Colin Farrell goes shirtless in the sunshine for run after triumphing at Venice

More than a decade ago, Martin McDonagh wowed audiences with his black comedy, “In Bruges.” That film features incredible performances from Colin Farrell and Brendan Gleeson, and instantly made McDonagh one of the most exciting filmmakers working today. And since then, film fans have been hoping to see the filmmaker replicate that same tone and feeling in a new project.

Colin Farrell is opening up about his friendship with Elizabeth Taylor.

Colin Farrell is showing off his buff bod while out on a run in Los Angeles on Wednesday afternoon (September 14).

Toronto International Film Festival on Monday night. Running time: 109 minutes. Rated R (language throughout, some violent content and brief graphic nudity).

The Venice Film Festival audience were enraptured with “The Banshees of Inisherin”.

Colin Farrell received a 13-minute standing ovation at the Venice Film Festival following the premiere of his new film The Banshees Of Inisherin.The actor reunited with his In Bruges co-star Brendan Gleeson and director Martin McDonagh for the upcoming drama about two Irish men whose life-long friendship is brought to an abrupt end.According to Variety, Farrell, Gleeson and McDonagh received the “longest and loudest reception” of any film yet to show at this year’s festival.However, the publication speculated that this was in response to Farrell, “who broke with tradition by wading into the crowd to take selfies with fans and sign autographs, which only made the cheering grow louder and more sustained”.Earlier at the festival, Brendan Fraser was moved to tears after receiving a six-minute standing ovation following the premiere of his new film The Whale.Directed by Darren Aronofsky, the film sees Fraser play a reclusive English teacher who lives with severe obesity. Stranger Things‘ Sadie Sink also stars, playing Fraser’s estranged teenager daughter.Following the film’s premiere over the weekend, footage emerged of the audience giving Fraser a rapturous reception.

Naman Ramachandran Fresh off a standing ovation for auteur Lav Diaz’s “When the Waves Are Gone” at the Venice Film Festival, the Philippines’ Epicmedia Productions has revealed a global co-production slate. Next up is Swiss co-production “Electric Child” by Simon Jacquemet (“The Innocent”), which was presented at the Venice Production Bridge last year. The story revolves around a couple whose child develops an unusual illness. While the mother and baby drift into their own world, the computer-science professor father develops a pact with an A.I. character on a virtual island to save his child. The project, which is starting production imminently, is supported by the Film Location Incentive Fund of the Film Development Council of the Philippines, Swiss Federal Office of Culture, Zurich Film Foundation, Filmstiftung NRW and TV channels SRF and ARTE.

Colin Farrell wants real conversation.

Clayton Davis If Colin Farrell doesn’t get an Oscar nom this year for “The Banshees of Inisherin,” he never will. That was all I could think after watching his work in Martin McDonagh’s latest dark comedy. And who would have thought that Farrell and Brendan Gleeson would become the perfect comedic duo of our day? I thought the pair’s magic in “In Bruges” (2008) was a one-hit wonder, but with “The Banshees of Inisherin,” the two men have recaptured their old alchemy. The latest pitch black romp from “Three Billboards outside Ebbing, Missouri” director and scribe McDonagh harnesses the simplest premise in recent memory: a man tries to understand why his best friend doesn’t want to talk to him anymore. What unfolds within that premise are moral complexities and refreshing takes on love and forgiveness.

The Banshees of Inisherin, Martin McDonagh’s return to the Venice Film Festival after 2017’s triumphant Three Billboards Outside Ebbing, Missouri, had its world premiere Monday night, getting the biggest response from fest audience so far this year with a 15-minute standing ovation.

The Banshees of Inisherin.” The darkly comic fable from Martin McDonagh has a sensational debut on Monday at the Venice Film Festival where it earned a 13-minute standing ovation. That the longest and loudest reception for any film to debut on the Lido this season, at least based on the applause meter. McDonagh and stars Colin Farrell, Brendan Gleeson and Kerry Condon hugged each other throughout the ovation and walked up and down the mezzanine to the orchestra. To be fair, the ovation may have been unfairly supersized. That’s because Farrell broke with tradition by wading into the crowd to take selfies with fans and sign autographs, which only made the clapping grow louder and more sustained. At one point, actress and writer Phoebe Waller-Bridge, McDonagh’s partner, leaned over her chair and kissed her boyfriend as he basked in the love. The love for “The Banshees of Inisherin” was so intense, with the crowd leaping to its feet with such passion, that the film started to bleed into the red carpet debut of Olivia Wilde’s psychological thriller “Don’t Worry Darling.” Ushers at Venice had to scurry about trying to get audience members to leave the theater so the next film premiere could start.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Phoebe Waller-Bridge stands next to partner Martin McDonagh during the premiere of his new film, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Playwright and filmmaker Martin McDonagh is up to more deliciously fiendish tricks in The Banshees of Inisherin, a simple and diabolical tale of a friendship’s end shot through with bristling humor and sudden moments of startling violence. It world premieres in competition at the Venice Film Festival Monday. Colin Farrell, Brendan Gleeson and the small handful of supporting players make the most of the author’s vibrant prose in McDonagh’s first film since Three Billboards Outside Ebbing, Missouri five years ago.

The mordantly comedic assault on the politics of revenge used to be the province of English/Irish playwright turned filmmaker Martin McDonagh. In more recent years, the writer/director has turned his probing eye towards compassion, forgiveness, and redemption and the unanswerable question of whether his problematic protagonists are worthy of either.

Guy Lodge Film Critic Friendships can be as changeable and temperamental and outright dramatic as grand romances, though they tend to get a bland rap on screen — with friends, for most screenwriters, merely convenient constants, there to support protagonists through matters of supposedly more consequence. If substantial platonic relationship studies are rare, ones about men are rarer still. And if that comes down to a social convention rather than a cinematic one, that’s integral to the power and poignancy of Martin McDonagh’s searing “The Banshees of Inisherin,” a film that traces the tortured breakup between two best pals in remote rural Ireland with all the anguish and gravity of the most charged romantic melodrama — its high, unleashed emotions all the more startling in a world where men don’t speak their feelings.

“What do ya expect?”The film sinks into the atmosphere of beautiful desolation on the island, with its hardscrabble existence, its sense of community, its cows wandering between green fields bordered by stone walls, its impromptu renditions of fiddle reels and folk tunes like “I’m a Man You Don’t Meet Every Day.” You anticipate some kind of explosion because this is Martin McDonagh, but before it arrives the low-key, gentle pace is richly satisfying, and the conversations between Pádraic and Colm (or the lack of conversations, when Colm gets his way) are a delight. Farrell and Gleeson are born to the rhythms of McDonagh’s dialogue, which seems both precise and tossed off, and the casual connection between them is never less than sheer pleasure.Eventually, Colm delivers a gruesome ultimatum of what he’ll do if Pádraic speaks to him again.