EXCLUSIVE: Saban Films has taken multiple rights including domestic on The Aviary, the thriller starring Billions actress Malin Akerman, and will debut in 2022.
29.11.2021 - 15:55 / variety.com
John Hopewell Chief International CorrespondentStarring Pablo Larraín regular Alfredo Castro, Chilean-Spanish writer-director Theo Court’s “White on White” (“Blanco en Blanco”) has been acquired for distribution in North America by Outsider Pictures.The deal follows on the film’s world premiere this September at the Venice Film Festival’s Horizons sidebar, where Court won a Silver Lion for the section’s best director and a film writers’ Fipresci Prize.
“White on White” was selected earlier this
.EXCLUSIVE: Saban Films has taken multiple rights including domestic on The Aviary, the thriller starring Billions actress Malin Akerman, and will debut in 2022.
-- Now what?The hit CW drama just aired its 100th episode tonight and while some fans may be scratching their heads after a few ultra meta moments, others are wondering what's to come for Archie, Betty, Jughead, Veronica and the rest of our favorite characters. To celebrate this milestone moment, ET recently called up star Cole Sprouse, who plays Jughead — aka 's forever narrator and writer -- to find out how much longer he thinks the series will last. Plus, we all know that this series has
Buffalo 8 Distribution has acquired the North American rights to Jan P. Matuszyński’s Leave No Traces starring Tomasz Ziętek (Corpus Christi), Sandra Korzeniak (Influence) and Jacek Braciak (Edi).
EXCLUSIVE: Elisabeth Moss and Lindsey McManus have boarded writer-director Blerta Basholli’s Hive as executive producers. The Love & Squalor Pictures partners will spearhead the awards push for the Kosovan Oscar entry.
EXCLUSIVE: Cinedigm has acquired all North American rights to Suicide Forest Village, Takashi Shimizu’s supernatural horror inspired by a real forest in Japan known for its frequent suicides and disappearances.
A version of this story about “Compartment No. 6” first appeared in the International issue of TheWrap’s awards magazine.. Finnish director Juho Kuosmanen’s road film “Compartment No.
The eponymous edifice of Cambodia’s International Feature Oscar entry, White Building, is barely white at all by the time we encounter it. A low-rise apartment block in Phnom Penh — the sort of teeming anthill of humanity familiar to anyone who has spent time in a South East Asian city — it is stained with tropical rain, its cement falling off in chunks, its cat’s cradles of improvised electrical wiring truly shocking, in every sense of the word. Director Kavich Neang grew up here.
Flash, flicker, flash, cut to black. We’re watching grainy film of men walking in and out of the stalls in a West German public toilet, casting glances at each other, maybe a fumbling feel; a reverse angle shows us the camera behind the mirror. The men can’t see it, but some of them must surely guess it’s there and defy the odds anyway. Because without defiance, without desire, what are they? Without those things, they know they will only ever be half-alive.
Endemol Shine North America has teamed up with Everywoman Studios, the company behind HBO Max doc LFG, to expand a program to help female unscripted creators.
John Hopewell Chief International CorrespondentKino Lorber has acquired U.S. and Canadian distribution rights to Aly Muritiba’s “Private Desert” (“Deserto Particular”) Brazil’s International Feature Oscar submission and a love story hailed for its large sensibility as well as political point.The deal was negotiated with the film’s world sale agent, Rome-based Intramovies.
John Hopewell Chief International Correspondent“Spencer” director Pablo Larraín has thrown his weight behind Chilean Oscar entry “White on White” (“Blanco en Blanco”), hailing it as a “really interesting, strange and highly violent film.”“White on White” also addresses issues that are “highly unsettling and complex and which haven’t been resolved or at least discussed at sufficient length,” Larraín adds.His words come from a conversation, which he moderates, with “White on White’s” director
Nick Vivarelli International CorrespondentRiz Ahmed has boarded Egyptian-American director Dina Amer’s “You Resemble Me,” a bold exploration of the roots of Islamic radicalization through the story of Hasna Aït Boulahcen – who in 2015 was wrongly believed to be Europe’s first female suicide bomber – ahead of the pic’s premiere in the Middle East and North Africa region (MENA).Amer’s feature debut, which world premiered positively at the Venice Film Festival, is a deeply researched character
Jamie Lang Los Angeles-based Outsider Pictures has picked up North American rights to the award-winning Brazilian stop-motion feature “Bob Spit: We Do Not Like People,” this year’s Best Film winner from Annecy’s Contrechamp section for innovative and outside-the-box toon features and the Best Animated Feature at the Ottawa International Animation Festival.Outsider is currently planning an Academy qualifying run for the film.São Paulo-based Coala Filmes impressed early on with their claymation
The Icelandic mountains loom, the mists swirl between the peaks to where horses suddenly skitter in the snow. The only sound is stertorous breathing as the camera, clearly asserting something’s point of view, approaches the herd. Away they run.
Emiliano De Pablos Los Angeles-based Outsider Pictures has picked up U.S.
EXCLUSIVE: Colman Domingo is executive producing Scott Aharoni and Dennis Latos’ short Leylak.
It took eight years and a very enticing look book before Lamb co-writer and director Valdimar Jóhannsson got Iceland’s current Oscar entry off the ground.
Escape From Mogadishu, Korea’s submission to this year’s International Feature Oscar race, tells the harrowing true story of North and South Koreans caught in the middle of a brutal civil war in Somalia in 1991, and how the divided nation worked together to survive the crisis in a foreign land.
The sobering story of Pebbles, about domestic violence in India, is inspired by an incident in filmmaker P.S. Vinothraj’s real-life past, in which his sister was “chased away by her husband” and forced to walk 14 miles whilst cradling her baby in scorching terrain.
Filmed with an international cast speaking French, English and Spanish, and co-written with cinematographer Sara Mishara, Ivan Grbovic’s Drunken Birds begins in urban, crime-infested Mexico and swiftly transports us to the rural farmlands of Quebec, where former drug runner Willy has come in search of a former lover is in hiding from her mobster partner.