Actor and martial artist Dannie Yen has big biggest stateside release this weekend when “John Wick: Chapter 4” hits theaters everywhere. But US audiences may not realize just how prolific Yen is in the Chinese film industry.
09.03.2023 - 09:41 / deadline.com
Chaim Topol, an Israeli actor best known for his role as Tevye in the film version of Fiddler on the Roof, died Thursday at age 87 in Tel Aviv after a multi-year battle with Alzheimer’s.
Topol had a wide range of credits, but will always be known for the central character of Tevye — first in stage productions, then later in the film. He later returned to the stage with the role.
Born in Tel Aviv in 1935, Topol began his acting career while completing his IDF service in the army’s entertainment troupe where he met his wife, Galia. After that he joined a theater group, appearing in multiple productions before his first film role, the 1961 drama I Like Mike.
But it was his 1964 role in the film “Sallah Shabati” that first gained Topol serious attention, both domestically and internationally. Topol played the title role in the now-iconic film about the hardships of a Mizrahi immigrant family living in a transit camp.
The film became a smash hit locally, won best foreign film at the Golden Globes and became Israel’s first-ever nomination for an Oscar in the international film category. A year later, Topol was cast in a small role in the 1966 big-budget US production “Cast a Giant Shadow.”
His 1964 role in the film Sallah Shabati was Topol’s breakthrough. He played the title role in the film about the hardships of a Mizrahi immigrant family living in a transit camp.
The film won best foreign film at the Golden Globes and became Israel’s first nomination for an Oscar in the international film category. A year later, Topol appeared in the 1966 big-budget US production Cast a Giant Shadow.
He had been playing Tevye in the Hebrew version of “Fiddler” in Israel when he landed the same role in a British theater production. He
Actor and martial artist Dannie Yen has big biggest stateside release this weekend when “John Wick: Chapter 4” hits theaters everywhere. But US audiences may not realize just how prolific Yen is in the Chinese film industry.
Todd Spangler NY Digital Editor In front of a panel of skeptical and often hostile U.S. representatives, TikTok CEO Shou Zi Chew tried to make the case for why the popular app is not a security threat to the country — and why a government ban of the app would be the wrong course of action. A U.S. ban of the app would hurt the country’s economy, reduce competition and “silence the voices of over 150 million Americans,” Chew said in testimony submitted to the House Energy and Commerce Committee. The hearing, titled “TikTok: How Congress Can Safeguard American Data Privacy and Protect Children from Online Harms,” was held Thursday morning in Washington, D.C. The Biden administration recently demanded that ByteDance divest its ownership stake in TikTok or potentially be banned in the U.S. over national-security concerns given TikTok’s Chinese ownership. Under pending congressional legislation, which has bipartisan support, President Biden would have the authority to ban TikTok under the International Emergency Economic Powers Act.
Winnie the Pooh: Blood and Honey was due to take place in the special administrative region of China this week. However, it would seem that the horror film‘s release has now been cancelled without a reason being provided.VII Pillars Entertainment said on its Meta socials (both Facebook and Instagram) that it was with “great regret” that the scheduled release of the film on 23 March had been cancelled.
Michael Winterbottom has devoted much of his filmmaking career to revisiting real-life events through works blurring the boundaries between documentary and drama to various degrees.
Peter Debruge Chief Film Critic In 1993, “The Joy Luck Club” made Hollywood history, proving to a skeptical — and let’s face it, racist — industry that there was mainstream demand for a culturally sensitive Chinese American ensemble drama. Three decades later, along comes “Joy Ride,” throwing sensitivity to the wind en route to obliterating any remaining barriers. Like “Girls Trip” with an all-Asian-American cast, the Seth Rogen-produced, hard-R road movie follows small-town besties Audrey (Ashley Park) and Lolo (Sherry Cola) to Beijing, where they tackle everything from taboo tattoos to a devil’s threesome with all the gusto you’d hope or expect from “Crazy Rich Asians” co-writer Adele Lim’s directorial debut.
Lise Pedersen Documentary filmmaker Jialing Zhang, who was nominated for an Emmy for “One Child Nation,” spoke to Variety about her latest film, “Total Trust,” which is running in the main competition at CPH:DOX, the Copenhagen Intl. Documentary Festival. It tells the chilling story of three women and their families fighting for their human rights in China, where state control is ubiquitous thanks to high technology surveillance, such as facial recognition, big data analysis and points systems that mean citizens gain or lose points depending on their behavior. Zhang’s intimate footage offers unprecedented access to the impact of this all-controlling system on the protagonists’ everyday lives.
demanded on Wednesday that the Chinese company that owns TikTok sell the app, amid ongoing domestic security concerns, or face a potential ban in the U.S. But, in the grand scheme of things, Jimmy Fallon doesn’t think a ban will amount to much.Currently, TikTok is owned by ByteDance, and generates an estimated $10 billion per year.
In another sign of the return to China for Marvel after a long drought, Disney/Marvel’s Guardians of the Galaxy Vol. 3 has been set for a day-and-date release on May 5. The James Gunn-directed finale in the series is due to hit North American cinemas that same day while international rollout will begin on May 3. (Check out the new China poster below.)
Do U think TikTok should be forced to sell to an American company???
The Information, the US is prepared to ban the TikTok app if the Chinese fail to comply.U.S. officials have expressed concern about national security issues revolving around China’s government controlling an app that tens of millions of Americans have on their phones and computers.China’s massive internet company, ByteDance, has been negotiating with federal officials since the Trump administration, hoping to retain ownership of TikTok, which generates an estimated $10 billion per year.The Wall Street Journal reported that the Biden administration already had told TikTok and ByteDance to cut ties or lose the U.S.
EXCLUSIVE: Cinema Guild has acquired North American rights for Belgian director Bas Devos’s film Here which won best film in the Berlin Film Festival’s Encounters section last month as well as the Fipresci prize.
Nick Vivarelli International Correspondent Aardman Animations’ founder Peter Lord and “Waltz With Bashir” director Ari Folman are set to receive Pulcinella Career Awards at Italy’s Cartoons On The Bay TV animation festival which is broadening its scope. The event launched in 1996 by Italian state broadcaster RAI has now expanded beyond TV toons to comprise video game productions, the comic book world, transmedia storytelling and metaverse animation content. Reflecting its more high-tech horizons, the fest’s 27th edition – which will run May 31-June 4 in the Southern seaside city of Pescara – will also be celebrating “Cuphead,” the hit Canadian video game that’s become a Netflix series, and bestowing its creator Maja Moldenhauer with its new Transmedia Award.
Richard Kuipers Murder, treachery and political intrigue are the juicy ingredients of Zhang Yimou’s “Full River Red,” an entertaining if overlong mystery-comedy set in the narrow passageways and dark chambers of a Song dynasty military compound in 1146. With a twist-packed plot to match its labyrinthine location, Zhang’s fast-paced film motors along nicely as an engaging “Knives Out”-style whodunnit before stumbling a little in the protracted final act. A Lunar New Year smash hit in China, “Full River Red” will be released on 150 North American screens by specialty distributor Niu Vision Media on March 17. The biggest commercial success of Zhang’s distinguished 35-year career, “Full River Red” has already grossed a whopping $671 million at home since Jan. 22. The 157-minute blockbuster continues the string of hits (“Cliff Walkers,” “Shadow,” “Sniper”) he’s delivered since big-budget international co-production misfire “The Great Wall” in 2016. Much less ornately decorated and colorfully photographed than Zhang’s famous wuxia epics “House of Flying Daggers” and “Hero,” this intricately plotted outing is more concerned with wordplay than swordplay.
Marcus Lim Chinese TV producer Linmon Media struck a decidedly international tone during the presentation of its 2023-24 slate at FilMart, with presenters speaking about their Chinese-language projects in only English and Korean, and handing out sleek project literature in multiple languages. Apart from a slate of romance, medical and crime dramas targeted at domestic audiences, the studio is actively remaking its hit female-led contemporary drama “Nothing but Thirty” in Thailand, Indonesia and Hong Kong, having previously licensed the remake rights to Korean pay TV network JTBC. The drama, which follows the lives of three women as they transition from their 20s into their 30s, is emblematic of the Linmon slate, which is heavy on female-centric contemporary romance dramas.
EXCLUSIVE: Drift director Anthony Chen is gearing up to direct his first US-set project, Heartbeat: A New York Story, about the rarely-told experiences of the Asian gay community during the AIDS epidemic in 1980s New York.
Three months ago, Doha’s new Downtown Msheireb district was the throbbing heart of the FIFA World Cup in Qatar as one of its main fan zones.
Peter Debruge Chief Film Critic “Chang Can Dunk” doesn’t go the way you’d expect, and that’s a good thing. Here’s a Disney movie about a 5-foot-8-inch Chinese American high school basketball player who bets his rival that he can dunk by the end of the season. He gets his wish about an hour in (that’s neither spoiler nor surprise, since the title literally tells us that Chang can dunk), but there’s still a long way for the character to go — and grow — in a film that believes maturity isn’t achieved by shortcuts. The result marks the attention-worthy debut of writer-director Jingyi Shao, and exemplifies the sort of movies Disney should be making: It has its values in the right place, but doesn’t pretend its hero is perfect. If there’s a villain in “Chang Can Dunk,” that role is arguably filled by the title character (tenaciously embodied by Bloom Li, who keeps us wondering how to feel about Chang). In time, the obsessive teen’s ultra-competitive personality winds up alienating practically everyone in his life, except demanding single mom Chen (an excellent Mardy Ma), whose tough-love approach only amplifies his resentment.
Israeli actor Chaim Topol, known for his iconic role of Tevye in the film "Fiddler on the Roof," has died at the age of 87. A cause of death was not revealed, however his son told the Israeli press last year that his father was suffering from Alzheimer's disease. Raised in Tel Aviv and revered as a top actor in his native land, Topol appeared in over 30 movies across Israel and the United States.
Chaim Topol, a leading Israeli actor who charmed generations of theatergoers and movie-watchers with his portrayal of Tevye, the long-suffering and charismatic milkman in “Fiddler on the Roof,” has died in Tel Aviv, Israeli leaders said Thursday. He was 87.
Patrick Frater Asia Bureau Chief American musical comedy film “Lyle Lyle Crocodile,” is set to release in mainland China cinemas, having received approvals for import and distribution from Chinese authorities. It will play in China from April 15, 2023. The film was released in North America in early October last year and many other territories at the end of 2022. Parts of Asia have been later to receive the title with Korea and Taiwan play it from January and Japan set to open it from March 24. The film has grossed $108 million worldwide, with $60.9 million of that coming from international markets and $46.8 million from the North American domestic market, studio backer Sony Pictures reported.