David Bowie film ‘Moonage Daydream’ featuring unseen footage confirmed by estate

told the Hollywood Reporter.Known as the “Godfather of the US paparazzi culture” and “Paparazzo Extraordinaire,” the shutterbug shot more A-listers than perhaps any photographer in America during his six-decade career in photojournalism: John Lennon, Mick Jagger, Elvis Presley, Princess Diana, Paul McCartney, Bob Dylan, David Bowie, Michael Jackson, Andy Warhol and so many more.Though iconic, some of the Bronx-born fotog’s shots landed him in trouble — mostly because his subjects were unaware he was shooting them.His work methods, regarded as unethical by some or genius by others, ultimately produced some of the most highly regarded iconographies — a testament to his keen eye — evident in “Windblown Jackie,” which infuriated the First Lady but delighted Galella.“This decisive moment photo, which I titled, ‘Windblown Jackie,’ is my favorite, most published picture and the best-selling print of all time at my fine art galleries worldwide,” he wrote in 2021. “It’s a superior picture, like DaVinci’s most famous painting, the Mona Lisa.

Nine Inch Nails covered two David Bowie songs as they kicked off their 2022 tour in the US last night (April 28).The performance at Red Hat Amphitheatre in Raleigh, North Carolina, marked the first time the Trent Reznor-led band has taken the stage since 2018.After playing a set of their best-known songs during the first half of the set – ‘Closer’, ‘Every Day Is Exactly the Same’ and ‘The Frail’ among them – Nine Inch Nails decided to mix things up by playing two tracks in tribute to the late Bowie, Reznor’s friend and collaborator.First, the band played ‘I’m Afraid Of Americans’ (watch it below), which Reznor co-produced with Bowie in 1997 and previously covered during their 2018 tour.Nine Inch Nails then gave fans a live rendition of the star man’s 1980 hit ‘Fashion’. Though they hadn’t played the song together before last night, Reznor had previously performed the track during a Bowie-tribute livestream last year.

David Bowie’s ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars’ is getting a special 50th anniversary re-release.The album turns 50 in June and to celebrate, it was announced that a special edition of the record from 1972 will be released via Parlophone Records on June 17.‘Ziggy Stardust’ will be issued as a limited edition 50th anniversary half speech mastered LP and a picture disk, featuring the same master and a replica promotional poster for the album.A press release added: “This new pressing…was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half speed was cut by John Webber at AIR Studios.”It described the work as “the breakthrough album that catapulted David Bowie into the international spotlight” and says the album “has remained a touchstone record, growing in stature with each passing year.”You can watch a new lyric video for ‘Starman’, the release of which turned 50 yesterday (April 28).On the day that we celebrate the 50th anniversary of the release of the Starman 45, it is with pleasure that we can announce the issue of two 50th anniversary vinyl versions of David Bowie’s Ziggy Stardust album via Parlophone, on 17th June 2022.

CinemaCon attendees to sleep well tonight.The director, an architect of the body horror genre with “A History of Violence,” “Dead Ringers” and “The Fly,” made his first-ever trip to Las Vegas to showcase his next grisly film “Crimes of the Future,” testing the stomachs of movie theater owners across the nation.“It seems an appropriate place to launch our attack on the world with ‘Crimes of the Future,'” Cronenberg told the crowd at Caesars Palace in reference to Sin City.Though Cronenberg says he started writing the screenplay 20 years ago, Neon, the film’s distributor, called “Crimes of the Future” an “evolution of David’s work: past, present and future.” Without detailing any specifics, it will contain “key references to his previous films.” As for the never-before-seen footage, it begins with a man who has several sets of ears on his head and concludes as a woman rips open a man’s stomach with her finger and slides her tongue closer to the open wound.Set in a world where the human species adapt to a synthetic environment and their bodies undergo disturbing transformations and mutations, “Crimes of the Future” centers on a celebrity couple (played by Viggo Mortensen and Léa Seydoux) who have turned the horrifying process into avant-garde performance art. All the while, their every move is being tracked by an investigator from the National Organ Registry named Timlin (Kristen Stewart).

Neon rocked CinemaCon with lots of Bowie in never before seen clips for Brett Morgen’s Moonage Daydream. The pic, debuting next month at Cannes in the Midnight Screening series, follows the iconic musician that’s a summation of over 5 million assets including a master recording and concert footage and features 48 of his musical tracks, mixed from their original stems. The movie took five years to produce.

Spider-Man and Black Adam may get the headlines, CinemaCon continued its efforts to highlight all forms of movies with Tuesday’s presentation by indie distributor Neon, whose team led by distribution chief Elissa Federoff showcased a pair of films that defined the phrase “shock and awe.”On the “shock” side was “Crimes of the Future,” a disturbing return by “Videodrome” filmmaker David Cronenberg to the body horror genre that he is considered to be the master of. Cronenberg himself appeared on the CinemaCon stage to present what he jokingly called the start of his “attack on the world.”Starring Viggo Mortensen, Kristen Stewart, and Lea Seydoux, the provocative film takes place in a distant future where environmental degradation has begun to affect human evolution, causing the body to grow extra organs.

starring Chiwetel Ejiofor and Naomi Harris, is based on the 1976 movie starring David Bowie and Candy Clark — which made a splash with its onscreen nudity and trippy take on a humanoid who arrives on Earth in a bid to save his planet from extinction.“It’s kind of about what’s happening today in its depiction of a planet that’s dying from a drought,” Clark, 74, told The Post about director Nicolas Roeg’s film, which was based on Walter Nevis’ 1963 sci-fi novel. “It’s definitely the highlight of my acting career.”“The Man Who Fell to Earth” began shooting in New Mexico in July 1975.

“I was taken by all of the themes that Alex and Jenny had put into this story,” says Chiwetel Ejiofor of Showtime’s The Man Who Fell To Earth series from Jenny Lumet and Alex Kurtzman. “Themes that really are relevant today. I’m mean are right up to the minute really, in how we engage with each other in our human connections, but also our connection with our planet..”

Toyah Willcox and her husband, King Crimson founder Robert Fripp have shared a cover of The Who’s ‘Won’t Get Fooled Again’ – check it out below.The clip comes as the next chapter in their long-running ‘Sunday Lunch’ series which was launched in 2020 due to Fripp missing live performance as a result of lockdown.The series has so far seen the couple share renditions of songs by Ramones, Nirvana, David Bowie, Metallica, Billy Idol, The Rolling Stones, Judas Priest, The Prodigy, Guns N’ Roses, Alice Cooper and many more through Willcox’s YouTube channel.In recent weeks, they’ve covered ‘Bullet With Butterfly Wings’ by the Smashing Pumpkins, Red Hot Chili Peppers’ ‘Can’t Stop’ and Kaiser Chiefs‘ ‘I Predict A Riot’. Last week’s cover saw the pair deliver their take on Michael Jackson’s ‘Give In To Me’ with Fripp dressed up like Slash from Guns N’ Roses.This week though (April 24) the pair have taken on The Who classic, ‘Won’t Get Fooled Again’ complete with wind machine and outtake compilation.

Caroline Framke Chief TV CriticMore than 45 years after “The Man Who Fell to Earth” opened with a melancholy David Bowie crash-landing in a Kentucky lake, Showtime’s new sequel series sends Chiwetel Ejiofor spiraling into the New Mexican desert to finish what he started. The connection between the 1976 film and this 2022 show is clear from the beginning, even before Bill Nighy shows up as the older version of Bowie’s character, Thomas Newton.

Just when fans thought they’d seen the last of Johnny Knoxville and his band of merry pranksters, Netflix is announcing the arrival of yet another installment in the “Jackass” pantheon.

Video: Fox News Flash top entertainment headlines 4/11 (FOX News)Fox News Flash top entertainment headlines for March 22Fox News Flash top entertainment headlines of the weekMichael Strahan, five others takes off on Blue Origin FlightJussie Smollett released after six days in jailFox News Flash top entertainment headlines for March 15Jason Whitlock on Jussie Smollett: 'This was the craziest thing I've ever seen'Retired officer says Jussie Smollett needs to pay back police for wasted resourcesJussie Smollett's legal team vows to appeal the actor's verdict after being found guiltyMedia on trial in Smollett case   Daltrey and Townshend, along with six band members and an orchestra, will kick off their North American tour on April 22 in Hollywood, Florida, and wrap it up in Las Vegas in November. The Who's tours have become a lot more complicated, Daltrey said. "We were, we were four guys with eight amplifiers, a drum kit and a sound system.

BMG has announced more details about new David Bowie film ‘Moonage Daydream’, described as “a definitive new portrait of David Bowie”, and the first film to be officially sanctioned by Bowie’s estate.It’s directed by Brett Morgen who has, and I quote, “synthesised David Bowie’s music and art into a sublime kaleidoscopic experiential cinematic odyssey that explores Bowie’s creative, spiritual, and philosophical journey”.“With never-before-seen footage, performances, and music”, the official pitch goes on, “the film is guided exclusively by Bowie’s narration. The motion picture features 47 musical tracks, mixed from their original stems.

A bold new documentary about the life and music of David Bowie has found a distributor, with The Hollywood Reporter reporting it’s been picked up Neon, Universal and HBO Documentary Films.

Jem Aswad Senior Music Editor“Moonage Daydream,” a David Bowie historical film featuring a bounty of previously unreleased footage and helmed by Brett Morgen, the director behind “Kurt Cobain: Montage of Heck,” “Jane” and “The Kid Stays in the Picture,” will be distributed in the U.S. by Neon and internationally by Universal Pictures Content Group, with a streaming premiere on HBO and HBO Max in the spring of 2023.

Sienna Miller dropped by Global’s “The Drew Barrymore Show”, where the British actress revealed that her mother once worked for late rock legend David Bowie.

Neon has landed the rights to release “Moonage Daydream,” a new feature film, concert documentary and “experiential cinematic odyssey” that follows David Bowie’s life and musical career and is the first sanctioned by Bowie’s estate. Brett Morgen is directing the film that Neon will release domestically, while Universal Pictures Content Group will release the film internationally, and HBO Documentary Films has North American rights for streaming and cable in spring 2023.