China to Cut Internet Access to Minors, Children

Patrick Frater Asia Bureau Chief The box office in mainland China reached an all-time high in the summer season, according to figures from ticketing agency Maoyan Entertainment. The record was achieved with minimal input from Hollywood.

Patrick Frater Asia Bureau Chief Tencent, the Chinese games, social media and streaming giant, reported further quarterly profits recovery after a dire 2022. But its revenues for the April-June period missed financial analysts’ expectations and point to continued weakness in the Chinese economy. Group revenues for the period were RMB149 billion ($20.6 billion), representing an 11% year-on-year growth, but a 1% quarter-on-quarter decline.

Patrick Frater Asia Bureau Chief The number of paying streaming subscribers at China’s Tencent Music Entertainment hit 100 million in the June, the company said Tuesday as it revealed its second quarter financials. Subscriber numbers increased by 20% year on year and by 5 million quarter on quarter, to hit 99.4 million, the company said. That increase helped quarterly revenues from music subscriptions to rise by 37% year-on-year to RMB2.89 billion ($399 million).

Patrick Frater Asia Bureau Chief Chinese crime action movie “No More Bets,” not “Barbie,” was the best performing film in the world this weekend. Comscore calculates that “No More Bets,” earned $88 million between Friday and Sunday in China alone. That figure is greater than the $33.7 million that “Barbie” earned in its fourth weekend of release in North America and the $45.1 million that it earned in international territories (for a global, weekend total of $78.8 million).

The Toronto International Film Festival has announced this year’s Wavelengths and Classics sidebars, the former section known for its politically charged, geographically diverse fare with a wide range of work drawn from the worlds of documentary, contemporary art, and international art-house cinema.

Patrick Frater Asia Bureau Chief Box office hit “Lost in the Stars” was a contributor to the April to June profits recorded by Chinese tech giant Alibaba’s digital media and entertainment division. The division, which spans streaming, ticketing, film production and distribution and web browser, recorded earnings before interest, taxation and amortization (EBITA) of $9 million (RMB63 million). That follows many years of losses, including $126 million (RMB907 million) of EBITA losses in the equivalent quarter last year.

Naman Ramachandran Indian filmmaker Dominic Sangma’s “Rapture” (“Rimdogittanga”) is the second in a trilogy of films based on his memories of village life that began with his debut feature “Ma’ama” (2018). The Garo-language film, which revolves around a 10-year-old boy who suffers from night blindness and for whom every night is terrifying when his village is gripped by the fear of child-kidnappers, originated from another memory of Sangma, who hails from Meghalaya in northeastern India.

Patrick Frater Asia Bureau Chief “Meg 2: The Trench,” the second instalment in the Chinese-financed giant shark franchise, was the top film worldwide over the weekend. But in its China home market “Meg 2” was beaten by strong previews of “No More Bets.” Nevertheless, the arrival of two popular films at the top of the chart meant that China enjoyed its third highest box office weekend of the year, with a $185 million haul. That score is the strongest weekend of 2023 outside the Chinese New Year holiday season.

The Justice Department cited one of Donald Trump’s social media posts in arguing that a protective order should be issued in the former president’s January6th case, in which he has been charged with conspiracy in an effort to remain in power after the 2020 election.

Patrick Frater Asia Bureau Chief “Meg 2: The Trench” serves up a school of prehistoric fish that chew up the seas, a snapping pack of imaginary hybrid dinosaurs that wreak havoc on land and a surprising cinema business model — the Chinese-controlled franchise intended for a global audience. And while early reviews are predictably mixed, the film’s box office debut looks promising. In China, on Friday, it bit off a $19.5 million first day and enjoyed a 50% market share.

Patrick Frater Asia Bureau Chief Theatrical cinema in July enjoyed its highest revenues since pre-pandemic times, with global box office hitting $4.54 billion during the month. “This is the single highest-grossing month since before the pandemic began.

Patrick Frater Asia Bureau Chief The Busan film festival’s Asian Project Market is set to welcome several of the region’s top auteurs either as producers or prospective directors at its next edition in October. APM organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions. India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji (“Love Life,” “Harmonium”) will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.” Among the successful producers adding their weight to APM contenders are: Patrick Mao Huang (“Moneyboys,” “Tiger Stripes”) selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua (“Inside the Yellow Cocoon Shell,” “Autobiography”), pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia (“A Land Imagined,” “Tiger Stripes”) pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.” The project market and the Asian Contents & Film Market are both scheduled to operate Oct.

The FIFA Women's World Cup in Australia could be England's to lose after Tuesday's glittering display against the Chinese. Unfolding at Hindmarsh Stadium, the 16,500-capacity home of Adelaide United, manager Sarina Wiegman's superstars made a lightning-quick start to the match; Alessia Russo squeezing in the opener after just four minutes of play.

Patrick Frater Asia Bureau Chief The Asia Contents Awards, held as part of the Busan International Film Festival since 2019, is to join forces with the Global OTT Awards to form a wider-reaching event. The merged events are to be known under the ungainly abbreviation ACA & G.OTT Awards and will be co-hosted by South Korea’s Ministry of Science and ICT and Busan Metropolitan City authorities. The ceremony will be held in Busan on Sunday Oct.

Patrick Frater Asia Bureau Chief “Creation of the Gods I: Kingdom of Storms,” the first part of Wuershan’s big-budget “Fengshen Trilogy,” topped the mainland China box office for the second weekend and expanded its week-on-week haul by 35%. ‘Barbie’ also showed signs of resilience in a market where it opened a week earlier in a disappointing fifth place. “Creation of the Gods I” grossed $57.6 million.

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Patrick Frater Asia Bureau Chief Kris Wu, the Chinese-Canadian pop megastar who was jailed last year for rape and group sex, appeared in court in Beijing on Tuesday to appeal his convictions. The case was heard at the Beijing No. 3 Intermediate People’s Court.

Patrick Frater Asia Bureau Chief While “Barbie” was romping to box office records in North American and scoring strongly in many international territories, the pink phenomenon could muster only fifth place in China, the world’s second largest movie market, on its opening weekend. “Barbie” managed $8.2 million in its opening three days, according to data from consultancy firm Artisan Gateway. Local box office sources show the film trapped in that position on all three days of the weekend session, as the locally-produced titles jostled for leadership and swapped positions. Somewhat encouragingly, the daily score for “Barbie” had increased by Sunday as it was given more screening sessions by Chinese exhibitors.

Dalian Wanda Group is selling a 49% stake in its investment arm to local film and TV producer China Ruyi Holdings in an on-going effort to reduce debt. 

Return To Dust, an arthouse hit in China last summer before being pulled from release, opens Stateside this weekend with Film Movement presenting on two screens – NYC’s BAM Rose Cinema and the Gene Siskel Film Center in Chicago, expanding to LA and Seattle next Friday.