China Box Office: ‘Oppenheimer’ Enjoys $30 Million Five-Day Opening as ‘Gran Turismo’ Stalls

J. Kim Murphy Audiences don’t seem to intend to attend the latest “Expendables.” The fourth entry in the ensemble action franchise is notching a series-low opening day from 3,518 theaters with about $3 million, a figure that includes a meagre $750,000 in Thursday previews. Produced by Millennium Media and released by Lionsgate, “Expend4bles” is projecting a debut that’ll fall well short of the $15 million to $17 million range that had been expected heading into the weekend, and also behind the $15.8 million sum that “The Expendables 3” put up nine years ago.

Patrick Frater Asia Bureau Chief Director Clara Law (“The Goddess of 1967”) has been set as president of the jury which will discern this year’s Asia Pacific Screen Awards. She will be joined by Malaysia’s Yeo Yann Yann (“Ilo Ilo,” “Wet Season,” American Born Chinese”), German producer Anna Katchko (“Stepne,” “Happiness”), and Faisal Baltyuor, producer and CEO of Muvi Studios in Saudi Arabia. A separate jury for documentaries and animation will be headed by Taiwan-based Myanmar director Midi Z, India’s Rima Das and Japanese documentary maker Toda Hikaru. The APSAs will be presented at a ceremony in Gold Coast, Queensland on Nov.

On another sleepy autumn weekend at the box office when actors can’t promote their movies due to the strikes, Millennium Media and Lionsgate are rolling out the latest in their long-in-the-tooth Sylvester Stallone-Jason Statham franchise, Expendables 4, to a weekend take between $15 million-$17 million.

Patrick Frater Asia Bureau Chief Alibaba Pictures, the separately-listed film investment and distribution unit of China’s tech giant Alibaba behind recent box office hit “Lost in the Stars,” is to buy Damai. The target company is a major provider of live entertainment in the country that is currently controlled by the Alibaba parent company. The transaction is valued at $167 million, according to a regulatory filing on Tuesday, and will be paid for by the issue of new Alibaba Pictures shares. Damai is involved in concerts, musical festivals, live house performances, plays, sports events and exhibitions in China.

Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.

Patrick Frater Asia Bureau Chief Two Hollywood new releases, “A Haunting in Venice” and “Teenage Mutant Ninja Turtles Mutant Mayhem” failed to make much of an impression on the South Korean box office in their opening weekend. Instead, local fantasy drama “Sleep” headed the chart for a second time. “Sleep” earned $2.38 million in its second weekend, a creditably modest 20% weekend-on-weekend decline, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far.

In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead of Bohemian Rhapsody. 

Patrick Frater Asia Bureau Chief That the Toronto world premiere of “The Movie Emperor” is sponsored by high-end home appliance manufacturer Dyson is deliciously and understatedly ironic. In the movie, innocuous-seeming domestic equipment — from the humble suitcase to floor sweeping robots — run quietly amok.

Patrick Frater Asia Bureau Chief “Dust to Dust,” a low-key crime thriller, topped the mainland Chinese box office over the weekend, despite only being released on Saturday. The film, directed by Jonathan Li, recounts how 21 years after a major armed robbery, a video of the crime resurfaces and causes the police to reopen their investigation. It had its world premiere in June, in competition at the Shanghai International Film Festival. With Da Peng, a former talk show host, required to age significantly for the lead role, the film earned $22.2 million (RMB160 million) in just two days, according to consultancy Artisan Gateway.

Patrick Frater Asia Bureau Chief Strong summer season performances by movies across the world have sped up the movie industry’s global recovery. And for the second time this year, analysis firm Gower Street Analytics has revised its forecast for the 2023 cinema year upwards. The London-based firm is now forecasting that the full-year global gross box office will weigh in at $34.5 billion, a $2.5 billion increase on its April forecast. The upgrade reflects a strong July-August period globally, but with the majority of the increase due to the summer movie season boom in China. If the new projection holds good, it would see global box office finish 33% ahead of 2022 (35% at current exchange rates). It would also come in just 12% behind the average of the last three pre-pandemic years, 2017-2019, the firm said. The forecast is based on the currently known release calendar for the remaining four months of the year.

Patrick Frater Asia Bureau Chief “No More Bets,” the smash hit Chinese crime thriller that has earned more than half a billion dollars in its home market, is hurriedly adding new territories to release. It will release in the U.K. and Ireland from Friday through distributor Trinity Cine Asia.

Patrick Frater Asia Bureau Chief Entertainment, sports and brand licensing firms WildBrain CPLG and WildBrain Ltd. have brokered location-based entertainment (LBE) deals on behalf of Peanuts Worldwide for “Peanuts,” “Teletubbies” and “In the Night Garden” with China’s Max-Matching Entertainments. These are expected to lead to the opening of family entertainment centers and IP-themed hotel rooms for each brand in Beijing, in Zhongshan City, Guangdong and a third city yet to be announced.

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed to a $60.6M global start this weekend, to clock the franchise’s best opening ever. Of that, the $26.1M debut in 49 international box office markets was also a new record bow for the Denzel Washington-led series.

The two seemingly unstoppable phenoms of summer 2023 are each setting new milestones this weekend as Greta Gerwig’s Barbie through Friday has become the No.1 film of the year globally, overtaking The Super Mario Bros Movie with $1.365B. In the same breath, Christopher Nolan’s Oppenheimer this frame is continuing its incredible run with the Universal title set to pass $850M globally through Sunday. This will see it surpass the filmmaker’s 2010 Inception as his 3rd highest-grossing title ever worldwide.

J. Kim Murphy Denzel Washington’s “The Equalizer 3” is showing some box office virtuosity, taking flight in its domestic debut after grossing $13.1 million on opening day from 3,241 venues. That includes $3.8 million in Thursday previews, boosted by showtimes in premium large format auditoriums.

Patrick Frater Asia Bureau Chief Hong Kong-based, Mainland China-born auteur Yonfan has scandalized and enthralled Chinese-speaking parts of Asia in a career that has spanned fine-art photography, filmmaking and journalism. Further afield, he has become a regular on the Lido. His 1995 feature “Bugis Street,” which has been restored and is screening in the Venice Classics section, achieved notoriety at the time of its debut. It is set in the red-light area of Singapore, at a time shortly after the country had achieved independence and before it earned its buttoned-up, conservative reputation. Loosely structured, the film follows a 16-year-old woman (played by Hiep Thi Le), who’s an employee at the appropriately named Sin Sin Hotel.

Patrick Frater Asia Bureau Chief CAA China has teamed up with the Hong Kong International Film Festival Society to unveil a joint initiative that will foster Chinese-language genre film projects. The HGC initiative will operate an open call for projects from Monday until the end of October.

Christopher Nolan’s Oppenheimer officially launched in China today, grossing an estimated $5.4M. Word of mouth is strong with the Universal title carrying a 9.5 on Maoyan, the platform’s best-ever audience score for a Nolan film. The Douban critics score at 8.7 is on par with 2012’s The Dark Knight Rises. The weekend is shaping up to land in the $20M+ range, based on early estimates.