memoir “Spare.” “All she’s got is the baggage of the Oprah Winfrey interview and her damnation of the royal family in various successive interviews,” Bower told OK about Markle. “That’s why she’s been so quiet the whole year.

Diana, Princess of Wales was loved around the world for the way she modernised the Royal Family's approach to official engagements, as well as her efforts to destigmatise global emergencies such as landmines and HIV/AIDS.This goal of modernising the Firm is something that the Prince of Wales has carried on from his late mother and clearly feels very passionate about. Prince William's strong stance is something that former BBC royal correspondent Jennie Bond knows would have pleased Diana, as she had the privilege of getting to know the Princess on a personal level in private meetings throughout her career.

Zack Sharf Digital News Director In a new video interview with GQ magazine, Harrison Ford revealed that he pushed back against Indiana Jones’ iconic costume when he first saw the plans for his character during the development of Steven Spielberg’s “Raiders of the Lost Ark” (1981). The costume included a leather jacket, a bullwhip and a pinch-front fedora that Ford stapled to his head during production so that it would not fly off during action scenes. Ford told GQ he still has the staple scars. “It was presented to me as an aspect of character in the first film,” Ford said about Indiana Jones’ costume. “My questions about it were many. Why am I wearing a leather jacket in the jungle? Isn’t it hot here? Why am I carrying a whip? What am I going to do with a fucking whip? I’m going to whip people?”

Some of the Duke and Duchess of Sussex’s joint business ventures are “falling apart” and they are facing some of their biggest problems, a royal expert has claimed to OK!. Royal biographer Tom Bower said since Harry and Meghan’s Spotify podcast deal has abruptly come to an end, the pair are going to find it a struggle to keep their brand “reputable”.

OK! Magazine UK, per Marie Claire. “William is doing his best to achieve that.”Bond explained that one of the ways William is hoping to achieve this goal and follow in his mom’s footsteps is through his new initiative, Homewards, which aims to eradicate homelessness.

Refresh for chart…On the bright side for Independence Day bomb Indiana Jones and the Dial of Destiny, its first five days at the box office of $82M aren’t as bad as Paramount/Skydance’s Terminator Genisys.

Fall Out Boy’s Pete Wentz has been discussing his band’s updated cover of Billy Joel’s ‘We Didn’t Start The Fire’. He’s explained the thinking behind the post-1989 events that they included, and also those that they didn’t – most notably the COVID pandemic, which, in a song about significant world events from the last 34 years, you might have thought would feature quite prominently.Speaking to Zane Lowe on Apple Music 1, Wentz said that the idea to update the song had been “brewing for so long”, but until recently he had been trying to convince other artists that they should do it.“I’ve been trying to get somebody to do it for four years”, he explained. “And finally Patrick [Stump, frontman] was like, ‘We should just do it’”.With that decided, then came the task of choosing what to include in the verses.

Mads Mikkelsen stars opposite Harrison Ford in Indiana Jones and the Dial of Destiny playing Nazi scientist Dr. Jürgen Voller. The actor recently opened up about the roles that he likes to play opting to play “losers” on-screen versus “cutie pie” characters.

SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial of Destiny doesn’t fall apart tonight and at least stays on course for a Mission: Impossible – Fallout type opening in the $60M range over three days. That figure might be good for exhibition and popcorn sales over the five-day holiday weekend, but it stinks for a movie that has a reported cost of $250M to near $300M before P&A.

“More Than I Want to Remember” was selected as a finalist in this year’s ShortList Film Festival, presented by TheWrap. You can watch the films and vote for your favorite here.Where did you first hear Mugeni’s story? And when did you know it would become a short film?I first heard Mugeni’s story in 2019, via Nate Bult, who worked for an organization that paired unaccompanied refugee minor children with foster families. I had reached out to him as I was researching for my next film, an animated short based on the journey of a young immigrant woman.

Indiana Jones and the Dial of Destiny does not feature Indy’s son, Mutt Williams, but his absence doesn’t go unexplained. [Spoilers ahead!]

Shia LaBeouf starred alongside Harrison Ford in the movie Indiana Jones and the Kingdom of the Crystal Skull, but he’s not back for the fifth installment of the popular franchise.

EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destinyis posting an estimated $6M-$7.5M Thursday night per sources, which is where previous older skewing action guy comps live.

Melissa Etheridge will not be inviting Rolling Stone to come by her window anytime soon.

Brent Lang Executive Editor Christopher Storer is no slouch when it comes to orchestrating kitchen chaos, having created the hit Hulu comedy-drama “The Bear.” Now, he’ll turn his camera on “The Winter of Frankie Machine” and trade trades the tense world of short-order cooking for a mob story about a hitman who is lured out of retirement to set up a meeting between waring crime families only to turn into a target himself. It’s a mean streets saga that previously attracted attention from the likes of Martin Scorsese, who was set to make it at Paramount Pictures with Robert De Niro, only to abandon it in favor of “The Irishman”; as well as Michael Mann and William Friedkin.