David Bowie Documentary ‘Moonage Daydream’ Lands Distribution Deal

A+E Networks has partnered up with Bowie State University, Maryland’s oldest HBCU, to provide college students with work experience in content creation.

Nine Inch Nails covered two David Bowie songs as they kicked off their 2022 tour in the US last night (April 28).The performance at Red Hat Amphitheatre in Raleigh, North Carolina, marked the first time the Trent Reznor-led band has taken the stage since 2018.After playing a set of their best-known songs during the first half of the set – ‘Closer’, ‘Every Day Is Exactly the Same’ and ‘The Frail’ among them – Nine Inch Nails decided to mix things up by playing two tracks in tribute to the late Bowie, Reznor’s friend and collaborator.First, the band played ‘I’m Afraid Of Americans’ (watch it below), which Reznor co-produced with Bowie in 1997 and previously covered during their 2018 tour.Nine Inch Nails then gave fans a live rendition of the star man’s 1980 hit ‘Fashion’. Though they hadn’t played the song together before last night, Reznor had previously performed the track during a Bowie-tribute livestream last year.

George Bowie went topless to ask fans whether he should tell wife Ellene about some odd scratches on his back.

David Bowie’s ‘The Rise And Fall Of Ziggy Stardust And The Spiders From Mars’ is getting a special 50th anniversary re-release.The album turns 50 in June and to celebrate, it was announced that a special edition of the record from 1972 will be released via Parlophone Records on June 17.‘Ziggy Stardust’ will be issued as a limited edition 50th anniversary half speech mastered LP and a picture disk, featuring the same master and a replica promotional poster for the album.A press release added: “This new pressing…was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half speed was cut by John Webber at AIR Studios.”It described the work as “the breakthrough album that catapulted David Bowie into the international spotlight” and says the album “has remained a touchstone record, growing in stature with each passing year.”You can watch a new lyric video for ‘Starman’, the release of which turned 50 yesterday (April 28).On the day that we celebrate the 50th anniversary of the release of the Starman 45, it is with pleasure that we can announce the issue of two 50th anniversary vinyl versions of David Bowie’s Ziggy Stardust album via Parlophone, on 17th June 2022.

If you played six degrees of separation with all the important art-rock bands of the 1960s, ‘70s, and beyond—David Bowie, Lou Reed, Nico, John Cale, and The Velvet Underground, David Byrne and Talking Heads, Iggy Pop & The Stooges, Roxy Music, Devo and more—all roads lead to Brian Eno, easily one of the most important music producers and experimental musicians of all time that basically singlehandedly started the ambient music movement.

Check out the first still from Amsterdam!

Longtime Saturday Night Live cast member Pete Davidson is staying in the NBCUniversal fold with his first TV starring vehicle. Peacock has closed a deal for Bupkis, a half-hour live action comedy written, starring and executive produced by Davidson and executive produced by SNL honcho Lorne Michaels. The project, a heightened, fictionalized version of Davidson’s life, was taken out to the marketplace in March, and NBCU’s streamer landed it in a competitive situation with a straight-to-series order.

Brent Lang Executive Editor of Film and MediaMichael J. Fox, the Hollywood star who became a powerful advocate for medical research, will be the subject of a new documentary from Oscar-winning filmmaker Davis Guggenheim.

CinemaCon attendees to sleep well tonight.The director, an architect of the body horror genre with “A History of Violence,” “Dead Ringers” and “The Fly,” made his first-ever trip to Las Vegas to showcase his next grisly film “Crimes of the Future,” testing the stomachs of movie theater owners across the nation.“It seems an appropriate place to launch our attack on the world with ‘Crimes of the Future,'” Cronenberg told the crowd at Caesars Palace in reference to Sin City.Though Cronenberg says he started writing the screenplay 20 years ago, Neon, the film’s distributor, called “Crimes of the Future” an “evolution of David’s work: past, present and future.” Without detailing any specifics, it will contain “key references to his previous films.” As for the never-before-seen footage, it begins with a man who has several sets of ears on his head and concludes as a woman rips open a man’s stomach with her finger and slides her tongue closer to the open wound.Set in a world where the human species adapt to a synthetic environment and their bodies undergo disturbing transformations and mutations, “Crimes of the Future” centers on a celebrity couple (played by Viggo Mortensen and Léa Seydoux) who have turned the horrifying process into avant-garde performance art. All the while, their every move is being tracked by an investigator from the National Organ Registry named Timlin (Kristen Stewart).

Neon rocked CinemaCon with lots of Bowie in never before seen clips for Brett Morgen’s Moonage Daydream. The pic, debuting next month at Cannes in the Midnight Screening series, follows the iconic musician that’s a summation of over 5 million assets including a master recording and concert footage and features 48 of his musical tracks, mixed from their original stems. The movie took five years to produce.

Spider-Man and Black Adam may get the headlines, CinemaCon continued its efforts to highlight all forms of movies with Tuesday’s presentation by indie distributor Neon, whose team led by distribution chief Elissa Federoff showcased a pair of films that defined the phrase “shock and awe.”On the “shock” side was “Crimes of the Future,” a disturbing return by “Videodrome” filmmaker David Cronenberg to the body horror genre that he is considered to be the master of. Cronenberg himself appeared on the CinemaCon stage to present what he jokingly called the start of his “attack on the world.”Starring Viggo Mortensen, Kristen Stewart, and Lea Seydoux, the provocative film takes place in a distant future where environmental degradation has begun to affect human evolution, causing the body to grow extra organs.

When it came time for director Barry Levinson to cast the role of famed boxing trainer Charlie Goldman in his new film “The Survivor,” he went straight to his friend Danny DeVito. “This was all Barry,” DeVito said about how he came to be a part of the HBO Holocaust film, telling TheWrap it was like no time had passed at all since he and Levinson first worked together on the 1987 film “Tin Men.”“The Survivor” tells the true story of Harry Haft, a survivor of the Auschwitz concentration camp who was forced to box other inmates to survive – sometimes to the death.

starring Chiwetel Ejiofor and Naomi Harris, is based on the 1976 movie starring David Bowie and Candy Clark — which made a splash with its onscreen nudity and trippy take on a humanoid who arrives on Earth in a bid to save his planet from extinction.“It’s kind of about what’s happening today in its depiction of a planet that’s dying from a drought,” Clark, 74, told The Post about director Nicolas Roeg’s film, which was based on Walter Nevis’ 1963 sci-fi novel. “It’s definitely the highlight of my acting career.”“The Man Who Fell to Earth” began shooting in New Mexico in July 1975.

“I was taken by all of the themes that Alex and Jenny had put into this story,” says Chiwetel Ejiofor of Showtime’s The Man Who Fell To Earth series from Jenny Lumet and Alex Kurtzman. “Themes that really are relevant today. I’m mean are right up to the minute really, in how we engage with each other in our human connections, but also our connection with our planet..”

Caroline Framke Chief TV CriticMore than 45 years after “The Man Who Fell to Earth” opened with a melancholy David Bowie crash-landing in a Kentucky lake, Showtime’s new sequel series sends Chiwetel Ejiofor spiraling into the New Mexican desert to finish what he started. The connection between the 1976 film and this 2022 show is clear from the beginning, even before Bill Nighy shows up as the older version of Bowie’s character, Thomas Newton.

Naman Ramachandran PBS Distribution will be the North American distribution partner for West Road Pictures and All3Media International series “Ridley.” It stars Adrian Dunbar (“Line of Duty”) as Detective Inspector Alex Ridley, who has retired from the police after 20 years of dedicated service. Now working in a consultancy role, Ridley resumes his partnership with his former protégée, DI Carol Farman (Bronagh Waugh, “Unforgotten”), when she turns to him for help on a complex murder investigation.The series, which consists of four two-hour episodes, is currently filming across Northern England, and will premiere on ITV in the U.K.

George Michael has been announced by Sony Music Entertainment and Trafalgar Releasing. The motion picture, which is hitting the cinemas globally on June 22, will mark the final piece of work from the musician, who was heavily involved in the project before his death at the age of 53 on Christmas Day 2016. It will provide viewers with a closer look behind the scenes of his tumultuous life, including the loss of his mother and heartbreak following the death if his first love, Anselmo Feleppa, who died aged 36 from AIDS.

Todd Spangler NY Digital EditorCritical Role, the D&D role-playing collective with millions of fans, is teaming with SiriusXM to handle worldwide ad sales and distribution of its popular podcast.Under the multiyear deal, SXM Media, the combined advertising revenue organization of SiriusXM, has exclusive global ad-sales rights to the Critical Role podcast. Additionally, the agreement calls for SiriusXM’s Stitcher podcast subsidiary to distribute the show across all podcast platforms.Critical Role was formed by a group of friends who met as voiceover actors in L.A.

BMG has announced more details about new David Bowie film ‘Moonage Daydream’, described as “a definitive new portrait of David Bowie”, and the first film to be officially sanctioned by Bowie’s estate.It’s directed by Brett Morgen who has, and I quote, “synthesised David Bowie’s music and art into a sublime kaleidoscopic experiential cinematic odyssey that explores Bowie’s creative, spiritual, and philosophical journey”.“With never-before-seen footage, performances, and music”, the official pitch goes on, “the film is guided exclusively by Bowie’s narration. The motion picture features 47 musical tracks, mixed from their original stems.