Chinese Smash Hit ‘No More Bets’ Sets U.K. and Hong Kong Releases After Amassing $500 Million at China Box Office (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Lightning International, a Hong Kong-based content and channels business, is unveiling Flash, a new turnkey channel management service, designed to help media companies streamline video distribution to their customers. The news was announced on the first day of the APOS conference in Indonesia.

Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.

Patrick Frater Asia Bureau Chief Ryuji Otsuka and Huang Ji, the husband and wife, Japanese-Chinese directing duo behind “Stonewalling” and “Egg and Stone” have secured multi-national backing for their upcoming fourth film project “A Woman Builds.” The film will depict a Chinese woman forced to live apart from her Japanese husband and their daughter during the pandemic and learning to enjoy the newfound freedom of a pseudo single life. She finds a unique massage parlor to satisfy her sexual needs and decides to build a house back in her home village, despite her husband’s disapproval.

Nearly two months after Angus Cloud’s death, the late actor’s loved ones are opening up about the final days leading up to his devastating loss, and his “deep troubles” battling addiction.

Patrick Frater Asia Bureau Chief The 2023 Golden Horse Film Project Promotion, the project market that accompanies the Golden Horse film festival and awards in Taiwan in November, has laid out a huge 64-title selection for its 2023 edition. These include 39 film projects at various stages of development and financing; a further seven works in progress; and the 18-previously announced series at project stage.

Take That are coming to Manchester as part of their huge UK and Ireland 2024 tour and tickets are set to go on sale soon.

Patrick Frater Asia Bureau Chief Director Clara Law (“The Goddess of 1967”) has been set as president of the jury which will discern this year’s Asia Pacific Screen Awards. She will be joined by Malaysia’s Yeo Yann Yann (“Ilo Ilo,” “Wet Season,” American Born Chinese”), German producer Anna Katchko (“Stepne,” “Happiness”), and Faisal Baltyuor, producer and CEO of Muvi Studios in Saudi Arabia. A separate jury for documentaries and animation will be headed by Taiwan-based Myanmar director Midi Z, India’s Rima Das and Japanese documentary maker Toda Hikaru. The APSAs will be presented at a ceremony in Gold Coast, Queensland on Nov.

Patrick Frater Asia Bureau Chief Filming is now underway in Australia on “Desert King,” a neo-western drama series for Netflix that is positioned to be one of the streamer’s iconic prestige productions in the Asia-Pacific region. The story revolves around money and power in Australia’s harsh Outback regions with filming locations in the remote Northern Territory and near Adelaide, South Australia. When the world’s largest cattle station is left without a clear successor, generational clashes threaten to tear the Lawson family apart. Sensing this once great dynasty is in decline, the outback’s most powerful factions – rival cattle barons, desert gangsters, Indigenous elders and billionaire miners – move in for the kill,” says Netflix by way of a synopsis. While describing the six-part series as “one of the largest local screen productions filmed in both the [Northern] Territory and South Australia,” and “an extraordinary cast,” the streamer has not disclosed the identities of any cast. Directed by Greg McLean (“La Brea,” “Wolf Creek”), the show is a joint production between Easy Tiger and Ronde.

Patrick Frater Asia Bureau Chief Alibaba Pictures, the separately-listed film investment and distribution unit of China’s tech giant Alibaba behind recent box office hit “Lost in the Stars,” is to buy Damai. The target company is a major provider of live entertainment in the country that is currently controlled by the Alibaba parent company. The transaction is valued at $167 million, according to a regulatory filing on Tuesday, and will be paid for by the issue of new Alibaba Pictures shares. Damai is involved in concerts, musical festivals, live house performances, plays, sports events and exhibitions in China.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.

A grieving couple whose 11-day-old daughter died after picking up an infection in the Royal Hospital for Children six years ago have “waited too long for answers”.

Matt Donnelly Senior Film Writer Media watchdog GLAAD released its Studio Responsibility Index on Thursday, using its annual ranking of queer representation in mainstream films to stand with striking unions SAG-AFTRA and the Writers Guild of America. Convening in-person at the Los Angeles LGBTQ Center’s Ed Gould Plaza in Hollywood, leadership from both show business unions, queer talent and GLAAD CEO Sarah Kate Ellis spoke of the dangers that work stoppages from the strokes pose to inclusive storytelling.

Patrick Frater Asia Bureau Chief That the Toronto world premiere of “The Movie Emperor” is sponsored by high-end home appliance manufacturer Dyson is deliciously and understatedly ironic. In the movie, innocuous-seeming domestic equipment — from the humble suitcase to floor sweeping robots — run quietly amok.

Patrick Frater Asia Bureau Chief Hong Kong Disneyland has confirmed Nov. 20 as the opening date for the World of Frozen themed land based on the hit animated movies “Frozen” and “Frozen 2.” And, with two months until opening, first look images are now being released. The cinematic land of Arendelle contains attractions that enable guests to participate in Summer Snow Day, the day that the film’s Princess Anna saved Elsa and the kingdom with an act of love, meet Elsa at her Ice Palace, board Wandering Oaken’s Sliding Sleighs and enjoy an interactive play experience with the characters at Playhouse in the Woods. The films’ Anna, Elsa and Kristoff characters are represented by fully-electric ‘Audio-Animatronics’ figures, which Walt Disney Imagineering says are its most advanced. Visitors to the land can wear rosemaling patterned clothes, add glittering ice-inspired face paint, style their hair like Elsa or wear a cape like Anna. Landmarks within the new land include: North Mountain, with its peak as the highest point in Arendelle; the Ice Palace where Elsa unleashes her icy powers freely for the first time; Arendelle Castle, home of the royal family; the Bay of Arendelle, featuring the small fishing boat that Anna fell on when she met Prince Hans; Clock Tower where Anna danced with Hans; and Friendship Fountain where Elsa uses her magical powers to freeze its water into snowflake ornamentations. There are new retail and food and beverage facilities, as well.

Lorraine Kelly was joined on her breakfast programme on Tuesday morning by actor Damian Lewis when the pair seemed to forget they were on television as they both swore live on air before being forced to apologise by ITV bosses.

Note: This review is based on episode five of a six-episode miniseries, which Apple, A24, and TIFF decided to show to audiences publicly. It’s not a particularly encouraging sign when a movie begins with the insipid, high-glucose feel-goodery of “Roar” by Katy Perry, but the song selection is indicative of mercifully little for “Central,” Lulu Wang’s otherwise downbeat constellation of loneliness among strangers in the strange land of Hong Kong.

He brought zing to a sleepy Comic-Con, and he’s raising the humidity levels here at TIFF. SAG-AFTRA Chief Negotiator and National Executive Director Duncan Crabtree-Ireland took the stage at the festival to give a post-Labor Day update on talks; and still it’s the same old story: The actors haven’t heard zip from the studios about moving forward.

Patrick Frater Asia Bureau Chief Strong summer season performances by movies across the world have sped up the movie industry’s global recovery. And for the second time this year, analysis firm Gower Street Analytics has revised its forecast for the 2023 cinema year upwards. The London-based firm is now forecasting that the full-year global gross box office will weigh in at $34.5 billion, a $2.5 billion increase on its April forecast. The upgrade reflects a strong July-August period globally, but with the majority of the increase due to the summer movie season boom in China. If the new projection holds good, it would see global box office finish 33% ahead of 2022 (35% at current exchange rates). It would also come in just 12% behind the average of the last three pre-pandemic years, 2017-2019, the firm said. The forecast is based on the currently known release calendar for the remaining four months of the year.

Patrick Frater Asia Bureau Chief Entertainment, sports and brand licensing firms WildBrain CPLG and WildBrain Ltd. have brokered location-based entertainment (LBE) deals on behalf of Peanuts Worldwide for “Peanuts,” “Teletubbies” and “In the Night Garden” with China’s Max-Matching Entertainments. These are expected to lead to the opening of family entertainment centers and IP-themed hotel rooms for each brand in Beijing, in Zhongshan City, Guangdong and a third city yet to be announced.

Patrick Frater Asia Bureau Chief Kim Jee-woon’s black comedy “Cobweb,” which debuted this year at Cannes, is set for a U.S. theatrical release in early 2024.