Neon Brings David Cronenberg’s Stomach-Churning ‘Crimes of the Future’ and Electric David Bowie Film ‘Moonage Daydream’ to CinemaCon

Elsa Keslassy International CorrespondentEight years after “Maps to the Stars,” David Cronenberg is coming back to the Cannes Film Festival with what looks to be a big bang. Weaving together equal parts body horror and dystopian panache, “Crimes of the Future” instantly became one of the most buzzed-about competition films after Neon dropped the trailer on April 14, the day of Cannes’ press conference. The lushly-lensed film, which reunites Cronenberg with his muse Viggo Mortensen (“A History of Violence,” “Eastern Promises”) along with Kristen Stewart and Lea Seydoux, could prove as divisive as the Canadian master’s 1996 cult film “Crash” which went on to scoop Cannes’ very first Special Jury Prize for “its audacity, daring and originality.” Ahead of the start of the festival, Cronenberg sat down with Variety in Paris to talk about the long-gestating “Crimes of the Future,” the making of the picture, its underlying themes, while speaking candidly about the difficulty of financing challenging films, as well as his stance on streamers and  U.S.

Iggy Pop has led the tributes to the guitarist Ricky Gardiner, who has passed away at the age of 73.The Scottish musician’s death was confirmed last night (May 15) by Tony Visconti, who told his Facebook followers that he was informed of Gardiner’s passing by his wife Virginia.“Another guitar genius and personal friend passed into the next world last night,” Viscontii wrote. “Ricky Gardiner, who joined David Bowie for the albums ‘Low’ and Iggy Pop’s ‘The Idiot’, ended a long battle with Parkinson’s.

We’re ecstatic that Canadian filmmaker David Cronenberg (“Naked Lunch“) will be returning to body horror. The subgenre’s popularity has a lot to do with his previous efforts.

Crimes Of The Future.The director, best known for sci-fi horror films Shivers, Scanners and The Fly, is set to debut his latest project at this month’s Cannes Film Festival (May 17-28).Speaking to Deadline, Cronenberg said he expects some “very strong scenes” will provoke walkouts among the festival audience.“There are some very strong scenes,” Cronenberg said. “I mean, I’m sure that we will have walkouts within the first five minutes of the movie.

David Bowie will be honoured with a new stage performance at the National Space Centre, with four shows slated to go down later this month.The show, titled Bowie: Oddity To Mars, features a live performance from the five-piece tribute band David Live – named for Bowie’s 1974 live album – alongside projections of footage provided by NASA, and an additional visual element developed by the Space Centre’s own in-house team.NASA’s footage, which will be delivered in the show as a 360-degree projection, was shot during the journey of Apollo 17 – the Apollo program’s final mission to Mars in 1972. The show itself will celebrate the same stretch of Bowie’s career that the Apollo program ran for, beginning with 1969’s self-titled record and ending with ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars’ (which celebrates its 50th anniversary this year).The show will take place in the Space Centre’s Sir Patrick Moore Planetarium – the largest of its ilk in the UK – on Friday May 20 and Saturday 21.

Star Trek: Picard composer Jeff Russo says he tweaked the streaming series’ main theme for the just-concluded second season in order to capture the current tone of Jean-Luc Picard’s latest adventures in the final frontier.

There is no better way to say it: The king of body horror is back. “Crimes of the Future” is not just the first film David Cronenberg has made since “Map to the Stars” from 2014.

Studio brass wowed theater owners this week with Maverick: Top Gun, Avatar: The Way of Water and Spider-Man: Across The Spider-Verse among other tentpoles. But they were also clear at the just-wrapped CinemaCon that a reviving box office requires a wide breadth of content.

Nine Inch Nails covered two David Bowie songs as they kicked off their 2022 tour in the US last night (April 28).The performance at Red Hat Amphitheatre in Raleigh, North Carolina, marked the first time the Trent Reznor-led band has taken the stage since 2018.After playing a set of their best-known songs during the first half of the set – ‘Closer’, ‘Every Day Is Exactly the Same’ and ‘The Frail’ among them – Nine Inch Nails decided to mix things up by playing two tracks in tribute to the late Bowie, Reznor’s friend and collaborator.First, the band played ‘I’m Afraid Of Americans’ (watch it below), which Reznor co-produced with Bowie in 1997 and previously covered during their 2018 tour.Nine Inch Nails then gave fans a live rendition of the star man’s 1980 hit ‘Fashion’. Though they hadn’t played the song together before last night, Reznor had previously performed the track during a Bowie-tribute livestream last year.

David Bowie’s ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars’ is getting a special 50th anniversary re-release.The album turns 50 in June and to celebrate, it was announced that a special edition of the record from 1972 will be released via Parlophone Records on June 17.‘Ziggy Stardust’ will be issued as a limited edition 50th anniversary half speech mastered LP and a picture disk, featuring the same master and a replica promotional poster for the album.A press release added: “This new pressing…was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half speed was cut by John Webber at AIR Studios.”It described the work as “the breakthrough album that catapulted David Bowie into the international spotlight” and says the album “has remained a touchstone record, growing in stature with each passing year.”You can watch a new lyric video for ‘Starman’, the release of which turned 50 yesterday (April 28).On the day that we celebrate the 50th anniversary of the release of the Starman 45, it is with pleasure that we can announce the issue of two 50th anniversary vinyl versions of David Bowie’s Ziggy Stardust album via Parlophone, on 17th June 2022.

Neon rocked CinemaCon with lots of Bowie in never before seen clips for Brett Morgen’s Moonage Daydream. The pic, debuting next month at Cannes in the Midnight Screening series, follows the iconic musician that’s a summation of over 5 million assets including a master recording and concert footage and features 48 of his musical tracks, mixed from their original stems. The movie took five years to produce.

Spider-Man and Black Adam may get the headlines, CinemaCon continued its efforts to highlight all forms of movies with Tuesday’s presentation by indie distributor Neon, whose team led by distribution chief Elissa Federoff showcased a pair of films that defined the phrase “shock and awe.”On the “shock” side was “Crimes of the Future,” a disturbing return by “Videodrome” filmmaker David Cronenberg to the body horror genre that he is considered to be the master of. Cronenberg himself appeared on the CinemaCon stage to present what he jokingly called the start of his “attack on the world.”Starring Viggo Mortensen, Kristen Stewart, and Lea Seydoux, the provocative film takes place in a distant future where environmental degradation has begun to affect human evolution, causing the body to grow extra organs.

“It’s my first time in Vegas,” said filmmaker David Cronenberg today at NEON’s CinemaCon presentation, where he was introducing the full trailer for his upcoming Cannes movie, Crimes of the Future.

starring Chiwetel Ejiofor and Naomi Harris, is based on the 1976 movie starring David Bowie and Candy Clark — which made a splash with its onscreen nudity and trippy take on a humanoid who arrives on Earth in a bid to save his planet from extinction.“It’s kind of about what’s happening today in its depiction of a planet that’s dying from a drought,” Clark, 74, told The Post about director Nicolas Roeg’s film, which was based on Walter Nevis’ 1963 sci-fi novel. “It’s definitely the highlight of my acting career.”“The Man Who Fell to Earth” began shooting in New Mexico in July 1975.

Like the oracle he is, Canadian filmmaker David Cronenberg told us all months ago that his next film, “Crimes Of The Future,” his first film since 2014’s “Maps To The Stars,” would likely premiere at the 2022 Cannes Film Festival and sure enough, early this morning, the film was announced as part of the Cannes Competition Official Selection. READ MORE: David Cronenberg, James Gray & Park Chan-wook Top Cannes Film Festival 2022 Slate Starring Viggo Mortensen, Léa Seydoux, and Kristen Stewart, along with Scott Speedman, Welket Bungué, and Don McKellar, ‘Crimes Of The Future” has the same name as a 1970 film by Cronenberg but is not a remake.

“It is time to stop seeing,” is the first line of voice-over dialogue in the trailer for “Crime of the Future,” David Cronenberg’s first film in nearly a decade. It may as well be warning to you, dear watcher.

The creepy new “Crimes of the Future” trailer has just been released.

Brent Lang Executive Editor of Film and MediaThere will be gore. David Cronenberg returns to the body horror genre that served him so well with his new film “Crimes of the Future,” his first big screen release in eight years. The movie will have its world premiere at the Cannes Film Festival, where it will inject some serious star power onto the Croisette.

Like the oracle he is, Canadian filmmaker David Cronenberg told us all months ago that his next film, “Crimes Of The Future,” his first film since 2014’s “Maps To The Stars,” would likely premiere at the 2022 Cannes Film Festival and sure enough, early this morning, the film was announced as part of the Cannes Competition Official Selection. READ MORE: David Cronenberg, James Gray & Park Chan-wook Top Cannes Film Festival 2022 Slate Starring Viggo Mortensen, Léa Seydoux, and Kristen Stewart, along with Scott Speedman, Welket Bungué, and Don McKellar, ‘Crimes Of The Future” has the same name as a 1970 film by Cronenberg but is not a remake.

Main Competition“Holy Spider,” Ali Abbasi“The Almond Tree,” Valeria Bruni Tedeschi“Crimes of the Future,” David Cronenberg“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne“Stars at Noon,” Claire Denis“Brother and Sister,” Arnaud Desplechin“Close,” Lukas Dhont“Armageddon Time,” James Gray“Broker,” Hirokazu Kore-eda“Nostalgia,” Mario Martone“RMN,” Cristian Mungiu“Triangle of Sadness,” Ruben Ostlund“Decision to Leave,” Park Chan-wook“Showing Up,” Kelly Reichardt“Leila’s Brothers,” Saeed Roustaee“Boy From Heaven,” Tarik Saleh“Tchaikovsky’s Wife,” Kirill Serebrennikov“Hi-Han,” Jerzy SkolimowskiUn Certain Regard“Les Pires,” Lise Akoka and Romane Gueret“Burning Days,” Emin Alper“Metronom,” Alexandru Belc“All the People I’ll Never Be,” Davy Chou“Sick of Myself,” Kristoffer Borgli“Domingo and the Midst,” Ariel Escalante Meza“Plan 75,” Hayakawa Chie“Beast,” Riley Keough and Gina Gammell“Corsage,” Marie Kreutzer“Butterfly Vision,” Maksim Nakonechnyi“Godland,” Hlynur Palmason“Rodeo,” Lola Quivoron“Joyland,” Saim Sadiq“The Stranger,” Thomas M. Wright“The Silent Twins,” Agnieszka SmocynskaOut of Competition “Elvis,” Baz Luhrmann“Top Gun: Maverick,” Joseph Kosinski“Three Thousand Years of Longing,” George Miller“Masquerade,” Nicholas Bedos“November,” Cedric Jiminez“Z,” Michel Hazanavicius (opening film) Special Screenings“All That Breathes,” Shaunak Sen“The Natural History of Destruction,” Sergei Loznitsa“Jerry Lee Lewis: Trouble in Mind,” Ethan CoenMidnight Screenings“Hunt,” Lee Jung-jae“Moonage Daydream,” Brett Morgen“Fumer Fait Tousser,” Quentin DupieuxCannes Premiere“Non Frangins,” Rachid Bouchareb“Dodo,” Panos H.