Colin Farrell Lands Rapturous 13-Minute Standing Ovation at Venice for ‘The Banshees of Inisherin’

Colin Farrell is opening up about his friendship with Elizabeth Taylor.

best actor prize at Venice Film Festival for Martin McDonagh’s The Banshees of Inisherin, Colin Farrell was spotted pounding the pavement on a run in California. The Irish star looked to be powering through West Hollywood on Wednesday afternoon as he ran shirtless in the sunshine as part of his exercise regime. Running in dark shorts, turquoise trainers and a grey baseball cap, the 46-year-old was in fine form as he got his sweat on in the heat.

Colin Farrell is showing off his buff bod while out on a run in Los Angeles on Wednesday afternoon (September 14).

The Venice Film Festival audience were enraptured with “The Banshees of Inisherin”.

Colin Farrell received a 13-minute standing ovation at the Venice Film Festival following the premiere of his new film The Banshees Of Inisherin.The actor reunited with his In Bruges co-star Brendan Gleeson and director Martin McDonagh for the upcoming drama about two Irish men whose life-long friendship is brought to an abrupt end.According to Variety, Farrell, Gleeson and McDonagh received the “longest and loudest reception” of any film yet to show at this year’s festival.However, the publication speculated that this was in response to Farrell, “who broke with tradition by wading into the crowd to take selfies with fans and sign autographs, which only made the cheering grow louder and more sustained”.Earlier at the festival, Brendan Fraser was moved to tears after receiving a six-minute standing ovation following the premiere of his new film The Whale.Directed by Darren Aronofsky, the film sees Fraser play a reclusive English teacher who lives with severe obesity. Stranger Things‘ Sadie Sink also stars, playing Fraser’s estranged teenager daughter.Following the film’s premiere over the weekend, footage emerged of the audience giving Fraser a rapturous reception.

Harry Styles kissed someone at the Don’t Worry Darling premiere… and it wasn’t his girlfriend Olivia Wilde!

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Olivia Wilde both attended the world premiere of the drama “Don’t Worry Daring” at the Venice Film Festival, but they kept their distance — almost as if they weren’t even in the same film together.Pugh had skipped the press conference for the film earlier in the day. When the audience at Venice erupted into a 4-minute standing ovation for the film, a teary-eyed Pugh — who was sitting several seats away from Wilde — turned away completely from her director, as she instead faced (and danced with) her co-star Nick Kroll.The film seemed to be well received at Venice. The audience clapped during one of the more climatic scenes and the ovation would probably have gone on longer if Pugh hadn’t made her way for the exit about three minutes into the clapping, prompting the rest of the cast — with Wilde at the end — to follow her. During the ovation, Harry Styles and Kroll quickly kissed on the lips.

Colin Farrell wants real conversation.

Clayton Davis If Colin Farrell doesn’t get an Oscar nom this year for “The Banshees of Inisherin,” he never will. That was all I could think after watching his work in Martin McDonagh’s latest dark comedy. And who would have thought that Farrell and Brendan Gleeson would become the perfect comedic duo of our day? I thought the pair’s magic in “In Bruges” (2008) was a one-hit wonder, but with “The Banshees of Inisherin,” the two men have recaptured their old alchemy. The latest pitch black romp from “Three Billboards outside Ebbing, Missouri” director and scribe McDonagh harnesses the simplest premise in recent memory: a man tries to understand why his best friend doesn’t want to talk to him anymore. What unfolds within that premise are moral complexities and refreshing takes on love and forgiveness.

Colin Farrell suits up sharp for the premiere of his new movie, The Banshees of Inisherin, during the 2022 Venice International Film Festival on Monday (September 5) in Venice, Italy.

Playwright and filmmaker Martin McDonagh is up to more deliciously fiendish tricks in The Banshees of Inisherin, a simple and diabolical tale of a friendship’s end shot through with bristling humor and sudden moments of startling violence. It world premieres in competition at the Venice Film Festival Monday. Colin Farrell, Brendan Gleeson and the small handful of supporting players make the most of the author’s vibrant prose in McDonagh’s first film since Three Billboards Outside Ebbing, Missouri five years ago.

Guy Lodge Film Critic Friendships can be as changeable and temperamental and outright dramatic as grand romances, though they tend to get a bland rap on screen — with friends, for most screenwriters, merely convenient constants, there to support protagonists through matters of supposedly more consequence. If substantial platonic relationship studies are rare, ones about men are rarer still. And if that comes down to a social convention rather than a cinematic one, that’s integral to the power and poignancy of Martin McDonagh’s searing “The Banshees of Inisherin,” a film that traces the tortured breakup between two best pals in remote rural Ireland with all the anguish and gravity of the most charged romantic melodrama — its high, unleashed emotions all the more startling in a world where men don’t speak their feelings.

“What do ya expect?”The film sinks into the atmosphere of beautiful desolation on the island, with its hardscrabble existence, its sense of community, its cows wandering between green fields bordered by stone walls, its impromptu renditions of fiddle reels and folk tunes like “I’m a Man You Don’t Meet Every Day.” You anticipate some kind of explosion because this is Martin McDonagh, but before it arrives the low-key, gentle pace is richly satisfying, and the conversations between Pádraic and Colm (or the lack of conversations, when Colm gets his way) are a delight. Farrell and Gleeson are born to the rhythms of McDonagh’s dialogue, which seems both precise and tossed off, and the casual connection between them is never less than sheer pleasure.Eventually, Colm delivers a gruesome ultimatum of what he’ll do if Pádraic speaks to him again.

Martin McDonagh is back on the Lido where he’s set to debut his latest film The Banshees of Inisherin, the first film he’s produced in his home country Ireland.

Apple TV+’s “Sugar” — starring Colin Farrell, Kirby Howell-Baptiste and Academy Award nominee Amy Ryan — has rounded out its star studded cast with Emmy award-winner James Cromwell, Anna Gunn, Dennis Boutsikaris, Alex Hernandez and Lindsay Pulsipher, Apple announced Monday. Plot details are scarce but Apple described the upcoming show as a “genre-bending series.” Boutsikaris (“Better Call Saul”), Hernandez (“Invasion”), and Pulsipher (“The Beast”) have joined the show in series regular roles.

Joe Otterson TV Reporter Colin Farrell’s upcoming Apple series “Sugar” has added five new cast members, Variety has learned. James Cromwell (“Succession,” “Babe,” “Six Feet Under”), Anna Gunn (“Breaking Bad,” “Deadwood”), Dennis Boutsikaris (“Better Call Saul,” “Mayfair Witches”), Alex Hernandez (“Invasion,” “Bloodshot”), and Lindsay Pulsipher (“The Beast,” “True Blood”) have all joined the series. Cromwell and Gunn will recur, while Boutsikaris, Hernandez, and Pulsipher will be series regulars. Along with Farrell, previously announced cast members include Kirby Howell-Baptiste and Amy Ryan. Exact plot and character details for the show remain under wraps, aside from the fact that it is described as a genre-bending contemporary take on the private detective story set in Los Angeles.